The Washington Post

ANGOULEME PRIZES: Jean-Claude Denis accepts Grand Prix award; Jim Woodring, Guy Delisle also honored

French cartoonist Jean-Claude Denis, left, is awarded the "Nobel of the BD (Bande Dessinee)" by 2012 Angoulême president Art Spiegelman on Sunday during the 39th edition of the Angoulême world comic strip festival in southwestern France. (PIERRE ANDRIEU/AFP/GETTY IMAGES)

AFTER ART SPIEGELMAN got “the call” a year ago, asking him to be Angoulême’s Grand Prix recipient and president, he told Comic Riffs of the gig’s immense planning duties: “I don’t know whether you should say ‘congratulations’ or ‘condolences.’ “

On Sunday, a beaming Spiegelman got to say “congratulations!” to some fellow top cartoonists at the awards ceremony that concluded Angoulême’s four-day Festival International de la Bande Dessinée.

French cartoonist Jean-Claude Denis received the Grand Prix award (for lifetime achievement) from Spiegelman, the Pulitzer-winning creator of “Maus” and last year’s anniversary book project, “MetaMaus.”


Elsewhere, the Special Jury Prize went to American cartoonist Jim Woodring for “Congress of the Animals”, and the Best Comic award went to Canada’s Guy Delisle for “Chroniques de Jerusalem” (“Jerusalem: Chronicles from the Holy City”).

The Legacy Award went to “Dynasty Donald Duck: The Complete Carl Barks.

Eisner-winning manga master Yoshihiro Tatsumi won for “A Life in the Margins”

Among the other award winners: Kaoru Mori for “Bride Stories”; Morgan Navarro for ”Beat Teddy”; Gilles Rochier for “T.M.L.P”; and Cyril Pedrosa for “Portugal.”

The full list of winners can be found at the festival website.

The festival included what it described as the largest European retrospective ever of Spiegelman’s work.


Canadian cartoonist Guy Delisle, winner of Best Comic award for “Chroniques de Jerusalem,” accepts his trophy Sunday at the 39th Angouleme world comic strip festival. (PIERRE ANDRIEU/AFP/GETTY IMAGES)


Writer/artist/visual storyteller Michael Cavna is creator of the "Comic Riffs" column and graphic-novel reviewer for The Post's Book World. He relishes sharp-eyed satire in most any form.


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