- Opinion
It is contemptibly cowardly to offer anything but solidarity to the journalists at Charlie Hebdo.
It is contemptibly cowardly to offer anything but solidarity to the journalists at Charlie Hebdo.
Whether you decide to venture into a theater may depend on what you think movies are.
If films are worth writing about, they’re worth writing about seriously, as art separate from logistical concerns — and seeing properly, as they were meant to be seen.
What distinguishes these series from more self-flagellating approaches to social change is their combination of accountability and empathy.
Can't we give Americans a heads-up when their entertainment is doubling as Chinese agitprop?
We need more pop culture that's specifically aimed at lusty adults, conservative families and actual kids.
A New York Times reporter was foremost among Stalin's lieutenants leading a crime against humanity.
Next Act Cinema celebrated its first anniversary as the coronavirus hit. Now, the Black-owned theater is trying to figure out how to stay in business.
“The Old Guard” and “Palm Springs" debuted recently on Netflix and Hulu, respectively.
How horror, kid's movies, comedies and indie film will respond to the pandemic.
Theater owners are trying to navigate inconsistent advice and the personalities of our leaders. The result is a mess.
A show obsessed with time has something to offer when everything is moving forward — and more to offer when we're stuck and frustrated.
'Independence Day' and 'Armageddon' are glorious nonsense. They're also a fortifying reminder that we all have something to offer in times of crisis.
Unless you physically own it, you don't really own it.
Sure, Hollywood's a bubble. But for once, that tells us a lot about what might happen to the rest of us.
This is pure public relations, not a meaningful effort at racial reckoning.
His work should be remembered for more than Batman.
Spike Lee's latest movie asks: How do we do the right thing? And how do we figure out what the right thing is?
Chappelle’s no preacher. He’s not even really a comedian here. He’s just a guy we trust to speak his mind.
Understanding the way these novels and movies flatter their white protagonists and their readers is key to understanding their power.
Alyssa Rosenberg writes about politics and culture.