The Eye Generation Prefers Not to Read All About It

Scene 2: The students, sitting in a semicircle, are asked to name their favorite movies. They rattle off "Apocalypse Now" and "Psycho" and "Raging Bull."

"The Incredibles," says Kit Reiner.

"Pirates of the Caribbean," says Craig Patterson. "One."

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In an e-mail, Krauth says the problem of visual illiteracy will be solved only "when being visually literate becomes central to current discussions and definitions of the literate individual in modern society."

Teachers must understand that students in the 21st century are receiving the bulk of their information through images, she says, and they must teach students how to be decisive and discerning about the images they see. "We should lean into the reality of this generation," she says, "and construct meaningful lessons using visuals."

And that's what Schwartz is trying to do: give meaningful literary lessons to his students using visuals. Over the nine or so years that he has been involved with the course, the students get younger and they come with more experience. This is the youngest class he has seen. Several have taken film classes at other schools.

In Schwartz's class, everyone comes up with an idea for a movie. Then they vote on the best one. This time, the only suggestion with a clear beginning, middle and end comes from the 40-year-old, David Hevey, who teaches middle school in Singapore. He suggests a story about a man with halitosis. After the plot is established, each student writes and directs one scene of the collaborative movie. They take turns performing other sundry tasks -- assisting with the camera, monitoring the sound, holding the boom microphone, making sure everybody is fed and watered.

For the major jobs, Schwartz brings in a couple of pros. Aerial Longmire, who handles the camera, is a star graduate of Schwartz's film courses. She works at Retirement Living Television Network in Columbia. Abba Shapiro, who helps the students with scripts and editing, trains people to use Apple's digital editing software.

Working sometimes 10 hours a day, students -- who paid $2,000 for the course -- write the movie, cast it, shoot it, edit it and gather to watch it at the end of the class; the film will be shown, free to the public, on Monday at 5 p.m. at the AFI Silver Theatre in Silver Spring.

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Scene 3: Schwartz hunches over a box of photographs -- publicity pictures of actors being considered by the class for the four main characters in its movie, "Scent of Love." This is the way the casting process begins. Schwartz faces the students and flashes about 200 pictures of professional actors. He waves each picture in front of the class, pausing only a few seconds. Amazingly, the students seem to remember every face that blurs past.