Among the network’s six new comedies and six new dramas are: Whitney Cummings as half of a committed couple, Debra Messing as the writers of a Broadway musical about Marilyn Monroe, Christina Applegate as an acerbic new mom, Maria Bello as the new Helen Mirren in a “Prime Suspect” remake, and a comedy based on late night star Chelsea Handler’s book, “Are you there Vodka? It’s Me, Chelsea.”
“We all know that it’s a little easier to get women to come to television than men,” NBC Entertainment chairman Bob Greenblatt told The TV Column on Sunday of his new lineup, kicking off the so-called broadcast TV upfront week — in which ABC, CBS, NBC, Fox and CW, among others, show their new schedules to advertisers — adding, “That’s not a bad thing.”
Except, of course, advertisers pay a premium to reach young guys, because they’re the hardest to reach. But reaching for a female audience is not a bad direction in which to go when you’re the mired-in-fourth-place network.
NBC will launch just six of the new shows in the fall – because it’s hard to be heard in the din of fall broadcast TV new-season launch, particularly when you’re the fourth-placed network.
Likewise, NBC’s TV adaptation of John Grisham’s book “The Firm” won’t be trotted out until it can follow the return of reality series “Celebrity Apprentice” on Sunday nights – with or without Donald Trump depending on his presidential plans -- post-football.
“We’ll be placing a great deal of emphasis on how we launch each one of our programs and on maximizing the network’s strengths throughout the fall and well into mid-season,” Greenblatt said Sunday.
“Considering it’s only been three months since new management took over, I’m very pleased with what has resulted from a very strong pilot season,” Greenblatt said.
Meanwhile, we won’t keep the 12 of you still watching NBC in suspense any longer: the network’s returning series include: “Parenthood,” “Law & Order: Special Victims Unit,” “Harry’s Law,” “Chuck” (for its fifth and final season of 13 episodes), “Community,” “Parks and Recreation,” “The Office,” “30 Rock” and “Dateline NBC.”
Also back – all in two-hour formats -- are reality series “The Voice” and “Celebrity Apprentice,” as already mentioned, as well as “The Biggest Loser.” And the competition show “The Sing-Off,” which has garnered strong holiday-period ratings the past two seasons, has been promoted to weekly-series status.
On Mondays, where NBC has struggled for some time, “The Sing Off” kicks off the night, 8-10 p.m., leading into “The Playboy Club,” from Grazer. Eddie Cibrian stars as a bigwig attorney in Chicago in the 60s. He’s dating bombshell bunnie Laura Benanti, knows her bunny days are numbered; naturally he comes to the aid of newbie bunny Amber Heard when she accidentally kills the head of a mob family. Hate when that happens!
Tuesday, “Parenthood” is back at 10; it will follow a two-hour “Biggest Loser.”
On Wednesday, NBC will try to launch a new comedy block with two new sitcoms: “Up All Night” and “Free Agents.”
“Up All Night” stars Christina Applegate as a hot public relations exec with a new child. Will Arnett is her supportive, stay-at-home husband, and Maya Rudolph is her crazy boss-cum-best-friend. “SNL’s” Emily Spivey writes and Lorne Michaels is among the exec producers.
When asked, Greenblatt told The TV Column putting two new comedies into the 8 o’clock hour on Wednesdays is his gutsiest schedule move. NBC hasn’t had much luck with comedy of late and even under the best of circumstances opening up a night with new shows is challenging. On the other hand, Applegate, Michaels, Azaria, Rudolph – all what we like to call “pre-sold commodities” in the TV biz – they’ve got their followers.
“We have no illusions,” Greenblatt said of the challenge facing these Wednesday comedies.
“We really needed to put more comedy on the schedule…]Comedies] are the kind of things that engender great loyalty, and have great repeatability, and are incredibly profitable; to have comedies only on one night doesn’t serve the audience.”
At 9 Wednesdays, however, NBC’s not taking any chances, giving the timeslot to its only returning freshman scripted series from this season, “Harry’s Law.” The David E. Kelley drama stars Kathy Bates as a no-nonsense lawyer. Interestingly it’s also most CBS like of NBC’s new dramas from this season– procedural and starring an older well-known star. We hear it’s the same thing over at ABC with Dana Delaney crime drama “Body of Proof.” Maybe CBS knows something.
Anyway, “Law & Order: SVU” is back at 10 Wednesday after “Harry.” Mariska Hartigay has a deal to come back and Greenblatt said he was confident they’d be able to close a deal soon to get Chris Meloni back for another season. Word Hargitay will pass the baton to Jennifer “Love to her Friends” Hewitt this season and leave early is “just another rumor” but he confirmed Hewitt was “somebody we’ve been circling” as they looked to add another detective to the cast this season. “Mariska just adopted a child…we’re not sure beyond this season where we’ll be with her,” he said during a phone conference call with reporters to discuss the new schedule.
