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Showing My Color
Impolite Essays on Race and Identity
By Clarence Page

Chapter One: The Rudeness of Race

An Introduction

The Negro leader of today is not free. He must look to white men for his very existence, and in consequence he has to waste a lot of his energy trying to think white. What the Negroes need is leaders who can and will think black. -- H.L. Mencken

Race has long had a rude presence in my life. While visiting relatives in Alabama as a child in the 1950s, I first saw water fountains marked "white" and "colored." I vaguely recall being excited. I rushed over to the one marked "colored" and turned it on, only to find, to my deep disappointment, that the water came out clear, just like the water back home in Ohio.

"Segregation," my dad said. I'd never heard the word before. My southern-born parents explained that it was something the white folks "down home" practiced. Some "home." Yet unpleasant experiences in the North already had taught me a more genteel, yet no less limiting version.

"There are places white people don't want colored to go," my elders told me in their soft southern accents, "and white people make the rules."

We had plenty of segregation like that in the North. We just didn't have the signs, which made it cheaper and easier to deny. We could look out of my schoolhouse window to see a public swimming pool closed to nonwhites. We had to go across town to the separate-but-equal "pool for colored." The steel mill that was our town's biggest employer held separate picnics for colored and white employees, which seemed to be just fine with the employees. Everyone had a good time, separately and unequally. I think the colored folks, who today would be called the "black community," were just happy to have something to call their own.

When I was about six years old, I saw a television commercial for an amusement park near the southern Ohio factory town where I grew up.

I chose to go. I told my parents. They looked at each other sadly and informed me that "little colored kids can't go there." I was crushed.

"I wish I was white," I told my parents.

"No, you don't!" Mom snapped. She gave me a look terrible enough to persuade me instantly that no, I didn't.

"Well, maybe for a few minutes, anyway?" I asked. "Just long enough for me to get past the front gate?" Then I could show them, I thought. I remember I wanted to show them what a terrific kid I was. I felt sorry for the little white children who would be deprived of getting to know me.

Throughout our childhood years my friendships with white schoolchildren (and with Pancho from the only Latino family in the neighborhood) proceeded without interruption. Except for the occasional tiff over some injudicious use of the N-word or some other slur we had picked up from our elders, we played in each other's backyards as congenially as Spanky, Buckwheat, and the rest of the gang on the old Hal Roach Our Gang comedies we used to watch on television.

Yet it quickly became apparent to me that my white friends were growing up in a different reality from the one to which I was accustomed. I could tell from the way one white friend happily discussed his weekend at LeSourdesville Lake that he did not have a clue of my reality.

"Have you been?" he asked.

"Colored can't go there," I said, somewhat astonished that he had not noticed.

"Oh, that can't be," he said. For a moment, I perked up, wondering if the park's policy had changed. "Have you seen any colored people there?" I asked.

My white friend thought for a moment, then realized that he had not. He expressed surprise. I was surprised that he was surprised. By the time I reached high school in the early 1960s, LeSourdesville Lake would relax its racial prohibitions. But the lessons of it stuck with me. It taught me how easily white people could ignore the segregation problem because from their vantage point it was not necessarily a problem. It was not necessarily an advantage to them, either, although some undoubtedly thought so. White people of low income, high insecurity, or fragile ego could always say that, no matter how badly off they felt, at least they were not black. Segregation helped them uphold and maintain this illusion of superiority. Even those white people who considered themselves to have a well-developed sense of social conscience could easily rationalize segregation as something that was good for both races. We played unwittingly into this illusion, I thought, when my friends and I began junior high school and, suddenly thrust into the edgy, high hormonal world of adolescence, quickly gravitated into social cliques according to tastes and race.

It became even more apparent to me that my white friends and I were growing up in parallel realities, not unlike the parallel universes described in the science fiction novels and comic books I adored--or the "parallel realities" experienced by Serbs, Bosnians, and Croatians as described years later by feminist writer Slavenka Drakulic in The Balkan Express. Even as the evil walls of legal segregation were tumbling down, thanks to the hard-fought struggles of the civil rights movement, it occurred to me that my reality might never be quite the same as that experienced by my white friends. We were doomed, I felt, to dwell in our parallel realities. Separated by thick walls of prejudice, we would view each other through windows of stained-glass perceptions, colored by our personal experiences. My parents had taught me well.

"Don't be showin' yo' color," my parents would admonish me in my youth, before we would go out in public, especially among white folks. The phrase had special meaning in Negro conversations. Imbued with many subtle meanings and nuances, the showing of one's "color" could be an expression of chastisement or warning, admonishment or adulation, satire or self-hatred, anger or celebration. It could mean acting out or showing anger in a loud and uncivilized way.

Its cultural origins could be traced to the Africa-rooted tradition of "signifying," a form of witty, deliberately provocative, occasionally combative word play. The thrill of the game comes from taking one's opponent close to the edge of tolerable insult. Few subjects except perhaps sex itself could be a more sensitive matter between black people than talk about someone else's "color." The showing of one's "color," then, connoted the display of the very worst stereotypes anyone ever dreamed up about how black people behaved. "White people are not really white," James Baldwin wrote in 1961, "but colored people can sometimes be extremely colored."

Sometimes you can still hear black people say, in the heat of frustration, "I almost showed my color today," which is a way of saying they almost lost their "cool," "dropped the mask," or "went off." Losing one's cool can be a capital offense by black standards, for it shows weakness in a world in which spiritual rigor is one of the few things we can call our own. Those who keep their cool repress their "color." It is cool, in other words, to be colorless.

The title of this volume, Showing My Color, emerged from my fuming discontent with the current fashions of racial denial, steadfast repudiations of the difference race continues to make in American life. Old liberals, particularly white liberals who have become new conservatives, charge that racial pride and color consciousness threaten to "balkanize" American life, as if it ever was a model of unity. Many demand that we "get past race." But denials of a cancer, no matter how vigorous they may be, will not make the malignancy go away.

No less august a voice than the Supreme Court's conservative majority has taken to arguing in the 1990s for a "color-blind" approach to civil rights law, the area of American society in which color and gender consciousness have made the most dramatic improvement in equalizing opportunities. The words of the Reverend Martin Luther King, Jr., have been perverted to support this view. Most frequently quoted is his oft-stated dream of the day when everyone would "not be judged by the color of their skin but by the content of their character." I would argue that King never intended for us to forget all about color. Even in his historic "I Have a Dream" speech, from which this line most often is lifted, he also pressed the less-often quoted but piquantly salient point about "the promissory note" America gave freed slaves, which, when they presented it, was returned to them marked "insufficient funds."

I would argue that too much has been made of the virtue of "color-blindness." I don't want Americans to be blind to my color as long as color continues to make a profound difference.

© 1996 Clarence Page

Norton

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