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'Marshals' Will Delight Teen Action Buffs

By Jane Horwitz
Special to The Washington Post
Friday, March 6, 1998
  Family Filmgoer
 


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  • "Dark City." Man loses identity to alien beings who control city in stunning sci-fi noir thriller. Female murder victims shown bloodied, partially nude; aliens stick needles in humans' foreheads. High-schoolers.
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    – Jane Horwitz

  • "U.S. Marshals" (PG-13)
    A tad more attention to plot and character might have made this a terrific flick. Instead, it's puffery-predictable, formulaic and superficial, but fun. "U.S. Marshals" will delight teen action buffs. As for younger kids, it's a surprisingly bloody PG-13, with point-blank gun violence. With its spectacularly drawn-out plane and car crashes, the movie offers two-plus hours of mostly mayhem, with some crude oaths, epithets and an ethnic slur thrown in. Tommy Lee Jones reprises his Oscar-winning role from "The Fugitive" (PG-13, 1993) as crusty-but-fair U.S. Marshal Sam Gerard. He's after an escaped prisoner (Wesley Snipes), a mysterious figure suspected of killing two Secret Service agents. He's not who he seems to be, of course, and though we spend lots of time with him we never get an emotional take on the guy. This is no portrait of character under pressure like Harrison Ford's doctor in the first film. It's just pure pressure.

    "Mrs. Dalloway" (PG-13)
    This emotionally complex, visually rich adaptation of Virginia Woolf's 1925 novel could easily catch reflective teens in its web-even inspire them to read the book. Those with a feel for history will appreciate the film's sometimes witty evocation of post-World War I London-stuffily class-conscious. And literature lovers will note the stream-of-consciousness style. The story follows a fiftyish society matron, Mrs. Dalloway (Vanessa Redgrave), as she prepares to give a party, and in quieter moments recalls (often in flashback) the unromantic choices she made that led to such a sedate middle age. On a parallel course we follow the wanderings of a shell-shocked veteran (Rupert Graves), plagued to desperation with hallucinations of the trenches. Though Mrs. Dalloway doesn't know him, their spiritual torment merges. The rating reflects war scenes, nonsexual nudity, an awkwardly charged kiss between two young women and discussion of an out-of-wedlock pregnancy.

    "The Big Lebowski" (R)
    Mature high-schoolers with a taste for irony and a healthy cynicism about '60s hippies may glean some major guffaws out of the Coen brothers' latest epic, a lighter-than-air doper comedy. The well-earned R reflects the portrayal of frequent marijuana use, drinking and nudity. Add strong sexual innuendo, some talk about a convicted child molester, references to LSD flashbacks, other profanity and crudeness, and moderate violence. With considerable hilarity, "The Big Lebowski" follows the misadventures of aging hippie "the Dude" Lebowski (Jeff Bridges), who's chased and beaten by underworld types, cops and oddballs. The Lebowski they're really after is a rich guy with a wayward wife and big debts. With help from his bowling buddies (fab John Goodman and Steve Buscemi) the Dude deals with it.

    "Twilight" (R)
    An easygoing detective caper with an over-50 superstar cast, "Twilight" may bore high school audiences despite its occasional bursts of action. Unless, of course, they're into good acting, well-turned dialogue and scenes that actually have meaning between the lines. The rating involves considerable profanity, bloody point-blank shootings, semi-nudity and muted sexual situations. Paul Newman plays Harry, a former cop, former private eye and former alcoholic, who depends on the long-term hospitality of his friends and employers, Jack and Catherine (Gene Hackman and Susan Sarandon). Retired film stars, they live in luxury with their snippy daughter (Reese Witherspoon). Their life is complicated by Jack's illness and a 20-year-old mystery that turns violent.

       
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