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Three Cheers for 'Bring It On'

By Michael O'Sullivan
Washington Post Staff Writer
Friday, August 25, 2000
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Kirsten Dunst and Gabrielle Union face off in "Bring It On."
(Universal)
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May God forgive me, but I liked "Bring It On." Actually, kind of, sort of,
loved it not in an unequivocal way, mind you (there are far too few people
with pimples for one thing) but infinitely more than I ever thought possible
considering it's a movie about . . . cheerleading.
Yes, cheerleading: that perky, peppy, rah-rah extracurricular activity that
is fashionable for the hip, or those aspiring to be hip, to hate. Who'd have
thought that competitive cheerleading not what you see on the sidelines of a
game (that's rehearsal for the main event) but rigorously scored, cutthroat
national contests involving gymnastic athleticism, hot dance moves and high
school girls in short skirts could be so darn thrilling?
And have I mentioned that the film is funny? Not tee-hee, oh-how-droll funny
but bwa-ha-HA, I-just-blew-Sprite-through-my-nostrils funny. The tart, taut
script by first-time screenwriter Jessica Bendinger is stuffed with such
deliciously mean dialogue as this acidic exchange between a disgruntled
cheerleader and Sparky Polastri (catty cut-up Ian Roberts), a hired-gun
choreographer recruited at the last minute to whip the Rancho Carne High
School pep squad into shape:
Whiny cheerleader: "Why does everybody
have to go on a diet?"
Sparky (with that duh look on his face): "Because we're cheerleaders. We
throw people in the air. And fat people don't go as high."
Or this Sparkified bon mot to another, er, callipygian (look it up) team member: "Nice overall
physique. Now report that compliment to your [derriere] before it gets so big it forms its own Web site."
The plot is fairly simple: When lily-white, suburban California pep squad
captain Torrance (likable Kirsten Dunst) discovers that her five-time
national champion team's routines were unwittingly ripped off from the East
Compton Clovers, a bumpin' black squad from inner-city L.A. led by Isis
(regal Gabrielle Union), Torrance has to scramble to come up with a fresh set
of killer moves in the weeks before the national finals. Against this
beat-the-clock backdrop, our button-nosed heroine meets and begins to fall
for cute Cliff (Jesse Bradford), an apathetic punk rocker who has the good
taste to listen to the Clash, the Cramps and the Ramones ("How vintage!,"
chirps Torrance) and to loathe everything associated with teen/team spirit.
As Torrance's unlikely ally in her quest for a sixth trophy, Cliff's equally
disaffected sister Missy (Eliza Dushku) provides moral support and a healthy
dose of cynicism about the ultimate meaninglessness of cheerleading in the
cosmic balance book.
Missy's the balsamic vinegar to Torrance's extra virgin olive oil.
Without her sweetly sour outlook on life and love to keep things in
perspective, "Bring It On" might easily have become just another "She's All
That." What makes the film go down easy with the anti-cheer faction
is the groundwork of bemused skepticism laid by writer Bendinger and coolly
maintained by director Peyton Reed, a relative newcomer to features whose
detached eye and experience in documentaries, music videos and the brilliant
HBO alt-comedy show "Mr. Show With Bob & David" has obviously served him
well.
Most refreshing of all is "Bring It On's" depiction of today's teenage
population. Honest and at times unflattering in its portrayal of the first
geeky stirrings of puppy love and in its unflinching vision of the
back-stabbing cruelty that makes high school hell for most people, the movie
spends only as much time as is necessary pandering to adolescent hormones.
As a bonus, there's even a well-rounded, sympathetic gay character, and the
slight undercurrent of homophobia that runs through the movie is limited to
the circle of dumb football jocks, whose losing streak is the butt of even
more jokes.
Of course, there's the ubiquitous teenage movie sex drive. But although the
kids here are acknowledged as having erotic lives, they're not simply pictured as smaller
but equally sophisticated versions of adults.
The biological imperative to get lucky is actually portrayed as secondary to
the drive to excel at something worthwhile and, better yet, when it comes to
playing fair, to do the right thing.
BRING IT ON (PG-13, 99 minutes) Contains obscenity, teeny bopper T&A, sexual innuendo and bathroom humor.
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