Before heading out to Dakar, Senegal, Therin did some research about Senegalese wrestling and became connected to a man named Lut Pathe Boy who goes by “Big Pato.” Big Pato is a Senegalese wrestling champion who also happens to be a police officer. Therin says that Big Pato was with him throughout the project. Of Big Pato, Therin says, “He’s an incredible athlete with a huge heart. He once told me, “I get up in the morning to serve others.” He was with me at every moment while I was there and really helped me carry out the project. I was so lucky to have spent time with him, and we still keep in touch.”
In the beginning, Therin was drawn to the Senegalese wrestlers purely for aesthetic reasons. But after delving into the subject and doing more research about the sport, he was drawn in by its mystical aspect as well. Therin told In Sight that one of the most positive moments he experienced while working on the project was “the moment that I realized how intimate and graceful the peak of the combat actually is. It’s what shaped the way I captured the wrestlers.”
Therin says that wrestling in Senegal is so prevalent that you can see kids practicing the sport in the streets and on the country’s beaches. Therin’s images of the wrestlers paint an intimate, lyrical and poetic portrait of the men who take part in what is a national sport in Senegal.
In Sight is The Washington Post’s photography blog for visual narrative. This platform showcases compelling and diverse imagery from staff and freelance photographers, news agencies and archives. If you are interested in submitting a story to In Sight, please complete this form.
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