<?xml version="1.0" encoding="iso-8859-1" ?><rss version="2.0"><channel><title>washingtonpost.com - Reviews</title><link>http://www.washingtonpost.com/wp-dyn/artsandliving/movies/reviews?nav=rss_artsandliving/movies/reviews</link><description>Reviews</description><language>en-us</language><ttl>15</ttl><image><title>washingtonpost.com</title><width>140</width><height>20</height><link>http://www.washingtonpost.com</link><url>http://media.washingtonpost.com/wp-srv/hp/image/wp_web.gif</url></image><item><title><![CDATA['The Game of Their Lives': An Empty Cup]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A8044-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A8044-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[The dude who directed rah-rah hits "Hoosiers" and "Rudy" has brought the Americans' soccer story to the big screen. David Anspaugh's "The Game of Their Lives" follows a ragtag squad of blue-collar immigrants, East Coast snoots and assorted misfits  --  quickly assembled and given a smattering of days to practice together  --  as they fight (of course), unite (naturally) and go on to stage one of the greatest upsets in U.S. sporting history (heck, yeah!).]]></description><author> Sean Daly</author></item><item><title><![CDATA[A Loose Translation]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A8064-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A8064-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA["The Interpreter" slips like a drunk on a greasy playground slide in a high wind. You're left with admirable, even noble, wreckage, but wreckage it is.]]></description><author> Stephen Hunter</author></item><item><title><![CDATA['Interpreter' a Rote Translation]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6935-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6935-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA["THE INTERPRETER" rides for a long time on a compelling premise: the possibility of an assassination in the United Nations' General Assembly.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[Not a Lot to 'Love']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6936-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6936-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA["A LOT LIKE LOVE" starts with a bang and ends with a whimper.]]></description><author> Michael O'Sullivan</author></item><item><title><![CDATA[The Family Filmgoer]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6938-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6938-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[THE INTERPRETER (PG-13, 135 minutes) <br> Perhaps it was the solemn responsibility of being the first feature film ever granted permission to use the interior of the United Nations in New York as a key location, but "The Interpreter" translates into a surprisingly ponderous thriller. Teens fascinated by world affairs will find much to chew on, but thrills aren't the main course in this overwritten tale of a U.N. interpreter (Nicole Kidman) who overhears an assassination plot and the Secret Service agent (Sean Penn) who tries to discern whether she's trustworthy. Director Sydney Pollack seems more interested in the quiet, earnest (and occasionally interminable) moments when the characters speak about the mission of the U.N. and the strife in developing African countries. The "thrills" feel like afterthoughts and a strong performance by Penn as a widower burying his grief in work (while Kidman seems stiff and mannered) can't carry the film over its endless talk and bumpy plot holes.]]></description><author> Jane Horwitz</author></item><item><title><![CDATA[Not The Best 'Hustle']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A8065-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A8065-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA["Kung Fu Hustle" is one of the most buzzed-about comedies to come out this year, but for some reason  --  the weather? The idiots in the next row talking all the way through the movie?  --  its charms eluded me.]]></description><author> Ann Hornaday</author></item><item><title><![CDATA[ALSO PLAYING]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6939-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6939-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[10 and Older <br>    "The Game of Their Lives"  (PG). Interesting, fact-based sports tale, badly flawed by clumsy writing, directing, painfully earnest, even jingoistic tone, about American soccer team (recruited among amateur club players from St. Louis's Italian neighborhood, East Coast and one Haitian immigrant) that went to Brazil in 1950 to compete in the World Cup and, against all odds, beat the top-rated British team; told in flashback by an aging newspaperman (Patrick Stewart; Terry Kinney as his younger self); exciting match against Brits, followed by touching present-day closer with D.C. United team honoring men of the 1950 team. Mild profanity, ethnic slurs; crude languge; harrowing plane trip; cigars, beer.]]