Thursday -- NBC’s most night of the most successful comedies on cable, to paraphrase “30 Rock” head writer/star Tina Fey -- “Community,” “Parks ands Recreation,” and “The Office” are back, starting at 8, in that order. Hitting the jackpot and snaring the best comedy timeslot NBC has to offer – the one following “The Office” -- is “Whitney” starring comic Whitney Cummings as one half of a committed relationship in what NBC promises is “a hilarious look at modern love.” If we had a buck….
At 10 Thursdays -- once the timeslot of NBC’s crown jewel “ER” -- NBC will attempt to climb up out of the ratings cellar with its “Prime Suspect” re-do. Bello stars and Berg exec produces the remake of the British drama hit that made Helen Mirren a household name in the U.S.
“Chuck” fans are no doubt celebrating its survival The bad news: it’s been sent to Friday nights for its final resting place, where it’s supposed to deliver some kind of lead-in audience for “Grimm.”
“If I have a chance to transport an audience to Friday night it might be with something tha that has a real loyal audience, like ‘Chuck’,” Greenblatt explained of the move.
“Grimm” is a drama about a homicide detective who starts seeing things he can’t explain until this ailing aunt – naturally– shows up and tells him they are descendants of an elite group of hunters known as “Grimms” who fight to keep the balance of humanity safe from the supernatural creature of the world – you know, all those witches and goblins from the Grimm fairytales! We promise to work hard to be able to discuss this series with a straight face by the time the 2011-12 TV season officially kicks off in September.
Anyway, NBC’s “Dateline” will try to follow “Grimm” at 10.
On Saturdays, NBC Rerun Theatre is back.
Sunday, NFL and players willing, football will be back.
When football season is over, NBC will revert to a 7 p.m. “Dateline” on Sunday nights, followed by the return of two-hour “Celebrity Apprentice” leading into “The Firm.” Greenblatt said the “Celebrity Apprentice” boss will be re-cast if Trump decides to run for president of the United States, and when Greenblatt said something in passing about that and one reporter on the afternoon group call asked if he was saying he did not want Trump to run for president, Greenblatt responded, very very carefully, that it was the right of every American to run for president and “nothing would make me happier than for someone to achieve that dream.”
Anyway, “Celebrity Apprentice” is considered NBC’s best lead-in for legal drama “The Firm” which is based on the Grisham gook of same name and will pick up 10 years after the Tom Cruise flick left off.
Also around the time “Celebrity Apprentice” returns to NBC’s schedule, “The Voice” will be back, in its new timeslot on Mondays, 8-10 p.m. It is, Greenblatt said, perfect leadin to new drama “Smash.”
“Smash,” one of the most buzzed about projects during this TV series development season, follows the mounting of a Broadway musical based on the life of Marilyn Monroe. Messing plays half of the play’s writing team. “American Idol” finalist Katharine McPhee plays a newbie who wants the lead role – but so does a Bway chorus line veteran, played by Megan Hilty (“9 to 5: the Musical”). Spielberg’s credited with the idea and among the exec producers are Craig Zadan and Neil Meron, whose credits include “Chicago” and “Hairspray” as well as TV remakes of “Gypsy,” and “Music Man,” among others.
Sitting on the bench, ready to step in where ratings sink-hole-dom happens, are:
“Awake” about a detective whose son and wife are in a car accident and he discovers two parallel universes – one in which he wife was killed but his son survived, the other in which the son got out alive but the wife perished.
“Are You There Vodka? It’s Me, Chelsea,” abaout a 20-something bartender (Laura Prepon) who is a force of nature.
“Best Friends Forever,” is about a woman who flies cross country to move in with her best friend when he husband files for divorce, only to discover her BFF’s boyfriend has moved in, and turned her former bedroom into his home office.
“Bent” is a rom-com starring Amanda Peet and David Walton as a recently divorced lawyer with a daughter, and a womanizing, recovering gambling addict contractor who’s re-doing her kitchen, respectively. No, we do not know why this show is not called “Rebound.”
NBC FALL 2011-12 SCHEDULE
(*New programs in UPPER CASE; all times ET)
8-10 p.m. – “The Sing-Off”
10-11 p.m. – “THE PLAYBOY CLUB”
8-10 p.m. – “The Biggest Loser”
10-11 p.m. – “Parenthood”
8-8:30 p.m. – “UP ALL NIGHT”
8:30-9 p.m. – “FREE AGENTS”
9-10 p.m. -- “Harry’s Law”
10-11 p.m. -- “Law & Order: Special Victims Unit”
8-8:30 p.m. – “Community”
8:30-9 p.m. -- “Parks and Recreation”
9-9:30 p.m. – “The Office”
9:30-10 p.m. – “WHITNEY”
10-11 p.m. – “PRIME SUSPECT”
8-9 p.m. – “Chuck”
9-10 p.m. – “GRIMM”
10-11 p.m. – “Dateline NBC”
7- 8:15 p.m. -- “Football Night in America”
8:15-11:30 p.m. -- “NBC Sunday Night Football”
More from upfront week: