Film Capsules

Capsule reviews by Desson Thomson unless noted. A star ({sstar}) denotes a movie recommended by our critics.

Openings

MEMORIES OF MURDER (Unrated) -- See review on Page 27.

MUST LOVE DOGS (PG-13) -- See review on Page 28.

SKY HIGH (PG) -- See review on Page 29.

STEALTH (PG-13) -- See review on Page 27.

YES (R) -- See review on Page 27.

WATERMARKS (Unrated) -- See capsule review on Page 29.

THE WORLD (Unrated) -- See review on Page 28.

First Runs & Revivals

THE ADVENTURES OF SHARKBOY & LAVAGIRL IN 3-D (PG, 94 minutes) -- Robert Rodriguez's 3-D movie for children, based on the writings of his preteen son, is astoundingly boring and, frankly, tedious to sit through. It's about a 10-year-old kid named Max (Cayden Boyd) who daydreams so intensely about his imagined superheroes, Sharkboy (Taylor Lautner) and Lavagirl (Taylor Dooley), the fictional creations come alive. Max and his superpals find themselves (put on your 3-D glasses here) on Planet Drool, where Max must help them battle the nefarious Mr. Electric (George Lopez), a cheaply superimposed head inside a metallic holder, which fizzes with electricity. The dreamscape planet, with its cookie mountains and a milky "stream of consciousness," is disappointingly mediocre. And the 3-D effects are unimaginative and eventually too obnoxious for the eyes. Contains mildly crude humor. University Mall Theatres.

{sstar} APRES VOUS (R, 110 minutes) -- In this French romantic comedy, Daniel Auteuil plays sweet, hapless Antoine, a headwaiter who can't say no to anyone. When he saves Louis (Jose Garcia) from hanging himself, he realizes he also has to solve the man's life problems. This means helping Louis get a job and reunite with Blanche (Sandrine Kiberlain), the florist-girlfriend who dumped him. There isn't much to the movie, and you can see where it's going from kilometers away. But Auteuil, who has been a wonderful grace note in French cinema for decades, is delightful, with a slight aversion of the eyes here, a momentary hesitation in the voice there. And Garcia makes a nice partner, too, a comically depressed mope who steadfastly refuses to accept happiness. Contains sexual situations and some obscenity. In French with subtitles. Landmark's Bethesda Row and Cineplex Odeon Dupont Circle.

{sstar} BAD NEWS BEARS (PG-13, 111 minutes) -- Sure he's just reprising the same grumpy type he played in "Bad Santa," but Billy Bob Thornton's shtick never seems to get old. In this remake of the 1976 classic, he's a beer-swilling misanthrope who turns a ragtag, trash-talking gang of kiddie misfits into Little League contenders. The movie, directed by Richard Linklater, is a faithful remake of the Tatum O'Neal-Walter Matthau movie of the same name, with only minor updates and changes. If truth be told, the movie is dull without Thornton. The young actors (including Sammi Kraft and Jeff Davies) aren't the most stellar thesps to swear their way through a film. And the plot, which involves the Bears going up against nasty Coach Bullock (Greg Kinnear) and his arrogant Yankees team, is trite. But this movie's enjoyable for that hangdog coach, whose slurry, sour-mouthed retorts knock 'em out of the park every time. Contains obscenity, a little baseball violence and adult boozing in front of children. Area theaters.

{sstar} BATMAN BEGINS (PG-13, 140 minutes) -- Director Christopher Nolan, who gave us the backward classic "Memento," and his co-writer David S. Goyer (the "Blade" creator) have taken the bubble gum out of those previous "Batman" movies and returned to the dark spirit of comic book creator Bob Kane's work. This prequel about the early days, is slow-moving in many respects, but it's more narratively entrancing than the Michael Keaton-type flicks. And Christian Bale makes a credible Bruce Wayne, who undergoes rigorous training under the tutelage of mystical warrior Henri Ducard (Liam Neeson). It's fun to watch how this Wayne creates Batman from scratch, complete with the power body armor, the bat cave and that awesome batmobile. Makes you want to see him take on the Joker next. Katie Holmes is respectable though not that memorable as the assistant district attorney who becomes fascinated with Batman. Contains intense action violence and some disturbing images. Area theaters.

THE BEAT THAT MY HEART SKIPPED (Unrated, 107 minutes) -- This French drama, a remake of writer-director James Toback's 1978 "Fingers," about a man torn between thug life and his love of the piano, plays like a piece of mediocre music, gorgeously rendered. Romain Duris is excellent as Thomas Seyr, a punk on the periphery of the real estate business who dreams of resurrecting the shot he once had at being a concert pianist like his mother, but which he abandoned 10 years ago to follow in his disreputable father's footsteps. With his ability to convey deep misanthropy, creative passion and the anguish that lies in the gap between them, Duris almost makes me care about which side of Thomas's personality will win out, but not because this song is one I've never heard before. Contains obscenity, violence, sensuality and nudity. In French with subtitles. Landmark's Bethesda Row and Landmark's E Street Cinema.

