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Robot Maker Builds Artificial Boy

The theory posits that humans have a positive psychological reaction to robots that look somewhat like humans, but that robots made to look very realistic end up seeming grotesque instead of comforting.

"Nobody complains that Bernini's sculptures are too darn real, right? Or that Norman Rockwell's paintings are too creepy," Hanson said. "Well, robots can seem real and be loved too. We're trying to make a new art medium out of robotics."


Zeno, a robot boy creation by David Hanson makes one of his many expressive faces at Hanson's office in Richardson, Texas, Thursday, Sept. 6, 2007. At 17 inches tall and weighing 6 lbs, the artificial Zeno is the culmination of five years of work by Hanson and a small group of engineers, designers and programmers at Hanson Robotics. (AP Photo/Tony Gutierrez)
Zeno, a robot boy creation by David Hanson makes one of his many expressive faces at Hanson's office in Richardson, Texas, Thursday, Sept. 6, 2007. At 17 inches tall and weighing 6 lbs, the artificial Zeno is the culmination of five years of work by Hanson and a small group of engineers, designers and programmers at Hanson Robotics. (AP Photo/Tony Gutierrez) (Tony Gutierrez - AP)

So just how did Hanson end up with two Zenos, anyway?

It all goes back to when his wife, Amanda, gave birth to their first child and Zeno the robot was already in the works.

They rattled off several names to their baby boy, but it wasn't until they whispered "Zeno" that "this look of peace fell over his face; it was like soothing to his ears," Hanson recalled.

"There was no way we could give him any other name. He chose Zeno as his name," he said.

That was just fine with Amanda.

"I thought that it was very endearing, very sweet," she said.

The similarities go beyond the name. Though Zeno the robot was built to resemble the animated Japanese TV show character Astro Boy, his plastic hair and saucer-shaped eyes bear a striking resemblance to the curly locks and wide-eyed smile of the real Zeno.

"So by coincidence they're both Zeno, and in other ways this robot has become more of a portrait sculpturally of the son, although it's almost coincidence," said Hanson, whose previous jobs include working as a character sculptor for The Walt Disney Co. "We didn't consciously sculpt this robot to look like him. It's the way things filter through the hands of the artist."

Hanson says one of the robot Zeno's biggest advancements is that its brains aren't inside the robot. Instead Zeno synchs wirelessly to a PC running a variant of Massive Software _ the same Academy Award-winning code that enabled the fantastical battles among humans, orcs and elves in the "Lord of the Rings" movies.

Like some modern version of Geppetto's workshop, Hanson's office is crammed with rows of shelves stacked with books about robots next to toy robots and plastic skulls. Notes ranging from mathematical formulas to design sketches cover several white boards like high-tech graffiti.

There are scattered bits from Hanson's previous creations, including Albert Hubo, a white robotic body topped with a realistic head of Albert Einstein that has graced magazine covers and even shaken hands with President Bush.

Hanson has been recognized for his work, garnering accolades from the Association for the Advancement of Artificial Intelligence in 2005 and a "best design" award at the Smithsonian's Cooper-Hewitt National Design Triennial last year.

But Hanson is most proud of the real Zeno, a rambunctious toddler who frolics with free rein among priceless electronics.

"If the robots become popular I suppose it will pose an identity crisis for my son," Hanson said. "But I think that the amount of love that he receives will make him feel like an individual no matter what."

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On the Net:

http://www.zenosworld.com


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© 2007 The Associated Press