AUDIENCES ARE REWARDING “The Amazing Spider-Man” for being a very, very good film.

The fourth film in the Sony franchise faced high skepticism as the producers resorted to rebooting Spider-Man for the second time in a decade — and as “The Avengers” and “The Dark Knight Rises” have loomed large as the summer’s superhero tentpoles.

Turns out, Peter Parker’s origin story, in the right hands, is as resilient as a wrist-packed monofilament — even as the Marvel webslinger turns 50 this year.

“Amazing Spider-Man” continued to soar above studio projections by grossing $65-million domestically to win the weekend — doubling the take of last week’s champ, “Ted” — and lifting its six-day start to $140-million, according to studio estimates released Sunday. Final numbers are due Monday.

Buoyed significantly by the winning performances of Andrew Garfield (who has inherited the super-suit from Tobey Maguire for his own newly announced trilogy) and Emma Stone (as Gwen Stacy), “Amazing Spider-Man” has now grossed a strong $341.6-million worldwide.

As Spider-Man co-creator Stan Lee told Comic Riffs: Whoever decided to cast the talented Garfield as the new teen “Everyguy” should get a medal.

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Andrew Garfield, who inherited the Spidey suit for “The Amazing Spider-Man,” will now get his own Peter Parker trilogy. (Jaimie Trueblood/COLUMBIA PICTURES)


“Amazing Spider-Man” performed well right out of the gate, grossing $7.5-million Tuesday from midnight screenings; and through the Fourth of July, “Amazing Spider-Man” had grossed $58.3-million domestically and $108-million overall, according to the site BoxOfficeMojo.

[POST REVIEW: “The Amazing Spider-Man”]

“What a spectacular relaunch,” Sony worldwide distribution President Rory Bruer told the Hollywood Reporter, citing “the chemistry between Andrew and Emma” and “the out-of-the-box direction of Marc Webb,” who until now was best known for directiong “(500) Days of Summer.”

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“Amazing Spider-Man” also benefited from its popularity with “family” demographics (25-percent of the film’s audience); its generally positive critical reviews and filmgoer scores; and its haul at IMAX theaters ($14.3-million).

”Spider-Man’s” performance dwarfed the domestic debuts of “Savages” (fourth at $16.2-million) and “Katy Perry: Part of Me” (eighth; $7.15-million).

Seth MacFarlane’s CGI/live-action “Ted” strengthened its claim as the R-rated comedy hit of the summer, grossing $32.6-million to raise its domestic total to $120.2-million. And Pixar’s animated “Brave” also remained strong, grossing $20.1-million to boost its domestic take to $174-million.

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■Sony’s four Spider-Man films have now grossed $1.25-billion domestically and $2.83-billion worldwide.

■“Amazing Spider-Man” had the fourth-best Independence Day weekend ever (not adjusted for inflation) — behind only two “Transformers” film (“Dark of the Moon” tops the list with $97.8-million) and “Spider-Man 2” ($88-million).

■“Amazing Spider-Man” had the 12th-best weekend opening ever for Marvel character film — barely trailing last year’s “Thor” ($65.7-million) and “Captain America: The First Avenger”($68.05-million), though those two films didn’t open on a Tuesday.

■And “Amazing Spider-Man” just beat the average opening for a Marvel character film: $65.57-million.