When Lawrence Brownlee introduced a set of Italian songs halfway through his recital at the Jewish Community Center of Greater Washington on Saturday night, he explained that a recording of the Three Tenors was one of the first to inspire him, though he was no Pavarotti or Carreras.
CLASSICAL MUSIC
When Lawrence Brownlee introduced a set of Italian songs halfway through his recital at the Jewish Community Center of Greater Washington on Saturday night, he explained that a recording of the Three Tenors was one of the first to inspire him, though he was no Pavarotti or Carreras.