But this was, in fact, an evening that Mendez made happen. The 71-year-old retired CIA agent is the man who managed to sneak six U.S. diplomats out of Iran during the 1979-81 hostage crisis by having them pose as a fake crew for a fake movie. He’s played by Affleck in “Argo,” the rapturously reviewed new movie about the long-classified operation.
To be fair, it was also an evening that Canada made happen. It was Canada’s ambassador to Iran and his wife who hid the Americans in their residence for three months, at great peril to their own lives, until Mendez could find a way to get them.
“Canada and the United States have always had each other’s backs,” the party’s host, Canadian Ambassador Gary Doer, told the room. “That’s an important message that’s as important today,” he said, citing the nations’ joint resolve to “not tolerate the acquisition of a nuclear bomb” by Iran.
Elsewhere in the room: Huma Abedin — the top Hillary Clinton aide, who facilitated the movie’s filming at the State Department — and husband Anthony Weiner, only rarely seen on the D.C. social circuit since his resignation from Congress. Also: Several veterans of the real-life Argo operation, including the brave ambassadorial couple, Ken and Patricia Taylor, and three of their “house guests,” as the hidden U.S. diplomats were politely dubbed. As a house guest, Lee Schatz couldn’t really speak to the accuracy of the movie: So much of it “is a piece of the experience we didn’t participate in,” he said. But “they really captured the tension on the streets” of Tehran — much like it is now across the Middle East, he said. (SEE ALSO: Kathy Stafford, real-life “houseguest,” recalls “Argo” operation, 11/18/12)
Mendez, who now lives in rural western Maryland and has written three books about his CIA years, worked as a consultant on the film. Who would his wife have cast as him?
“Tommy Lee Jones,” said Jonna Mendez, herself a CIA veteran. “But now everyone’s too old. Ben’s exactly the right age.”
After all, the movie takes a few liberties with his story. There’s a car chase that never happened, clashes that are pure inventions. But a man who resorted to Hollywood subterfuge to execute his operation is okay with the Hollywood veneer.
“It adheres to the spirit of the story,” he said. In Tehran, they felt worried — but in a movie, you need to externalize that worry via action. “Music and lights and all that stuff play into a movie. It’s an entertainment.”
Related: Tony Mendez profile from Washington Post: Seeing is Deceiving, 2/15/00
Argo: Movie review by Ann Hornaday, 10/11/12
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