Tallahassee: Not the Florida You Know

I go to San Luis de Talimali in the mornings when the gates first open and the mockingbirds raise a full-throated ruckus just because the sun is shining. In the 17th century, San Luis represented the temporal and spiritual power of Spain to the tribes of western Florida (and the British and the French), with its fort patrolled by armor-clad soldiers and its brown-robed Franciscans chanting Mass. The old mission buildings are gone, burned in 1704. But they've been carefully reconstructed, a startling incursion of the world of 350 years ago into 2007. The Apalachee council house is covered in thatched palm with a round opening to the sky above. It's the place where the people would have danced, sang, argued, advocated and drunk the sacred yaupon tea.

On an April day, I stand inside the friary church, listening to the birds. The floor is clay the color of carnelians; the light is dim; there are no windows. Still, enough light comes in the doors to see the pictures of saints and archangels hanging on the high walls. An image of the Virgin of Guadalupe surrounded by beating wings adorns the altar.

Back out in the brightness, if you squint a little, you can imagine this place in 1650, Apalachee women tending corn, the mission bell ringing out the Angelus.

A Company Town

On my way back to the capitols, I stroll under pennants of Spanish moss waving in the live oak trees. The old houses on Park Avenue, and Calhoun and Gadsden streets are all within a few blocks of one another and the state government complex, and now, with wisteria scenting the air, walking is the way to see Tallahassee's relics.

The plain frame Lewis House, dating from 1845, was owned by Lewises until 1993. The Knott House, with its fine Doric columns and cedar-green shutters, was built in the 1840s by George Proctor, a free black man, for some local grandees. In 1865, Union Gen. E.M. McCook, exasperated with the way the local white folks kept on acting as if Appomattox hadn't happened, read the Emancipation Proclamation from its front steps. Loudly.

The seven blocks of grass, trees and flowers downtown are called the Chain of Parks. If you follow the parks west to the end, you'll come upon a crowd of Florida's movers and shakers. Here among the wild violets and palmettos, I see governors, judges, Democrats, Whigs, even an exiled prince who fancied himself a power broker. They're the quietest politicians I've ever encountered. Admittedly, they're dead.

The old St. John's Cemetery guest list boasts Gov. William Bloxham, memorialized by a tall pillar pointing like an accusing finger toward heaven. He fell afoul of Florida's eccentric vote-counting methods the first time he ran for office in 1870 and the state canvassing board threw out his ballots -- even though he had won the most votes. My favorite Florida celebs, Catherine and Achille Murat, molder away under two slim obelisks now crumbling in the habitual damp. She was a great-grandniece of George Washington; he was a nephew of Emperor Napoleon. Achille was also Crown Prince of Naples -- at least until 1815 when Italian anti-Bonapartists shot his father. In 1825, he settled just east of Tallahassee and built a plantation he called Lipona (an anagram of "Napoli"), dueling and politicking until he drank himself to death in 1847. Catherine bought her own plantation and spent the rest of her life throwing parties for young Confederate officers.

"Weird things happen in Tallahassee," says Morgan, the journalist. "Where else would a governor bring a glamorous blonde to his inaugural ball and introduce her only as 'Madame X' -- you know, like Claude Kirk did in 1967? Where else would the locals bring plates of cookies to the guys in the satellite trucks during the recount?"

"Where else can you find a French restaurant that serves grits?" asks John Newton, one of Al Gore's lawyers in the 2000 election imbroglio. "And I don't mean polenta, I mean grits."

The local cash crop is no longer cotton, it's politics. Even our cathedral is named after a politician, St. Thomas More, whose policy dispute with Henry VIII still resonates today. Presidential candidates are already underfoot: John McCain recently showed up at Paradigm, a cocktail place on College Avenue, and the crowd spilled out into the road; Barack Obama brought his panting acolytes to the plaza in front of the city art gallery, and the hollering and cheering was so loud you'd have thought there was a football game on.

Tallahassee has football, too, courtesy of Florida A&M, home of legendary coach Jake Gaither and the even more legendary Marching 100, a band lately seen at the 2007 Super Bowl outdancing Prince. Florida State plays games in a castle, a huge fortified gothic pile with battlements, towers and a stadium in the middle.

The universities provide a built-in audience for music, from Alan Jackson wailing at the Civic Center to Look Mexico pumping out its self-proclaimed "yacht-rock" at Beta Bar in the funky All Saints neighborhood. Around the corner there's the Railroad Square Art Park, and nearby, you can hear Pulitzer Prize-winning poets and National Book Award-winning novelists reading their work in the back of the Warehouse, a Gaines Street pool hall.

Still, this is a company town. Moreover, it's deep blue, a Democratic town in a state run by Republicans. So when the legislature returns each spring for its annual session, Tallahassee becomes an occupied city. With the first dogwood bloom, the Hummers roll in. It's like Prague in 1968, only with iced tea and people saying "y'all."

The action's now in the New Capitol, where, if you can see around the lobbyists, you'll be immediately hit in the eye by "Images of the Sunshine State," a mural by James Rosenquist with state symbols -- oranges, a huge and somewhat threatening mockingbird, a stern-looking bull, an alligator -- against a background of diaphanous blue water. On the fifth floor, you can sit in on legislative debates.

Sometimes it's great political theater. More often, the best stuff happens outside, between the old and new statehouses. Today, a guy in a parks service uniform holds a young alligator while a couple of pirates from Tampa's Gasparilla Festival pet it. The gator's jaws have been duct-taped shut. A mermaid sits in a lawn chair, talking to some senators. It's Tourism Day at the legislature. Tomorrow, Key West throws a Conch Republic party. They used to make a Key lime pie the size of a baseball diamond, browning the meringue with blowtorches. With new ethics regulations, though, nobody's sure whether there will be free pie.

The mermaid, from Weeki Wachee Springs, wears a brassiere covered in green spangles and a green lamé tail that zips up the side. A senator asks her if she wants to hit one of the bars on the Adams Street Commons, a shady complex of 19th-century brick buildings with frilly iron balconies and sidewalk cafes below. "Yeah," she says. "I need a drink."

Diane Roberts's latest book is "Dream State: Eight Generations of Swamp Lawyers, Conquistadors, Confederate Daughters, Banana Republicans and Other Florida Wildlife" (Free Press).