-- Michael O'Sullivan

{sstar} THE BEST OF YOUTH (R, 366 minutes, in two parts) -- Alessio Boni and Luigi Lo Cascio convincingly play brothers whose relationship changes over the course of several decades in this six-hour-long, two-part Italian epic that is both domestic drama and commentary on Italy's history in the second half of the 20th century. As soldier-turned-cop Matteo and psychiatrist Nicola age from high schoolers to adulthood, struggling to come to terms with their own evolving selves, so too must their homeland wrestle with issues of identity, exemplified by politics, organized crime and Red Brigade terrorism. But these things are more than mere news headlines that flash in the background of filmmaker Marco Tullio Giordana's film. The events that play out on the world stage underscore his themes of reconciliation and healing between members of the same family. Contains obscenity, sexuality, brief nudity, drug references and some violence. In Italian with subtitles. Landmark's E Street Cinema.

-- Michael O'Sullivan

BEWITCHED (PG-13, 105 minutes) -- Nicole Kidman is engaging as a sweet-natured but very real witch who finds herself playing a fake one in a television redo of the classic TV series "Bewitched." But Kidman's power smile is just one of very few flickers in a dismal movie. The other flickers come from Kidman's co-star, Will Ferrell, who turns on the physical comedy as much as he can. But he's working it too hard. When a comedy feels that forced, it's as good as over. The plot -- which director Nora Ephron wrote with her sister Delia Ephron -- feels contrived, as though the characters are only doing things because the script forced them. And even the lightest of comedies should have some sort of serious underpinning. This movie has virtually none. Contains sex and drug language, some obscenity and partial nudity. AMC Courthouse, AMC Hoffman Center and Regal Fairfax.

{sstar} CATERINA IN THE BIG CITY (Unrated, 106 minutes) -- High school movies about not fitting in are a dime a dozen, but this Italian offering from filmmaker Paolo Virzi gets something right that's not so easy to do. That's because it knows that it isn't a question of whether the title character (beguiling Alice Teghil), a girl from the sticks adjusting to life in downtown Rome, ultimately aligns herself with the rich, preppy kids, led by spoiled brat Federica Sbrenna, or the alternative crowd, led by hard-drinking grunge queen Carolina Iaquaniello, but whether she figures out that life isn't a label. "Who are you really?" Caterina keeps getting asked. Virzi's delightfully open-ended coming-of-age film would rephrase that as "Who are you becoming?" Contains obscenity and sexual references. Cinema Arts Theatre and the Avalon.

-- Michael O'Sullivan

CHARLIE AND THE CHOCOLATE FACTORY (PG, 115 minutes) -- People enamored with Gene Wilder's manic, sweet performance in the 1971 "Willy Wonka and the Chocolate Factory" may be disappointed in Johnny Depp's oddball eccentricity as this Wonka. Depp's version is an unsettling amalgam of Michael Jackson, Edward Scissorhands and Lisa Kudrow's Phoebe from the TV show "Friends." But there are other watchable delights: Director Tim Burton takes us on a ride of over-the-top proportions, entertaining us while tacitly scolding our mass consumptiveness. Wonka's factory is a wonderland of chocolate lakes and candy-grass banks. There are some hilarious routines performed by the diminutive Oompa Loompas (their songs created by Burton's regular collaborator, Danny Elfman). And Freddie Highmore is a charmer as Charlie, a poor kid who wins a ticket to tour Wonka's factory. Contains offbeat humor and situations, and some mild obscenity. Area theaters.

{sstar} CINDERELLA MAN (PG-13, 144 minutes) -- Forced to work as a longshoreman to feed his family (including his wife, played by Renee Zellweger) during the Depression, down-and-out boxer Jim Braddock (Russell Crowe) jumps at the chance to take on a heavyweight boxer. When he wins, he faces world champion Max Baer (Craig Bierko). In a way, "Cinderella Man," based on a true story, is "Seabiscuit" in boxing gloves. But there's more to it than that: a Runyonesque glow, thanks to director Ron Howard and scriptwriters Cliff Hollingsworth and Akiva Goldsman. Crowe's burly poignancy hits you foursquare in the ribs, right above the ticker. The abstract dance between his softness and physical power is the heartbeat of the movie, and it takes you through financial hardship, terrible times and some bloody battles with special grace. Contains boxing violence. Arlington Cinema 'N' Drafthouse and University Mall Theatres.

{sstar} CRASH (R, 100 minutes) -- The aftermath of Rodney King and 9/11 seems to sear the nostrils of every Los Angeleno in Paul Haggis's white-knuckle hatefest among characters of almost every ideological, cultural or religious stripe. Asians, Latinos, whites, blacks, rich and poor, Muslim and Christian all clash in this multi-character story that features Don Cheadle, Sandra Bullock, Matt Dillon, Ryan Phillippe, Jennifer Esposito and Chris "Ludacris" Bridges. If "Crash" only showed the dark side of humanity, it would barely be worth the viewing. But the movie is also about the best in people. As soon as we think we have some characters' number they turn around and do something quite astonishing. We're all so hopelessly human, and writer-director Haggis, who wrote the screenplay for "Million Dollar Baby," gives this truism a deeply lyrical dimension. Contains sexual scenes, obscenity and violence. Area theaters.

