<?xml version="1.0" encoding="iso-8859-1" ?><rss version="2.0"><channel><title>washingtonpost.com - Desson Thomson on Movies</title><link>http://www.washingtonpost.com/wp-dyn/style/movies/dessonhowe?nav=rss_style/movies/dessonhowe</link><description>Desson Thomson on Movies</description><language>en-us</language><ttl>15</ttl><image><title>washingtonpost.com</title><width>140</width><height>20</height><link>http://www.washingtonpost.com</link><url>http://media.washingtonpost.com/wp-srv/hp/image/wp_web.gif</url></image><item><title><![CDATA[It's Quite a Kick  To Do the 'Hustle']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6934-2005Apr21.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6934-2005Apr21.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[IT ISN'T every day you meet a landlady like, well, her name <em>is </em>Landlady. A chain-smoking harridan (played by Yuen Qiu) in nightie and curlers, she can crack glasses with her screeching harangues and can knock guys out cold with her aerial kicks. At one point, frustrated with her shiftless husband (Yuen Wah), she cold-cocks him  --  sending him bouncing off a canopy below and face first on to  the ground. Before Landlord can recover, she tosses a clay flower pot onto his head. It breaks, and the solitary white rose tumbles out.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[A Losing 'Game']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A7146-2005Apr21.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A7146-2005Apr21.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Interpreter' a Rote Translation]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A6935-2005Apr21.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A6935-2005Apr21.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA["THE INTERPRETER" rides for a long time on a compelling premise: the possibility of an assassination in the United Nations' General Assembly.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[Fallon, Farrellys Strike Out  With 'Fever Pitch']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A34093-2005Apr7.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A34093-2005Apr7.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[IT WOULD be tempting to call "Fever Pitch" a foul ball or some  baseball term suggesting catastrophe, but that would be too flattering. The movie  --  an American baseball recasting of a British soccer novel  --  never quite steps up to its own plate. It's almost too dull to pan.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Oldboy's' Powerful Hold]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A34094-2005Apr7.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A34094-2005Apr7.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[CALL ME a wimp but I wince at involuntary tooth extraction with a hammer. And although I can slurp sushi with the best of them, I tend to cringe when someone gnaws a live octopus while the poor creature writhes and flails away.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[Also Opening]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A34095-2005Apr7.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A34095-2005Apr7.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[   DUST TO GLORY (PG, 95 minutes) <br> Dana Brown, who made the engaging surfing documentary "Step Into Liquid" gets back on dry land for this loose, freewheeling documentary. Make that real dry land: This doc is about the drivers of the Baja 1000, an annual nonstop off-road race  (the world's longest) that has been going since 1967. It's a wonderfully democratic event. Anyone with any set of wheels can enter, whether it's dirt bike, dune buggy, monster truck or old-time  VW Beetle. The only criteria: Finish the race. Competitors on this dusty desert terrain know there are many crucial factors to racing the Baja: a great road crew to troubleshoot for them, relay drivers who can take over and keep up the pace, personal resilience and a vehicle that won't die on them. Brown (who shot the 2003 race with a widespread camera crew) brings home the passion of these racers, many of whom come back every year; they pass their enthusiasm along to their sons and, in some cases, wives, who become competitors, too. Andy McMillin, 16, is the grandson and son of previous racers, and there's a father-son duo between 62-year-old J.N. Roberts, who won the 1967 debut race, and son Jimmy. It's a fascinating film, but after a while, the digital photography wears out its gritty welcome, and the footage of endless rough roading becomes repetitive. <em>Contains racing action and peril, and some obscenity</em>. At the Loews Georgetown, Loews Shirlington and Landmark's Bethesda Row.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Sahara': From Dust Till Yawn]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A34096-2005Apr7.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A34096-2005Apr7.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[HOLLYWOOD should have officially retired the desert  --  like the sand-duned equivalent of a Michael Jordan jersey  --  after the 1962 "Lawrence of Arabia." David Lean's epic made such a gorgeous symphony out of that arid wilderness, no other movies could ever hope to reprise its magic. Although the desert has a certain power in such films as "The English Patient" and "Three Kings," it's never been the same since Peter O'Toole and Omar Sharif hut-hutted their camels across the Nefu.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Beauty Shop': Cut and Dried]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A15796-2005Mar31.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A15796-2005Mar31.