Revisiting a War Once Left Behind
Monday, August 13, 2007
If Harun Mehmedinovic was a loner at his Northern Virginia high school, perhaps it was because for so many years he was alone.
War descended on his home city of Sarajevo when he was 9, and his family went into hiding for 3 1/2 years in the 1990s as Serb forces besieged the Bosnian capital. His family members huddled in the cellar of their apartment building as gunshots and grenades whistled by and food grew scarce. Mehmedinovic missed four years of school.
Arriving in the United States in 1996 at 13, he found it hard to relate to kids who had spent their childhoods riding bikes and kicking soccer balls.
"They had no clue," he said of his classmates at Kilmer Middle School in Vienna and Marshall High School in Falls Church. "When you say 'war' to people, they don't know what to think. . . . If I tell them what the war's like, they're not going to sleep that night."
Instead, Mehmedinovic turned to visual art, first through drawing comics and taking pictures, then through film. In June he graduated from the American Film Institute in Los Angeles, winning an award there for a short movie he wrote and directed about the war. His father, a poet-journalist, and his mother, who works with refugees, live in Alexandria.
Mehmedinovic was back in the Washington area this month for a gathering of recipients of Jack Kent Cooke Foundation scholarships. The foundation, based in Loudoun County, gives need-based awards to promising students from eighth grade to college.
The foundation's executive vice president, Joshua Wyner, said Mehmedinovic's application essay was strikingly genuine. "These experiences, when written down, can come across as trite, but they didn't with him," Wyner said. Mehmedinovic, 24, received two Jack Kent Cooke scholarships, one each for college and graduate school.
Sitting in a Thai restaurant in Old Town, amid streets he used to wander as a teenager, the lanky young man with deep-set blue eyes talked about his film. "In the Name of the Son" tells the story of a Bosnian Muslim named Tarik, a former prisoner of war living in Los Angeles. He is visited by a Serb officer who spared his life during the war and who now, racked with guilt for killing his own son, wants Tarik to help him die.
The 25-minute film took a year and a half to complete, and Mehmedinovic is considering turning it into a full-length feature; the current version has been submitted to several festivals and will be shown at the Sarajevo Film Festival this month.
"I think it was on some level a masochistic exercise," Mehmedinovic said, "because you're going back and dwelling on things that are hard to deal with."
The film is not autobiographical, but it addresses the breakdown of normal societal ties that everyone in Bosnia witnessed and that Mehmedinovic said he could not have written about without experiencing.
"Here it's normal to go out and buy a hamburger," he said, gesturing toward King Street's bustling lunch crowd. In wartime Sarajevo, he said, it was "normal that a dog comes to your front door with a body part in its mouth or that you see people skinning a cat and eating it."