></description><author></author></item><item><title><![CDATA[Also Opening]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6940-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6940-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[    THE GAME OF THEIR LIVES (PG, 101 minutes) <br>It could be that director David Anspaugh and Angelo Pizzo (the filmmaking team that made the enjoyable sports films "Hoosiers" and "Rudy") are soccer fans. But judging by this movie, which features Patrick Stewart, Gerard Butler and Wes Bentley, I doubt it. Based on true events, the movie's about the rapidly put-together American team that entered soccer's world cup in 1950 and faced the intimidating English team, containing such greats as Stanley Mortenson and goalkeeper Bert Williams. Against all odds, the Americans prevailed 1-0 in the Brazilian town of Belo Horizonte. But this account makes too Hollywoodish a meal of things.  It's cheesy and formulaic, even though the narrative elements (an American team that's socially divided between snooty WASPs and working-class Italian Americans) are potentially interesting. The dialogue and acting are flatter than a punctured ball. And the staging of the soccer action on the field  --  surely the primary reason for any soccer fan to watch this  --  is uninspired. Locally loved soccer pro John Harkes, who captained D.C. United to two title cups and other glories, has a role in the movie as one of the players. (His hair is dyed some weird color, perhaps to make him look younger.) But aside from watching him pull one or two Harkesian passes and shots, there's almost no reason to sit through this thing. One day someone will make a fine soccer film. This isn't that day. <em>Contains a little trash talking on and off the pitch</em>. Area theaters.]]></description><author></author></item><item><title><![CDATA[It's Quite a Kick  To Do the 'Hustle']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6934-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6934-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[IT ISN'T every day you meet a landlady like, well, her name <em>is </em>Landlady. A chain-smoking harridan (played by Yuen Qiu) in nightie and curlers, she can crack glasses with her screeching harangues and can knock guys out cold with her aerial kicks. At one point, frustrated with her shiftless husband (Yuen Wah), she cold-cocks him  --  sending him bouncing off a canopy below and face first on to  the ground. Before Landlord can recover, she tosses a clay flower pot onto his head. It breaks, and the solitary white rose tumbles out.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['The Boys': Irish Fiddle-Faddle]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A8017-2005Apr21.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A8017-2005Apr21.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[  There are few surprises in "The Boys and Girl From County Clare," a slight, predictable fable of two brothers, both leaders of traditional Irish bands, who must face each other after a 24-year estrangement when their bands enter an all-Ireland music competition.]]></description><author> Kathi Wilcox</author></item><item><title><![CDATA['A Thousand Dreams': Impassioned in India]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6175-2005Apr20.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6175-2005Apr20.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[ "A Thousand  Dreams Such as These"  unspools the earnest stories of idealistic friends caught up in the radical politics of India in the '60s and '70s.]]></description><author> John Pancake</author></item><item><title><![CDATA['Peacock': A Radiant Coming Out]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A3030-2005Apr19.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A3030-2005Apr19.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[ Veteran  Chinese cinematographer Gu Changwei makes an impressive directorial debut with "Peacock," a film that makes an equally strong impact as family drama and political allegory. The man who photographed such revered contemporary classics as "Red Sorghum," "Ju Dou" and "Farewell, My Concubine" proves himself to be as astute and sensitive a storyteller as those films' venerated directors, Zhang Yimou and Chen Kaige. In making an epic drama that clocks in at just under 2 1/2 hours, Gu has set an ambitious, even audacious course in his first outing as a director. But as this tale unfolds, it's just as clear that he has the talent to back up his ambitions.]]></description><author> Ann Hornaday</author></item><item><title><![CDATA['Me and You': Getting Burned By Life]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A64635-2005Apr18.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A64635-2005Apr18.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[ Parenthood doesn't fare too well in multimedia artist Miranda July's "Me and You and Everyone We Know": There's the distraught father, who sets fire to his hand while his kids watch. It's meant to be a symbolic, cleansing ritual, but it backfires when the lighter fluid, um, ignites. Then there are the missing-in-action parents of the preteen girls who have a sexual contest using a neighbor boy as victim/judge. And the mother who doesn't seem to notice that her 10-year-old daughter has an unhealthy obsession with household appliances.]]