DARK WATER (PG-13, 102 minutes) -- Director Walter Salles ("The Motorcycle Diaries") brings almost-unheard-of class and style to this pretty creepy (but also pretty silly) remake of a Japanese thriller about a woman (Jennifer Connelly) and her young daughter (Ariel Gade) who have moved into an apartment plagued by plumbing problems. Part "Repulsion" in its focus on the mother's buried psychological trauma and part "Amityville Horror" in its focus on seemingly demonically possessed faucets, "Dark Water" also plays like a rather prosaic how-to (or rather how-not-to) film on dealing with incompetent maintenance men, shifty building supers and two-faced rental agents. Now that's scary. Contains some obscenity and disturbing images. Area theaters.

-- Michael O'Sullivan

{sstar} THE DEVIL'S REJECTS (R, 101 minutes) -- Meet the Firefly family, a southern fried version of Charles Manson's murderous clan that includes Mother Firefly (Leslie Easterbrook), Otis Firefly (Bill Moseley) and his sister Baby (Sheri Moon Zombie). They kill innocents with giddy abandon as they trade endless, graphic obscenities. In Rob Zombie's follow-up to the gruesome "House of 1,000 Corpses," the psychos are on the run from Sheriff Wydell (William Forsythe), who wants to avenge his brother's death. The movie's a return to the cold-slab murderousness of "The Texas Chainsaw Massacre" and the anything-goes mayhem of midnight movies in general. For the right audience, this movie is the butt-kicking, dirt-talking, blood-spurting equivalent of beautiful music. Speaking of which, the soundtrack is a stomping kick of its own, with songs from Joe Walsh, the Allman Brothers and other hard-drivers. Lynyrd Skynyrd's "Free Bird" is part of a grand shoot-'em-up finale that invokes the collective spirit of Sam Peckinpah, Butch & Sundance and Thelma & Louise. Contains gruesome violence, pervasive obscenity, drug use and nudity. Area theaters.

FANTASTIC FOUR (PG-13, 105 minutes) -- This movie version of the comic book series, which stars Jessica Alba (as Susan Storm), Michael Chiklis (the Thing) and others, feels like a rote adaptation. We go through the opening history and learn how four astronaut-scientists were caught in a wave of radioactivity and became the Fantastic Four team of superfreaks. But the movie lacks oomph. Despite some nice moments of computer-generated imagery, which includes a human fireball and a well-done scene on a Manhattan bridge in which the Thing uses his brute strength to stop a fire engine from plunging into the water, this "Four" ain't so "Fantastic." And the less said about the dialogue the better. The Fantastic Four never topped my personal short list, as far as comic book heroes went. And this so-so movie doesn't do much to change that feeling. Contains intense action and some sexual suggestiveness. Area theaters.

{sstar} HAPPY ENDINGS (R, 130 minutes) -- Lisa Kudrow reunites with Don Roos, her director in "The Opposite of Sex," for another darkly comic look at the search for love and the meaning of family. Less jaundiced than "Sex," this film -- whose central story has something to do with a mother's search for the child she gave up as a teenager -- is nevertheless rich in humor and byzantine in plot, a fact that is somewhat mitigated by Roos's use of silent-movie-style on-screen titles that help viewers navigate the vast web of interconnectedness linking one character to another. "It's a sick, sick bond," says one character to another, referring to the love of a mother for her child. The same could be said of the connection between sister and brother, father and son, lovers and spouses in this twisted, but kind of sweet, take on human bondage. Contains obscenity, sex, nudity, brief violence and drug use. Landmark's Bethesda Row, Cineplex Odeon Shirlington and Landmark's E Street Cinema.

-- Michael O'Sullivan

HEIGHTS (R, 93 minutes) -- If there's anything good to be said about this film, it's Glenn Close's strutty, booming performance as Diana, a veteran actress who lords it over her stage and acting students, while she casts a controlling, lascivious eye over a promising new actor (Jesse Bradford). Unfortunately in this Merchant-Ivory production (which marks the second to last film of Ismail Merchant), Diana is about the only character of interest. The others, though played by estimable performers, including Elizabeth Banks, James Marsden and Matt Davis, feel like cardboard-cutout New Yorkers. The movie trades on a secondhand conceit about New York City as the storied citadel of countless artistic dreams. And George Segal, Isabella Rossellini, Rufus Wainwright and Eric Bogosian are thrown into the cast, as if their mutual presence will lend the project a weightier New York mystique. Contains strong language, brief sexuality and nudity. Avalon and Cineplex Odeon Dupont Circle.

HERBIE: FULLY LOADED (G, 101 minutes) -- A reconditioned lemon by any other name is still a lemon, and this sequel to the "Love Bug" movies of the 1960s and 1970s, about a magical VW Beetle that thinks it's a race car, is still a clunker under the hood. That's even despite the souped-up star power of Lindsay Lohan, who brings a modicum of pick-up, but not much mileage, to the story about a young woman who finds a new friend (and success on the racing circuit) when she rescues a beat-up car from the junkyard. Oh, the film runs all right, but only over the same territory that's been worn into a dusty dirt track by its predecessors -- not to mention countless other underdog sports films. Contains the barest smidgen of mildly crude humor. Area theaters.

