Gershwin Prize event at White House: A really big night for Sir Paul McCartney
Thursday, June 3, 2010
Hope may have gotten him elected, but in President Obama's White House on Wednesday evening, it was all love. The reverent, paralyzing, smile-until-your-face-cramps kind of love -- all of it aimed at Paul McCartney.
Arguably the most influential musician alive, the 67-year-old pop architect was in the East Room to receive the Library of Congress Gershwin Prize for Popular Song, celebrating an unparalleled career that spans his years with the Beatles, Wings and on his own.
"In a few short years, they changed the way we heard music," Obama said of the Beatles before presenting McCartney with the prize. He added that he was "grateful that a young Englishman shared his dreams with us."
The president also welcomed an array of artists to perform McCartney's tunes and genuflect before the maestro. Stevie Wonder, Dave Grohl, Faith Hill, the Jonas Brothers, Jack White, Elvis Costello, Emmylou Harris, Herbie Hancock, Corinne Bailey Rae and classical pianist Lang Lang each offered thoughtful reads on the McCartney songbook.
But McCartney was the first to perform, and despite feigning nerves at a Tuesday news conference, he waltzed into the East Room as if it were his living room. He dived into "Got to Get You Into My Life," plunking away on the same Hofner bass he played on "The Ed Sullivan Show" in 1964 -- his once-boyish yelp now an older, coarser shout.
Wonder came next with "We Can Work It Out." His 1970 version is the only Beatles cover ever to top the original. But the first take was a wash -- someone had misplaced Wonder's harmonica. "I don't see it!" he joked. With Take 2, Wonder tucked McCartney's melodies deep into the pocket. The cover still wins.
Wonder and McCartney would duet later in the program with "Ebony and Ivory," but first came Rae and Hancock for a poignant take on the Beatles' "Blackbird." Recorded in 1968, it was McCartney's gracefully melodic response to ugly racial discord then festering in the United States. Rae sang it for its author and for America's first black president with an elegance befitting the moment.
McCartney sang along as heartthrobs-in-his-image, the Jonas Brothers, delivered a punchy "Drive My Car." (A few seats down from McCartney in the front row, an even more enthusiastic response: glowing smiles from Sasha and Malia Obama).
There was somber balladry, too. "I'm going to be playing the sad song," Harris said before a delicate "For No One," while Jack White of the White Stripes sang "Mother Nature's Son." His voice quivered -- half affectation, half butterflies.
Costello took a crack at "Penny Lane," a song written about a place not far from where the singer grew up. Costello said that when his family first heard the song, "My dad, my mam and the cat all stood up and took notice."
Grohl romped through the Wings-era hit "Band on the Run" -- but not before shouting out his hometown Washington roots. He also called McCartney his hero, and added, "Mr. President, you're my other hero." By the time the song's third movement arrived, Grohl was roaring through the most assured and raucous selection of the night.