Pops concerts are at something of a demographic crossroads. Subscribers, most of whom are older, prefer show tunes and has-been soloists. Yet two months ago, when the National Symphony Orchestra booked the world-pop collective Pink Martini, young professionals packed the Kennedy Center.
PEFORMING ARTS
Pops concerts are at something of a demographic crossroads. Subscribers, most of whom are older, prefer show tunes and has-been soloists. Yet two months ago, when the National Symphony Orchestra booked the world-pop collective Pink Martini, young professionals packed the Kennedy Center.