-- Michael O'Sullivan

{sstar} THE HITCHHIKER'S GUIDE TO THE GALAXY (PG, 110 minutes) -- It was a wonderful television miniseries, radio series and a five-book "trilogy," all created by Douglas Adams. Now comes this respectably amusing movie, which has Martin Freeman of the BBC series "The Office" as Arthur Dent. The hapless earthling, with an alien pal Ford Prefect (Mos Def), embarks on a massively epic and wonderfully improbable trip that includes visits to other spaceships and planets. The companions meet a bevy of oddballs, including the two-headed president of the galaxy, Zaphod Beeblebrox (Sam Rockwell); the eternally depressed robot Marvin (voiced by a hilariously misanthropic Alan Rickman); an extremely bizarre quasi-spiritual leader named Humma Kavula (John Malkovich); and a sort of planet construction engineer known as Slartibartfast (Bill Nighy). Given the fact that a quintessentially British show-book-franchise has been peopled with Brits and Americans and spearheaded by a Hollywood studio, this is more than a pleasant surprise. Contains some sophisticated thematic elements and minor strong language. Arlington Cinema 'N' Drafthouse and University Mall Theatres.

HOWL'S MOVING CASTLE (PG, 110 minutes) -- Fans of Japanimation icon Hayao Miyazaki ("Spirited Away") are more likely to be wowed by his feature-length, "Yu-Gi-Oh!"-flavored cartoon than are fans of British author Diana Wynne Jones's dark and oh-so-tweedy book, on which it is ostensibly based. While not without its visual charms (particularly as regards the castle of the title, which walks around on four spindly legs), the movie -- about a young girl (voice of Emily Mortimer) who seeks refuge in the mobile home of a misunderstood wizard (Christian Bale) after she's been turned into an old woman (Jean Simmons) by a witch (Lauren Bacall) -- bears no more relation to the novel than gummy bears do to grizzlies. Catering to kids and anime fan boys, this Disney-safe "Howl" is anything but moving. Contains some mildly scary images and a brief glimpse of Howl's naked rear end. Cineplex Odeon Dupont Circle.

-- Michael O'Sullivan

{sstar} HUSTLE & FLOW (R, 114 minutes) -- In Craig Brewer's charming, gritty hip-hop fairy tale, DJay (Terrence Howard) is a Memphis pimp heading nowhere slow, who dreams of making the music big time. He's always had a way with rhymes, and he has an idea for a song. With the help of an old buddy and sound engineer (Anthony Anderson), and a scrawny white musician (DJ Qualls), DJay makes his new song, "Whup That Trick," take foot-stomping shape. He even gets his hookers, bottle-blonde Nola (Taryn Manning) and Shug (Taraji P. Henson), involved and liberates them in the process. Writer-director Brewer doesn't go light on the obscenity, which is part and parcel of the language of the characters. But his story is so affecting, it threatens to make crossover audiences sing out: "You know, it's hard out here for a pimp." Contains sexual scenes, drug content, pervasive obscenity and violence. Area theaters.

{sstar} THE ISLAND (PG-13, 127 minutes) -- Ewan McGregor and Scarlett Johansson, buffed and dressed in sparkling white, play harvested beings, or replicants -- to borrow a term from "Blade Runner," which Michael Bay's movie has ransacked. McGregor is a cloned human called Lincoln Six Echo, and Johansson, named Jordan Two Delta, is also a copy of someone else. When they realize they are spare parts for their original molds, they make a run for it. Cue the helicopters and a paramilitary troubleshooter named Albert Laurent (Djimon Hounsou), who gives chase. As pretty, very human stars, McGregor and Johansson put the main sizzle into "The Island," since we've seen this plotline, and this Brave New World, in better sci-fi films. Thanks to their performances, it's still fun to watch. Contains action violence, some sexuality and obscenity. Area theaters.

KICKING & SCREAMING (PG, 87 minutes) -- Never one to let weak material stand in the way of getting laughs, Will Ferrell manages to come up with a few great comic bits playing the inept coach of a youth soccer team. Ultimately, though, his anarchic genius is wasted in a kiddie comedy in which everybody learns something in the end -- about teamwork, about how having fun is more important than winning and about the kind of movie not to put someone with Ferrell's slyly subversive humor in. Contains crude humor and language. University Mall Theatres.

-- Michael O'Sullivan

{sstar} LADIES IN LAVENDER (PG-13, 104 minutes) -- Maggie Smith and Judi Dench give outstanding performances as lonely sisters who nurse an injured young man (Daniel Bruhl) back to health after he washes up on the shore of their Cornish village in this restrained British melodrama about love and letting go. Directed with a sure hand by actor Charles Dance, who clearly knows that the best way to play a scene is often to underplay it, the film never strays into mawkishness, even as it makes palpable the sisters' pain at the memories of love the stranger's presence dredges up and the dignity with which they must ultimately accept what they cannot have. Contains brief crude language. In English, German, Polish and French with some subtitles. Cinema Arts Theatre, Cineplex Odeon Shirlington and the Avalon.

-- Michael O'Sullivan

LOOK AT ME (PG 13, 110 minutes) -- This French seriocomedy from Agnes Jaoui and Jean-Pierre Bacri (once married to each other, they're a sort of Gallic Nichols and May team) is a movie of biting social observation. Lolita Cassard (Marilou Berry), the slightly chubby daughter of Etienne (Jean-Pierre Bacri), a successful, self-absorbed writer, has a desperate need for Etienne's approval. Her resentment and heartbreak over this permeates the trenchant film like a mournful song. The characters exude moral three-dimensionality; they're not built to behave or please us. And because of this rampant freedom, we watch with a sort of bemused anxiety, not sure what the next moment will bring. But this uncertainty attunes us to the small, passing graces. As the movie's official bad guy, Bacri is something of a rascally pleasure. Contains some obscenity and a sexual reference. In French with subtitles. Avalon.

