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Tradition With A Wry Twist
Nakamura Shichinosuke, left, and his father, Kanzaburo, perform at Lincoln Center in "Renjishi," about a lion who teaches his cub courage.
(By Stephanie Berger -- Lincoln Center For The Performing Arts)
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The play got an ovation, but there were critics in the house.
"It's a little too much," whispered an American usher, who said that she wrote her college thesis on Kabuki, and that Kanzaburo has departed too much from tradition.
Kanzaburo said conservatives in Japan initially ignored his new company. But then he garnered acclaim during his New York debut in 2004, in which the play called for him to be chased over miniature rooftops to end up in the arms of New York police.
"We got a rave review in the New York Times," he said. "That changed everything in Japan."
The latest production of Heisei Nakamura-za in Japan involved an electric guitar and female singers. Kanzaburo said even his wife -- who is the daughter, sister and mother of Kabuki actors -- had her qualms.
"My wife's family is very traditional -- whenever I do something new, she says, 'Is it a little too much?' Like electric guitar -- 'Is it too much?' Each time, we do a little more," he said.
The 900-seat theater, whose tickets cost roughly $125, sold out, said Toru Tanaka, Kanzaburo's manager. Gross ticket sales have been more than $1 million over the season's eight months, he says.
Original Kabuki stories were often dramatic versions of sensational events -- lovers' suicides, public vendettas, scandalous murders -- a kind of living newspaper performed by the river. "The Love Suicides at Sonezaki," for instance, was based on the true story of a young couple who took their own lives in a nearby forest. A low-caste Romeo and Juliet, he was a clerk in a soy-sauce business, she was a prostitute.
Kanzaburo says he has considered adapting contemporary events into plays, but life these days has become too easy to make good Kabuki.
"You can fly [for] hours and get to New York," he says. "In the past, you would have to really journey, walk, ride, take a boat -- even getting together for a simple meeting was full of confusion and complexity.
"If they had had cellphones, Romeo and Juliet would not have had to die. He would have called her, and said: 'Don't take the medicine! I'm going to take a potion that'll make me only look dead!' "
But Kanzaburo's sons have visions of adapting tales from splatter movies and comic books.


