By Mary Karr
Sunday, October 5, 2008
When Hayden Carruth died this week at 87 from a series of strokes at his home in upstate New York, American letters lost another colossus. He was an infantryman in World War II and came home to battle -- in prose and verse -- for causes ranging from nuclear disarmament to ecological farming. Like Robert Frost, he drew on the rural landscape and characters. He could orchestrate a symphony from plain American speech. "Regarding Chainsaws" opens when the admittedly "greenhorn" speaker is given an old chainsaw: "Bo Bremmer give it to me that was my friend,/though I've had enemies couldn't of done/no worse." He gets "a bursitis in the elbow" after yanking the cord "450 times." Eventually, Old Stan (a neighbor) buys it from him. But a few days later when he asks how the chainsaw is working, Stan says, "I tooken/it down to scrap, and I buried it in three/separate places yonder on the upper side/of the potato piece. You can't be too careful/. . . when you're disposing of a hex."
Unlike Frost's wise old country titans, these men fight with modern machinery in a climate where they, too, face becoming rusty and obsolete:
I quit stopping by to see old Stan, and I
don't feel so good about that neither. . . .
. . . Stan was taken away
to the nursing home, and then he died. I always
remember how he planted them pieces of spooked
McCulloch up above the potatoes. One time
I went up and dug, and I took the old
sprocket, all pitted and et away, and set it
on the windowsill right there next to the
butter mold. But I'm damned if I know why.
I'd like to end with one of the tender love lyrics he assembled during his late marriage to poet Joe-Anne McLaughlin Carruth:
Forty-FiveWhen I was forty-five I lay for hours
beside a pool, the green hazy
springtime water, and watched
the salamanders coupling, how they drifted lazily,
their little hands floating before them,
aimlessly in and out of the shadows, fifteen
or twenty of them, and suddenly two
would dart together and clasp
one another belly to belly
the way we do, tender and vigorous, and then
would let go and drift away
at peace, lazily
in the green pool that was their world
and for a while was mine.
Carruth was ours for a while, and the green world was greener for his words.
"Regarding Ch ainsaws" is from "Collected Shorter Poems, 1946-1991" (Copper Canyon, 1992). "F orty-Five" is from "Scrambled Eggs and Whiskey: Poems, 1991-1995" (Copper Canyon, 1996). Reprinted with permission of Copper Canyon Press.
Mary Karr has published four books of poems, most recently "Sinners Welcome."
View all comments that have been posted about this article.