THE LONGEST YARD (PG-13, 114 minutes) -- This remake of the 1974 comedy-drama about a high-stakes football game between vicious prison guards and a ragtag team of out-matched inmates benefits most from the smart-alecky wit of Chris Rock and the smirking slacker humor of Adam Sandler as genial convicts, even as it adds little to the original film. Still, the playing out of its predictable formula -- is there anyone alive who doubts the outcome of the game? -- is not without its rote pleasures. It's like setting up dominoes and watching them fall. There are no surprises, but a certain satisfaction to sticking it to the man -- again. Contains violence, sexual and drug humor and obscenity. The Majestic and Arlington Cinema 'N' Drafthouse.

-- Michael O'Sullivan

MADAGASCAR (PG, 86 minutes) -- The latest offering from DreamWorks Animation SKG, a tale of citified zoo animals who escape to the wilds of Madagascar from the Central Park Zoo, is high in antic energy but low in charm. Voiced with mostly perfunctory delivery by Ben Stiller, Chris Rock, David Schwimmer and Jada Pinkett Smith, the quartet of, respectively, Alex the lion, Marty the zebra, Melman the giraffe and Gloria the hippo experience a rude awakening when Alex's carnivorous nature puts their friendships at stake. But the story, which attempts to laugh its way out the fact that some animals eat one another, never really resolves its central conflict, which arises from the inescapable fact that it's a dog-eat-dog world. Contains cartoon violence, some humor centered on excretory functions, a bit of mild vulgar language and thematic material related to the fact that animals eat one another. Area theaters.

-- Michael O'Sullivan

{sstar} MAD HOT BALLROOM (PG, 95 minutes) -- Marilyn Agrelo's at times stirring documentary follows groups of young participants in American Ballroom Theater's "Dancing Classrooms" program as they prepare for a climactic dance-off with student ballroom dancers from New York City public schools. It's a lot like "Spellbound," the spelling bee documentary, in that it has as much to say about the contestants -- their lives and aspirations -- as it does about the contest. In the end, it isn't only about the dancing (though there's plenty of that, and it's pretty darn good) as it is about living and growing up. Contains some mild references to sex and violence. Area theaters. Landmark's Bethesda Row, Cineplex Odeon Shirlington and Landmark's E Street Cinema.

-- Michael O'Sullivan

{sstar} MARCH OF THE PENGUINS (G, 80 minutes) -- In this charmfest of a movie, narrator Morgan Freeman tells us about the habits and tremendous resilience of the emperor penguins, whose procreation quest takes them on an incredible journey on the frozen continent, where on a good day, the temperature is 58 degrees below zero. We're talking journeys of about 70 miles to the most frigid chunk of land on Earth. The film is full of wonderful moments and spectacles, including thousands of penguins huddled en masse, nursing their eggs. The wind moans (sometimes those gusts are 100 mph) and peppers them with snow. But they hold on to those eggs, which would crack and kill the baby inside if they touch the ground. But when those fluffies are born, you understand why the parents go to all that trouble. Contains penguin slapstick. Area theaters.

{sstar} ME AND YOU AND EVERYONE WE KNOW (R, 90 minutes) -- Miranda July's brilliant, quirky film is far too complex and precious to render here. But it hums with compassion for its outlandish, lonely but always sweet characters. There are 7-year-old Robby (Brandon Ratcliff) and his 14-year-old brother, Peter (Miles Thompson), who find themselves caught in an uncomfortable, but increasingly hilarious e-mail encounter with a stranger; there's Richard Swersey (John Hawkes), a doe-eyed shoe salesman who wants to light up his hand in a dramatic gesture of closure to his divorce but doesn't seem to realize lighter fluid really burns. And finally, there's July herself, who plays a sweetly kooky performance artist who falls in love with Richard. Everyone operates on eccentric impulse rather than formulaic predictability. The children speak like adults, and the adults speak like children. "Me and You" is really about the found poetry of everyday life. Contains obscenity and momentarily disturbing content involving children. Area theaters.

{sstar} MR. & MRS. SMITH (PG-13, 112 minutes) -- The premise is admittedly slight: Husband-and-wife hit men (Brad Pitt and Angelina Jolie) are hired to kill each other as bullets and romantic sparks fly. Nevertheless, Pitt and Jolie's monumental charisma, coupled with director Doug Liman's stylishly jaundiced staging, makes this allegory of modern love and marriage a summer diversion that's fast-paced, fun and sexy enough for the multiplex crowd and blackhearted enough for those with a taste for something more acidic. It's a grown-up popcorn movie. Contains obscenity, violence and sexual content. Area theaters.

