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All the News That Seemed Unfit to Print

WWN editors Eddie Clontz, left, and Sal Ivone in 1992.
WWN editors Eddie Clontz, left, and Sal Ivone in 1992. "It was electrifying," Ivone recalls. "Every day you'd go into the office and somebody would make you scream with laughter." (Weekly World News)
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In fact, most of WWN's writers really had escaped from mainstream newspapers, including the Philadelphia Inquirer and the New York Times. They figured life at the Weekly World News would be more fun -- and they were right.

"It was electrifying," says Sal Ivone, who worked at the New York Daily News before jumping to WWN. "Every day you'd go into the office and somebody would make you scream with laughter."

"It was just a hoot," says Joe Berger, who covered Congress for the Oregon Journal before escaping to WWN in 1981.

"We were the Beatles of fake journalism," says Clontz.

* * *

CRAZED DIETER

MISTAKES DWARF

FOR CHICKEN!

The story of the Weekly World News is as bizarre as any of the articles it printed. Well, maybe not quite as bizarre as "PLANE MISSING SINCE 1939 LANDS WITH SKELETON AT THE CONTROLS," but pretty bizarre.

It all began in Lantana, Fla., in 1979, when the National Enquirer, America's premier tabloid, bought new color presses to replace its old black-and-white presses. The Enquirer's owner, a former CIA agent named Generoso Pope, couldn't bear to leave the old presses idle, so he founded Weekly World News as a sort of poor man's Enquirer, running celebrity gossip and UFO sightings that didn't quite meet the Enquirer's high standards.

"Early covers tended to be dominated by a gigantic celebrity head -- not headline, head -- like sitcom king John Ritter's head the size of a beach ball," Clontz recalls in an e-mail. "Circulation didn't top 200,000 until then-editor Joe West named my brother Eddie managing editor and gave him sweeping powers over content and presentation. From that point on, it was Katy bar the door."

Eddie Clontz was the mad genius behind WWN. A 10th-grade dropout from North Carolina and former copy editor at small newspapers, he imbued the WWN newsroom with his unique philosophy of journalism: Don't fact-check your way out of a good story.


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