That leaves organist Paul Vivari, whose spectral melodies echo ’90s D.C. post-punk acts (the Delta 72, Jonathan Fire*Eater ) and their primordial rock ancestors (the Animals, ? and the Mysterians); and bassist Joe Halladay, who explains how Des Demonas became so casually formidable over the past few years: “It started out like poker night, and then there was a point when we were like, ‘We’re pretty good at poker, huh?’ ”
For real. The band’s superb self-titled album, released late last year, feels brawny and stylish across a variety of rhythms, all of which grow out of the quintet’s democratic brain-sync.
“With this group, it’s a collaborative thing,” Abok says of the band’s songwriting after a recent weeknight rehearsal. “Even if somebody comes in with an idea, they can’t really tell you what to play. They can try! . . . But that’s what I love about this group. It just happens.” His bandmates nod in agreement on the two and the four.
Show: Sept. 14 at 8 p.m. at the Black Cat. $25.