-- Michael O'Sullivan

{sstar} MURDERBALL (R, 86 minutes) -- This isn't just the best smash-mouth rugby documentary featuring muscular dudes in wheelchairs ever made. It's also a powerful movie by any standard. Actually, the sport, played on basketball courts, is "quad rugby." Four players per team, most of whom suffered injuries to the spine or neck, roll around in "Road Warrior"-style chariots and throw a ball around. We watch likable Mark Zupan and his national teammates take on the world's best, including Canada -- coached by arch rival Joe Soares, who was so miffed at being cut from the American team, the forty-something behemoth became the Canadian coach. Though the movie follows the American-Canadian rivalry in big clashes at the 2002 World Championship in Sweden and the 2004 Paralympics in Athens, "Murderball" isn't just about sports. It's an emotional visit with some determined young men (and one middle-aged guy in major denial) who refuse to accept limitations in every aspect of their lives. Contains sexual content and frank discussion, sports violence and obscenity. Landmark's Bethesda Row, Cinema Arts Theatre and Landmark's E Street Cinema.

{sstar} MYSTERIOUS SKIN (Unrated, 99 minutes) -- Gregg Araki's psychodrama is a helter-skelter ride of the soul, an unblinking, white-knuckle crash landing into the mushy mysteries of the subconscious. It makes an ingenious, dark metaphor out of extraterrestrial visitation and is not for the fainthearted, the squeamish or the inflexibly decent. The story has two characters: 18-year-old Brian Lackey (Brady Corbet), who believes he may have been the victim of an alien encounter, and Neil McCormick (Joseph Gordon-Levitt), a gay hustler who had formative sexual experiences as a child with his male baseball coach Heider (Bill Sage). Why these two men's histories are in the same drama becomes apparent later. But until that time, we watch -- fascinated, appalled and powerfully moved. Corbet is note perfect as the crushed, anguished Brian, and Gordon-Levitt is memorably harrowing as the risk-embracing Neil. Contains intense thematic material, pedophilia, rape, obscenity and sexual scenes. Landmark's E Street Cinema.

{sstar} MY SUMMER OF LOVE (R, 81 minutes) -- Two young women (Emily Blunt and Nathalie Press) meet by chance in the Yorkshire countryside and instantly understand they are meant for each other. Tamsin (Blunt) is a rich, horse-riding bon vivant without a care in the world. Mona (Press) is a working-class girl who lives over, and runs, a local pub. But their budding relationship is threatened by Mona's brother and born-again Christian Phil (Paddy Considine), who doesn't like their fast growing union. Things get ugly. Whether or not director Pawel Pawlikowski's dark, almost biblical finale brings things to a satisfying conclusion is a matter for debate. But for all its melodramatic excesses, "My Summer" remains highly watchable for atmosphere and performances. Pawlikowski, a Polish filmmaker working in England, has made an urgent, often compelling chamber piece about the lurking forces underneath our finer intentions. Contains sexual scenes, obscenity and violence. Cineplex Odeon Dupont Circle.

REBOUND (PG, 87 minutes) -- Just like the character played by star Martin Lawrence here -- a cocky, indolent college basketball trying to rehabilitate his bad-boy image by coaching a bunch of inept 13-year-olds at his former junior high school -- this formulaic underdog sports comedy is lazy and arrogant. Lazy because it relies on a plot that's been around since God was a boy, and arrogant because it thinks it can get by on mugging and physical shtick that Lawrence has been flogging since his days on TV's "Martin," but which now feel as tired as the comedian looks. Contains comic violence, including the killing of a bird, and a running gag about vomiting. Area theaters.

-- Michael O'Sullivan

{sstar} SAVING FACE (R, 97 minutes) -- Ambitious doctor Wilhelmina Pang (Michelle Krusiec) and dancer Vivian Shing (Lynn Chen) meet cute but awkward in writer-director Alice Wu's affecting tale of overcoming love's obstacles. Set in the Chinese immigrant community of Flushing, Queens, where Wil, as she's known, faces quiet parental disapproval for her lesbianism -- even as her divorced mother (Joan Chen) is ostracized for getting pregnant by a mystery man -- "Saving Face" isn't really about saving face at all. At heart, what this romantic comedy is really about is showing face, or, in other words, about being who you really are. Contains sexual content, partial nudity and brief obscenity. Cineplex Odeon Dupont Circle.

-- Michael O'Sullivan

STAR WARS: EPISODE III -- REVENGE OF THE SITH (PG-13, 140 minutes) -- In this final installment of the "Star Wars" mega-ology, we learn about the circumstances that led to the creation of Darth Vader. But this most potentially compelling episode of all is marred by the disappointingly ordinary Hayden Christensen, whose evolution from Anakin Skywalker to the baddest, heavy-breathing villain in sci-fi popular culture, amounts to a sort of tizzy fit. It seems he just can't get invited to the inner circle of Jedi knights, run by Yoda, Obi-Wan Kenobi (Ewan McGregor), Mace Windu (Samuel L. Jackson) and all, so he joins forces with Emperor Palpatine (Ian McDiarmid), who doubles as the hissable Sith Vicious, uh, Darth Sidious. There are some enjoyable spectacles involving lightsaber battles between Obi-Wan and Anakin. But the whole subplot between Anakin and his wife, Padme (Natalie Portman), is dramatically flat, and the story shows us nothing that we didn't expect. Contains sci-fi violence. Area theaters.

