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Blake Gopnik

Forgive me, readers, for I have sinned. Whenever I've gone by Titian's great "Venus With a Mirror," sitting topless in the Renaissance rooms at the National Gallery of Art, or Canova's marble "Naiad," lounging a floor below in the no-kini of a classical goddess, carnal thoughts have come to me.

Q& A: David Adamson: Technology helps, but digital photography is still an art (By Blake Gopnik, November 7, 2009)

Avoiding mechanical overload (By Blake Gopnik, November 5, 2009)

Alma Thomas painting nixed in East Wing (By Blake Gopnik, November 5, 2009)

'GRAFT': At the National Gallery, art that goes out on a limb (By Blake Gopnik, November 1, 2009)

'FALNAMA: THE BOOK OF OMENS': Middle Eastern pages look toward heaven -- and the future (By Blake Gopnik, October 25, 2009)

'THE ROBERT AND JANE MEYERHOFF COLLECTION: SELECTED WORKS': The sweet smell of success, and the scent of an iconoclast (By Blake Gopnik, October 25, 2009)

Native intelligence (By Blake Gopnik, October 20, 2009)

'Man Ray, African Art and the Modernist Lens': At the Phillips, Black and White but Never Plain (By Blake Gopnik, October 18, 2009)

Exhibits: To Sate Our Tastes, National Gallery's Shows Spruce Up the 'House' Special (By Blake Gopnik, October 15, 2009)

Georgetown's Colorful Genius (By Blake Gopnik, October 11, 2009)

1600 Penn And Ink: Obamas' Choice of Works On Loan to White House Reflects a Discerning Eye (Post, October 7, 2009)

Losing the Fortress Mentality to Meet the Masses (By Blake Gopnik, October 4, 2009)