Andrew Breitbart mugging at the photo shoot for his book, "Righteous Indignation." (Courtesy of "Hating Breitbart")

The toast was brief and bittersweet: ‘To Andrew!”

Friends and fans of the late Andrew Breitbart — conservative blogger, provocateur, jester, Tea Party hero — gathered in Georgetown Monday for the Washington premiere of “Hating Breitbart,” a new documentary about the Internet media phenom.

“They called him a racist, they called him a sexist, they called him a bigot, they called him a homophobe,” director Andrew Marcus told the audience. “Andrew’s response to this was not a civil response. . . His response was, ‘f--- you.’” The crowd burst into applause.

The filmmaker met Breitbart in 2009 while filming Tea Party protests around the country. Marcus was fascinated by Breitbart’s ability to connect with the crowds and pitched a documentary — a cross between U2’s “Rattle and Hum” and “This Is Spinal Tap,” in his mind. “You’re a rock star who doesn’t take himself too seriously,” he recalls telling Breitbart. The two spent more than two years criss-crossing the country together until Breitbart’s sudden death from a heart attack in March. He was 43.

"Hating Breitbart" director Andrew Marcus, producer Evan Maloney, and Tien Pasco at the post-screening party Monday night. (Reflections Photography)

Breitbart insisted that liberals controlled the establishment media outlets, so he declared war using the Internet as his battleground. The film includes his promotion of James O’Keefe’s anti-ACORN sting, his Shirley Sherrod smear and his one acknowledged journalistic scoop: Publishing Rep. Anthony Weiner’s lewd pictures, which resulted in the congressman’s resignation. Only one area was off- limit to the filmmakers: Breitbart’s wife and kids.

The documentary was originally scheduled to open Friday in a limited national release, but producers delayed it one week while appealing the Motion Picture Association of America’s “R” rating for the many f-bombs on screen. (A MPAA rep told us the appeal is subject to the release date and rules of the ratings system.)

Marcus told us that Breitbart saw a copy of the film about two months before he died. His death “changes the impact and the meaning,” of the film but not the narrative: “Andrew’s story was about the war he engaged in, and I felt really compelled to get that out.”

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