{sstar} WALK ON WATER (Unrated, 94 minutes) -- The black-and-white moral world of an assassin (Lior Ashkenazi) working for Israel's Mossad intelligence agency starts to look mighty gray when his assignment to track down and terminate a fugitive Nazi leads him to befriend the old man's grandchildren, a pretty young German woman living on a kibbutz (Caroline Peters) and her gay brother (Knut Berger). Eytan Fox's film is rich with ideas about what ethical living means, making connections between homophobia, Nazism and the desire for -- and spiritual costs of -- revenge. It's a beautiful, complex film about friendship, letting go of the past and embracing forgiveness. Contains obscenity, some violence (both actual and theoretical), nudity and discussion of sexuality. Landmark's Bethesda Row.

-- Michael O'Sullivan

{sstar} WAR OF THE WORLDS (PG-13, 118 minutes) -- As he did with "Saving Private Ryan," director Steven Spielberg bursts out of the starting gate in the first half-hour of his adaptation of H.G. Wells's 1898 science-fiction adventure about Earth under attack by aliens. Starring Tom Cruise as a divorced father trying to protect his children (Dakota Fanning and Justin Chatwin) from annihilation by ruthless visitors from outer space, this "War of the Worlds" spends a considerable amount of time exploring the interior life of a man and the kids he seems to have just discovered he has, but not at the expense of the film's profound, sustained thrills. It's a rip-roaring popcorn flick with heart. Contains violence and obscenity. Area theaters.

-- Michael O'Sullivan

{sstar} WEDDING CRASHERS (R, 119 minutes) -- Jeremy (Vince Vaughn) and John (Owen Wilson) are scoundrels who crash weddings so they can score with women in this often-funny caper. But when they attend a big-time Washington wedding party for the daughter of Secretary of the Treasury William Cleary (Christopher Walken), things change. John falls a little too sincerely for Claire (Rachel McAdams), one of the secretary's daughters. And Jeremy gets in a little over his head with another Cleary daughter, Gloria (Isla Fisher), who soon declares her undying, bunny-boilingly permanent love for Jeremy. Vaughn is definitely the best man in this wedding comedy. As Jeremy, he's a cad and a half who can motormouth like a machine gun, spraying men, women and children with manic, rat-a-tat outbursts of toxic insincerity. It's often dirty, yes. But it's also manic and inspired. Contains nudity, sexual scenes, obscenity and slapstick violence. Area theaters.

Repertory

AIR AND SPACE MUSEUM/DOWNTOWN -- At the Lockheed Martin Imax Theater: "Fighter Pilot," daily at 11:25, 1:25, 4 and 6. "Space Station (3D)," daily at 10:25, 12:25, 3 and 5. "To Fly!" daily at 2:25. At the Albert Einstein Planetarium: "Infinity Express," daily at 10:30, 11, 11:30, 12, 12:30, 1, 1:30, 2, 2:30, 3, 3:30, 4 and 4:30; Friday, Sunday, Monday and Wednesday at 5. "The Stars Tonight," Saturday, Tuesday and Thursday at 5. Seventh and Independence SW. 202-357-1686.

AIR AND SPACE MUSEUM/DULLES -- "Fighter Pilot," daily at 11, 1, 3 and 5. "Adrenaline Rush: The Science of Risk," daily at 12 and 4. "To Fly!," daily at 2. 14390 Air and Space Museum Pkwy., Chantilly. 202-357-2700.

AMERICAN CITY DINER -- "Jurassic Park," Friday at 8:30. "Intolerable Cruelty," Saturday at 8:30. " . . . And Justice for All," Monday at 8:30. "The Public Enemy," Tuesday at 8:30. "Gunfight at the O.K. Corral," Wednesday at 8:30. "All About Eve," Thursday at 8:30. 5532 Connecticut Ave. NW. 202-244-1949.

ARLINGTON ARTS AL FRESCO -- "Cover Girl," Friday at 8. Lubber Run Amphitheatre, North Second and North Columbus streets, Arlington. Free. 703-228-1850 or 703-228-6966.

CHARLES THEATRE -- "The Thing From Another World," Saturday at noon, Monday at 7 and Thursday at 9. 1711 N. Charles St., Baltimore. 410-727-3456.

DC ANIME CLUB -- "Black Heaven," "Samurai Deeper Kyo" and "Full Metal Panic," Saturday at 1. Martin Luther King Library, Room A9, 901 G St. NW. 202-582-2492.

FILMS ON THE VERN -- "Finding Neverland," Wednesday at 8:30. Free. George Washington University's Mount Vernon Campus, 2100 Foxhall Rd. NW. 202-242-6673.

FREER -- "Love Eterne," Friday at 7 and Sunday at 2. Free, but tickets required. Meyer Auditorium, 12th Street and Jefferson Drive SW. 202-633-1000.

LIBRARY OF CONGRESS -- "The Mask of Dimitrios," Tuesday at 7. Free. Mary Pickford Theater, 101 Independence Ave. SE. 202-707-5677.

MAGIC LANTERN FILM FESTIVAL -- "Shattered Glass," Friday at 8:30, preceded by wine tasting at 7. Off Indian Alley behind Grace Lutheran Church, 38 W. Bosquan St., Winchester. 540-678-0963.