></description><author> Teresa Wiltz</author></item><item><title><![CDATA[In Argentina, A Childhood Held 'Captive']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A55162-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A55162-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[It's a premise guaranteed to send anyone scrambling for the nearest therapist's couch: Pampered and adored 15-year-old is plucked out of school and sent to a judge's chambers, where she discovers that the much-loved parents who've been spoiling her all these years aren't her parents at all. In an instant, she's snatched from her folks and sent to live with what remains of her real family, strangers whom she's never seen before.]]></description><author> Teresa Wiltz</author></item><item><title><![CDATA['Amityville': What Matters Is Location, Location, Location]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A55223-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A55223-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[When it comes to famously creepy real estate, the old Bates place up on the hill is a warm 'n' cozy B&B compared with that doomed Dutch Colonial in Amityville, N.Y. Talk about a fixer-upper: blood flowing from faucets, demonic chitchat hissing from vents, more fat flies than in a port-a-potty at the Preakness.]]></description><author> Sean Daly</author></item><item><title><![CDATA[This Old House of 'Horror']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A53132-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A53132-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA["THERE'S NO BAD houses, just bad people," says Ryan Reynolds's character in the dumb but fun remake of "The Amityville Horror," that classic of the cheeseball thriller genre about a very, very bad house.]]></description><author> Michael O'Sullivan</author></item><item><title><![CDATA[ALSO PLAYING]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A53136-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A53136-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[6 and Older <br>    "Robots"  (PG). Delightful, witty, inventive computer-animated fable set in a robot world with Fiestaware colors, Rube Goldbergesque designs; young inventor Rodney Copperbottom (voice of Ewan McGregor) leads fellow robots (voices of Robin Williams, Amanda Bynes, Halle Berry, others) in nonviolent revolt against evil robotics executive (Greg Kinnear) who aims to eliminate spare parts and old robots, reversing policy of company founder Bigweld (Mel Brooks). Mild sexual innuendo about making robot babies; flatulence gags; robot pierced with screws wears "Got Screwed" sign; Aunt Fanny robot has huge derriere; hellish underground shop where old 'bots are melted down could scare youngest.]]></description><author></author></item><item><title><![CDATA['The Last of the First': Life and All That Jazz]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A55164-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A55164-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[Anja  Baron's film "The Last of the First," about the Harlem Blues & Jazz Band, is an ode to musicians in their  seventies and eighties. As such, it is melancholy, sweet, and not without painful insights about ageless dreamers.]]></description><author> Wil Haygood</author></item><item><title><![CDATA['Monsieur N.' Comes Up Short]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A53134-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A53134-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[THE DARK FLIP SIDE of 2001's fanciful "The Emperor's New Clothes"  --  which speculated about what might have happened had Napoleon Bonaparte escaped from exile on the island of St. Helena to a life of middle-class anonymity by installing a look-alike in his place  --  "Monsieur N." takes a similar premise but treats it as a mystery of the dark-and-stormy-night variety, complete with Sherlock Holmesian intrigue, ponderous voiceover narration, flashbacks and cheesy old-age makeup. To the extent that it's able to not take itself too seriously, it isn't half bad.]]></description><author> Michael O'Sullivan</author></item><item><title><![CDATA[Predictable Pattern Of 'Palindromes']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A55166-2005Apr14.html?nav=rss_artsandliving/movies/reviews</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A55166-2005Apr14.html?nav=rss_artsandliving/movies/reviews</guid><pubDate>Sat, 23 Apr 2005 4:57:57 GMT</pubDate><description><![CDATA[A moment of silence, please, for Dawn Wiener, the ridiculed and hassled preteen protagonist of Todd Solondz's 1995 "Welcome to the Dollhouse." Dawn, we learn at the beginning of Solondz's new movie, "Palindromes," has gone to a better place  --  or better, one hopes, than the loveless suburban world of Todd Solondz movies.]]></description><author> Nelson Pressley</author></item></channel></rss>