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[IN "BEAUTY Shop," a spinoff from Ice Cube's "Barbershop," Queen Latifah holds court over a dish-talking circle of female hairdressers for whom no subject is taboo. There isn't an original moment in the movie, but the attitude is loose. No fan of salty-tongued banter, head to-and-fro'ing encounters or Queen Latifah should be disappointed.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[Rambling 'Rose' Loses Its Way]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A15794-2005Mar31.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A15794-2005Mar31.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA["THE BALLAD of Jack and Rose" is an engaging battle between terrific acting and a flawed script. Unfortunately, the actors  --  including Daniel Day-Lewis, Catherine Keener and extraordinary newcomer Camilla Belle  --  lose. Writer-director Rebecca Miller's screenplay is provocative and original enough to hold its ground for a long time. But when the big picture becomes clear, our belief and trust ebb away.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[So Good, It's 'Sin'-ful]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A15795-2005Mar31.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A15795-2005Mar31.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[THE WASHINGTON streets are snarling with the usual workaday souls: Metro-card-holding, iPod-armed  yuppies. Three-piece-suited lawyers hitting their car horns 'cause  they can't get to K Street fast enough. Spandexed bike messengers pumping pedals. Panhandlers claiming they need just 20 more cents for that Metro ride home. <em>Sure, buddy. Pull the other leg</em>. Yeah, another day in the big city. Wa-Sin-City, D.C.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['In My Country': Unjustifiable]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A15797-2005Mar31.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A15797-2005Mar31.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[WHAT DO YOU say about a dramatically woeful movie whose heart and politics are in the right place? Well, you sigh as you turn your thumb downward.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Annie' Doesn't Live Here Anymore]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A1131-2005Mar25.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A1131-2005Mar25.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[Woody Allen's Manhattan has become a cultural prison-island where the collective guilt isn't criminal behavior, it's self-absorption and haute pretentiousness.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Melinda': Double Trouble]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A62989-2005Mar24.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A62989-2005Mar24.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[SO THESE two middle-aged men (I think I just lost some readers already) are sitting around a table talking. Sy (Wallace Shawn) is a playwright of comedies. Max (Larry Pine)  --  and there's <em>always</em> a Max in a Woody Allen movie  --  writes tragedies. They're having the kind of pretentious chat that could only happen in Allen's mind, using words like "profundity" and "soul." The subject of discussion is the intersection and/or the difference between comedy and tragedy. (Readers are now paring down to intellectuals, former dance or drama students and fans of irony.)]]></description><author> Desson Thomson</author></item><item><title><![CDATA['Millions': On the Money]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A43661-2005Mar17.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A43661-2005Mar17.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[DANNY BOYLE made "Shallow Grave," "Trainspotting," "The Beach" and "28 Days Later," a body of films that has introduced us to yuppie murderers, heroin junkies and flesh-eating zombies.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[Go Figure: It's Cool  As 'Ice']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A43667-2005Mar17.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A43667-2005Mar17.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA["ICE PRINCESS" is a feel-good infusion for your precious little darling (or pack of darlings) who could use an uplifting fantasy about a sweet-natured teenager (Michelle Trachtenberg) who braves the intimidating odds and gets her glory moment as a figure skater.]]></description><author> Desson Thomson</author></item><item><title><![CDATA[These Actors  Have 'Upside']]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A43664-2005Mar17.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A43664-2005Mar17.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[WE ARE drunk. We are treading water in a mental puddle of perfect oblivion. We are having fun. Or are we? In "The Upside of Anger," an edgy, tragi-farce from Mike Binder, "we" are suburban wife Terry Wolfmeyer (Joan Allen), whose husband has suddenly left her for his Swedish secretary.]]></description><author> Desson Thomson</author></item><item><title><![CDATA['The Ring': Ready for Round 2]]></title><link>http://www.washingtonpost.com/wp-dyn/articles/A43662-2005Mar17.html?nav=rss_style/movies/dessonhowe</link><guid isPermaLink="true">http://www.washingtonpost.com/wp-dyn/articles/A43662-2005Mar17.html?nav=rss_style/movies/dessonhowe</guid><pubDate>Sun, 24 Apr 2005 3:26:13 GMT</pubDate><description><![CDATA[TWO EVENTS HAVE conspired to ensure the return of that creepy girl in the well from 2002's "The Ring."]]></description><author> Desson Thomson</author></item></channel></rss>