MARYLAND SCIENCE CENTER -- Imax Theater: "Fighter Pilot," daily at 10:30, 12:40, 3:55 and 7:10. "Bugs! (3D)," daily at 11:35, 1:45 and 5. "Titanica" and "Hubble: Galaxies Across Space & Time," daily at 2:55 and 6:05. Davis Planetarium: "The Sky: Live!" Friday and Monday-Thursday at noon, 3 and 5; Saturday-Sunday at 3 and 5. "The Sky Above Mister Rogers' Neighborhood," daily at 1. "Entertaining Einstein," Friday, Saturday and Thursday at 2, 4 and 6; Sunday-Wednesday at 2 and 4. "Live From the Sun," Saturday-Sunday at noon. 601 Light St., Baltimore. 410-685-5225.

MOVIES IN THE MORNING -- "Philadelphia Story," Friday-Sunday at 10. "The Russians Are Coming, The Russians Are Coming," Friday-Sunday at 10:10. "Talk of the Town," Friday-Sunday at 10:20. "Adam's Rib," Friday-Sunday at 10:30. "Bringing Up Baby," Wednesday-Thursday at 10. "Topkapi," Wednesday-Thursday at 10:10. "The Verdict," Wednesday-Thursday at 10:20. "Pat & Mike," Wednesday-Thursday at 10:30. Fair City Mall, Cinema Arts Theatre, Rt. 236 and Pickett Rd., Fairfax. 703-978-6991.

NATIONAL BUILDING MUSEUM -- "How to Succeed in Business Without Really Trying," Wednesday at 8:15, preceded by folk music from Dead Men's Hollow. Free. 401 F St. NW. 202-272-2448.

NATIONAL GALLERY OF ART -- "The Venetian Dilemma," Friday at 12:30 and Saturday at 2. "Silent Film Comedy, 1916-1929," Saturday at 4. "The River," Sunday at 4:30. Free. East Building, Fourth and Constitution NW. 202-737-4215.

NATIONAL MUSEUM OF NATURAL HISTORY -- Johnson Imax Theater: "Into the Deep (3D)," daily at 10:20, 12:10, 2, 2:50, 4:40, 5:30 and 7:20. "T-Rex: Back to the Cretaceous (3D)," daily at 11:10, 1, 3:40 and 6:20. 10th and Constitution NW. 202-633-7400.

NATIONAL THEATRE -- "Eight Men Out," Monday at 6:30. Free. Helen Hayes Gallery, 1321 Pennsylvania Ave. NW. Free. 202-783-3372.

PSYCHOTRONIC FILM SOCIETY -- "Future Cops," Tuesday at 8. Dr. Dremo's Taphouse, 2001 Clarendon Blvd., Arlington. 202-736-1732 or 202-707-2540.

New on Video

KING'S RANSOM

(PG-13, 2005, 90 MINUTES, NEW LINE CINEMA)

Anthony Anderson plays Malcolm King, a wealthy businessman who has built up a lot of enemies over the past, including his soon-to-be ex-wife (Kellita Smith) and his disgruntled employees. He hatches a plan to avoid paying for a messy divorce by staging his own kidnapping with a ridiculously high ransom. He assumes everyone will assume he's broke after that. Naturally things don't go as planned. Contains crude and sexual humor and language.

-- Desson Thomson

THE UPSIDE OF ANGER

(R, 2005, 116 MINUTES, NEW LINE CINEMA)

In Mike Binder's edgy tragi-farce, suburban housewife Terry Wolfmeyer (Joan Allen) dives into the bottle when her husband suddenly leaves her for his Swedish secretary. But the gloom that enfolds her, as well as her four daughters by osmosis, starts to clear when boozy neighbor Denny (Kevin Costner) becomes romantically interested in Terry. The movie's entertaining for its gonzo sitcom craziness. Costner's a snakish charm as the indolent, ultimately sensitive Denny. Binder, playing a cradle-robbing radio producer, is amusing. And Allen is outstanding as the inebriated Terry, whose senses are intoxicated but never dulled. But the movie takes a conventional turn for the redemptive. And suddenly, everyone's desperate to save themselves in time for the ending. Contains obscenity, sexual scenes, drinking and drug use, and some violence.

-- D.T.

XXX: STATE OF THE UNION

(PG-13, 2005, 101 MINUTES, SONY PICTURES)

Ice Cube brings his trademark scowl, but not much else, to the role of super-spy in this dull-witted sequel to the 2002 Vin Diesel vehicle. Alas, Diesel's character -- a secret agent who saves the world from evil under the codename "XXX" -- is no longer with us, so convict Darius Stone (Ice Cube) must step into his combat boots, getting sprung from prison by National Security Agency recruiter Samuel L. Jackson, who hands the new "Triple X," as he's called, a few high-tech weapons and lets him loose on the bad guys. The target this time is a corrupt U.S. secretary of defense (Willem Dafoe) bent on taking over the country, but otherwise this "XXX" is pretty much a retread of something that was a bad idea in the first place. Contains frequent action violence and some obscenity.

-- Michael O'Sullivan

Coach Buttermaker (Billy Bob Thornton, right) leads a ragtag team of inept baseball players in "Bad News Bears." Andy Cohn is a member of the competitive national quadriplegic rugby team, the focus of the compelling documentary "Murderball." Terrence Howard, left, DJ Qualls and Anthony Anderson star in the gripping drama "Hustle & Flow," about a pimp (Howard) who wants to be a rapper.