|Page 2 of 2 <|
Viggo Mortensen and Kodi Smit-McPhee of 'The Road' forged a realistic bond
As Mortensen put it: "My character absolutely doesn't work unless his character works, and vice versa."
Originally, Mortensen expected to draw on his feelings about his own son -- Henry, now 21 -- to inform his take on a father desperate to keep hope alive for his only child.
"That's how I connected to the book, and when I spoke to Cormac McCarthy before we started shooting, that's what we talked about," he says. "His kid. My kid. Being dads. But once we got going, it was really about Kodi and I going on this trip together."
Smit-McPhee is an unknown commodity to most American moviegoers, though a few may recognize him from his role as Eric Bana's son in the film "Romulus, My Father," a part that earned him an Australian Film Institute Award. After Hillcoat looked over what he describes as "thousands" of young actors, the youngster from Melbourne managed to distinguish himself with a little help from his real-life father, actor Andy McPhee.
"There were certain scenes I would never have asked a kid to audition for," Hillcoat says. "Yet they did these extra scenes where his real father played the father in the audition tape. And that to me was a message that, you know, 'my son can handle this.' Or, conversely, that these people are absolutely insane and it's time to bring in child services."
With Smit-McPhee's commitment firmly established, the youngster (he was 11 when shooting commenced) and his co-star focused on getting to know each other. On the set, Mortensen taught the boy a few of his sword moves from "The Lord of the Rings." Off the set, the two hung out around the Pittsburgh area, where much of the movie was shot; during our interview, they went off on a nostalgic tangent for several minutes, recalling an unusual church they explored, a local heavy-metal musician who tried to give both of them cigars and a shop where they sampled chocolate-covered crickets. (So, yes, they actually did eat bugs, both in and out of character. Smit-McPhee's verdict? "They tasted really good.")
But according to Hillcoat, their relationship took a more meaningful turn when they shot a scene in which Mortensen's character cleanses blood from his son's face by dunking his head into an icy stream. With the camera rolling, Smit-McPhee started to cry. It quickly became obvious to Mortensen, the crew and Smit-McPhee's father, who has a small part in "The Road" and happened to be on the set, that the boy's sobs were of genuine pain. Still, the two remained in character -- and Mortensen continued to cradle Smit-McPhee in his arms -- until Hillcoat said cut.
Smit-McPhee's "father did a very courageous, brilliant thing, which was to step back and let Viggo keep embracing him and comforting him to the point where he completely calmed him down, and then got out of him what happened and talked about the whole thing," the director recalls. "From that point on, it created a whole new -- there was kind of a bonding experience."
After guiding the boy on their grueling, shared journey in "The Road," Mortensen also seemed proud to usher him along another path: the one that leads to a long-lasting career in Hollywood.
"I think it's good, when you can, to be patient," Mortensen said at one point when asked about how he chooses his parts. "And I think Kodi's being patient. He's trying to find roles together with the advice of his parents, particularly his dad."
"I've learned not to work with you again," cracked Smit-McPhee, again in sarcastic teen mode, mock-rolling his eyes.
"There you go!" Mortensen said. Then he smiled a proud-papa smile: "See what I mean? You learn a lot in this business if you want to, don't you?"
(113 minutes, opening Wednesday at area theaters) is rated R for some violence, disturbing images and language.
Read Ann Hornaday's review on Wednesday in Style.