But July, August and September — historically a strong quarter for Netflix — saw much slower growth, including just 177,000 adds in the United States. The period was one in which many Americans emerged from shutdowns to gather in outdoor locations. In contrast, Netflix had drawn nearly 3 million new American subscribers in the spring.
“As expected, growth has slowed,” the company’s executives said in a letter to investors. “We think this is primarily due to our record first half results,” it added, suggesting that many people who would think about subscribing during the pandemic already had.
The 2.2 million figure is also way down from the 6.7 million Netflix added in the same period last summer.
With $6.43 billion in quarterly revenue, Netflix exceeded forecasters’ projections of $6.38 billion. But earnings per share of $1.74 came in well below expectations of $2.14.
Analysts are unlikely to be concerned with the subscriber slowdown, though, in part because the company is approaching 200 million worldwide subscribers. Its official count was 193 million coming into the quarter. Those figures are well above its nearest streaming competitor, Disney Plus, which several months ago reported it had topped 60 million subscribers worldwide.
On a call with investors, Netflix chief financial officer Spence Neumann said that the firm’s "general underlying metrics are very healthy,” while co-chief executive Reed Hastings added that “We’ve been doing high 20 [million] net adds per year for four years. And this year on guidance it’ll be 34 million. So we’ll set all kinds of new records this year.”
Netflix executives noted in their letter that the company had racked up more than 28 million global subscribers so far this year, surpassing the 27.8 million it gained in all of 2019.
Even as it touted the subscriber numbers, the company has been canceling a number of shows in recent weeks, including fan favorites “Glow,” “The Society” and “Altered Carbon,” often for apparent covid-related cost issues. On Monday, it canceled the outerspace drama “Away” after one season.
On the call, Netflix co-chief executive Ted Sarandos also addressed the surprise departures of the original-series executives Cindy Holland and Channing Dungey recently, saying he wanted to “restructure the content team to….have one global organization.” He promoted Bela Bajaria, who previously ran local-language originals, to lead the unit. Holland drove early series like “House of Cards” and “Orange Is The New Black;” Dungey is a former ABC executive who was hired this week to run Warner Bros Television.
A fall and winter in which rising virus rates and cold weather are expected to drive people inside could keep Netflix subscriber numbers high.
Meanwhile, the lack of new movies in theaters could ensure people turn to the streaming giant for their entertainment fix. Already, Aaron Sorkin’s war-protest legal drama “The Trial of the Chicago 7,” and Darren Star’s dramatic comedy “Emily in Paris” are among the most talked-about pieces of content this fall, with a new take on the Daphne du Maurier’s gothic novel “Rebecca” starring Lily James expected to further drive conversation this month.
The company said one of its most-viewed shows in the most recent quarter was “Ratched,” Ryan Murphy’s spinoff of sorts from “One Flew Over the Cuckoo’s Nest”; at least a few minutes of the series were viewed by 48 million households in its first four weeks of release.
Netflix, which has benefited from Oscar-nominated movies such as “The Irishman” and “Roma” in recent years, is likely to really reap its rewards this year. New rule changes allow for movies to qualify this year without playing in theaters, broadening Netflix’s potential base of contenders. And many studios have postponed their films until later in 2021, thinning out the field.
Netflix’s stock price, which has risen 80 percent since the start of shutdowns in mid-March, was down 6 percent in after-hours trading Tuesday.