Latest Entry: The Daily Goodbye

Washington Post staff writers offer a window into the art of obituary writing, the culture of death, and more about the end of the story.

Read more | What is this blog?

More From the Obits Section: Search the Archives  |   RSS Feeds RSS Feed   |   Submit an Obituary  |   Twitter Twitter
Page 3 of 3   <      

Drummer Max Roach; Architect of Bebop

Discussion Policy
Comments that include profanity or personal attacks or other inappropriate comments or material will be removed from the site. Additionally, entries that are unsigned or contain "signatures" by someone other than the actual author will be removed. Finally, we will take steps to block users who violate any of our posting standards, terms of use or privacy policies or any other policies governing this site. Please review the full rules governing commentaries and discussions. You are fully responsible for the content that you post.

He and Lincoln, who were married from 1962 to 1970, recorded two other albums and continued to live in the same Manhattan apartment building for years. She was his second wife.

His survivors include a daughter, musician Maxine Roach, and a son, actor Daryl Roach, from his first marriage, to Mildred Roach; a son, Raoul Roach, from another relationship; and twin daughters, Ayodele Roach and Dara Roach, from his third marriage, to Janus Adams Roach. All three marriages ended in divorce.

Beginning in 1972, Mr. Roach taught at the University of Massachusetts and lectured on music throughout the country. He worked with avant-garde musicians Cecil Taylor, Anthony Braxton and Archie Shepp; formed a drum ensemble, M'Boom Re: Percussion; and appeared with gospel choirs, symphony orchestras, brass quintets and Japanese drummers. He also composed music for dance pieces by Alvin Ailey and for plays by Sam Shepard.

In the 1980s and '90s, Mr. Roach often performed with a string quartet that included his daughter Maxine on viola. He played drums in spoken-word concerts with writers Toni Morrison and Amiri Baraka and sometimes accompanied hip-hop artists.

When asked why he would perform with rappers, Mr. Roach replied, "The world of organized sound is a boundless palette." (He drew the line at jazz fusion.)

He made his final recording, with trumpeter Clark Terry, in 2002.

Trim, dapper and typically attired in a suit and tie, Mr. Roach was a man of dignity who demanded respect for his art. Late in his career, he rejected the term "jazz" altogether, saying it relegated his music to second-rate venues and low pay. He assumed the role of elder statesman, shining the light of his music from the past into the future.

"The thing I notice about this music," he said in 1991, "is that every generation is allowed to make a contribution. You're 'obliged,' is a better way of saying it. You're obliged to make a contribution."


<          3


More in the Obituary Section

Post Mortem

Post Mortem

The art of obituary writing, the culture of death, and more about the end of the story.

From the Archives

From the Archives

Read Washington Post obituaries and view multimedia tributes to Pope John Paul II, Ronald Reagan, James Brown and more.

[Campaign Finance]

A Local Life

This weekly feature takes a more personal look at extraordinary people in the D.C. area.

© 2007 The Washington Post Company