Belva Plain, 95
Monday, October 18, 2010; 2:15 AM
Belva Plain was a grandmother nearing retirement age when she published her first novel, "Evergreen," in 1978. She went on to establish herself as a prolific writer and a mainstay of popular fiction whose romantic dramas and intergenerational family sagas, though not always beloved by critics, were embraced by millions of readers.
Mrs. Plain, who wrote 20 bestselling novels in her late-life career, died Oct. 12 at age 95 at her home in Short Hills, N.J. The cause of death was not disclosed.
Mrs. Plain sold her first short story to Cosmopolitan magazine when she was 25. She went on to raise three children and, until the early 1960s, to write formulaic tales for magazines such as Redbook and Good Housekeeping about wives who contemplate - and ultimately resist - extramarital temptation.
It was not until her children were grown and had begun families of their own that Mrs. Plain produced "Evergreen," a sprawling 700-page rags-to-riches tale about Anna, a beautiful Jewish immigrant who falls in love with one man only to marry another.
"Evergreen," which remained on the New York Times' bestseller list for 41 weeks in hardcover and was later made into an NBC miniseries, announced many of what became Mrs. Plain's signature devices: strong heroines, forbidden love and torturous secrets complicating multi-generational family entanglements.
She was particularly interested in countering cliches about Jewish families, she said. "I was tired of the stereotyped Jewish mother whose chicken soup renders her son impotent," she told People magazine in 1978. "I thought it was time to write about the kind of people I know."
With "Random Winds" (1980), the story of a doctor and the three women who haunt his life, and "Eden Burning" (1982), about a wealthy young woman who endures rape only to become pregnant with her attacker's child, Mrs. Plain cemented her reputation as what the Times called "the queen of family-saga writers." More than 25 million copies of her books have been sold.
Desire filled her stories, but Mrs. Plain mostly stayed out of her characters' bedrooms, refusing to write the explicit sex scenes typical of pulp romance novels.
"I think they're vulgar," she told the Chicago Tribune in 1984. Writers have long written love stories, she said, "the greatest in the world, and didn't feel it necessary to include those scenes."
She won praise for research that set her historical novels against a detailed and believable backdrop.
Of "Crescent City" (1984), a tale set in New Orleans about a Jewish family during the Civil War, novelist Gay Courter wrote in The Washington Post: "It's all here: moss and mansions, languid afternoons and clandestine evenings, repressed old maids and irresistible quadroons, the glamour and gore of war, chance encounters and missed opportunities."
But critics were not always kind, often singling out flimsy characters, thin plots and unabashed sentimentality. A New York Times review of "Daybreak" (1994), about two babies switched at birth, described "prose well endowed with imagery that has stood the test of time . . . as well as dialogue that suggests background music."