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Fresh Look at Martha Washington: Less First Frump, More Foxy Lady

"They were the Manolo Blahniks of her time," said Brady, the historian and author. "So much false information was given out about the stupid cherry tree and the wooden teeth, it's put this sort of a layer of dullness over him, and of course, if he's dull, she has to be dull. Nobody imagines that they were in love and in pain and liked to dance, that what real people go through, they went through."

In the 20th century, attempts to restore George's humanity inevitably led to fabrications and exaggerations about his love life and his military adventures, Lengel said. Early efforts to humanize Martha in the popular mind painted her as crabby and difficult to get along with.

In 1958, the Sally Fairfax letters surfaced at the Houghton Library at Harvard University. "I profess myself a Votary to Love," Washington wrote Sally, confessing his love for her shortly before he was to marry Martha. The letters hit like a bombshell. A new narrative was born for the turbulent times, one of Washington marrying tired old Martha for convenience while pining for Sally. The defining books of the time took pains to portray Martha as a dull homebody and the second choice of history.

"Martha Washington was neither beautiful nor brilliant. She lacked artistic skill, except perhaps in fine needlework. The letters she wrote were an incoherent jumble of affection and gossip." That was James Flexner, the preeminent Washington scholar of the 1960s and '70s. He describes Washington's marriage to Martha as an "escape" from the burden of his passions for Sally. The 40-year union, he wrote, "began badly." Martha, he wrote disdainfully, was "diminutive and plump."

That sets off revisionist historians such as Brady. Although it is true that Martha had borne four children by the time she met Washington, only two of whom survived, she hadn't packed on the pounds yet.

Brady examined purchase orders and clothes inventories of the time. "Martha was very short. [About 5 feet.] But she was not dumpy. We know that because of the account books that she and her first husband kept. Everything they ordered from England refers to her tiny hands, her tiny feet, her small waist, her slim arms," Brady said. "When you were buying at a distance like that, you had to be honest. If you said you were slim and they sent you a small dress and you weighed 200 pounds, it would really be a waste of money."

It was Brady who took a miniature watercolor-on-ivory portrait of Martha in middle age, which her grandchildren said was a "striking likeness," to forensic anthropologists at the Louisiana State University Forensic Anthropology and Computer Enhancement Services, or FACES, Labratory. These are the scientists who do age progressions to determine what kidnapped children might look like as adults. Brady asked whether they could do the same process in reverse: take a middle-aged Martha and, using her bone structure, figure out what she would have looked like as a 25-year-old about to marry the future father of the country.

Mount Vernon bought the portrait, and it hangs in its education center.

"I wanted to rescue her from old-ladyhood," Brady said.

In drawing a new portrait of their relationship, which perhaps might not have started in love, but grew into it, Brady relied heavily on the two letters from George that escaped Martha's fire. Both were written in the early days of the Revolutionary War. He addresses her as "My dearest." They are warm and filled with concern for her.

Lengel recently discovered a rare letter from Martha to George in 1777, where she calls him "My Love."

"There's enough circumstantial evidence really to show that they were very close," he said. "All these years, Martha has been an afterthought. It hasn't been until now that people have taken the time to see who she really was."

And the story that her purple wedding shoes have been trying to tell.

Martha Washington's wedding shoes will be on display at Mount Vernon through Feb. 23.

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