“Black Buck: A Novel,” by Mateo Askaripour (Jan. 5)
Askaripour’s satire revolves around the rudderless Darren, whose fortunes change when he joins the sales team of a strange start-up where he’s the sole employee of color. But soon, family trouble convinces him to use his newfound success for his community’s good.
“The Prophets: A Novel,” by Robert Jones Jr. (Jan. 5)
Jones may be best known as the blogger “Son of Baldwin.” His extraordinary debut, with its sinuous, multivoiced narrative, will change that. It’s a love story between two young enslaved men, Isaiah and Samuel. When someone reveals their secret, the repercussions aren’t just from above, and the fallout tests their Mississippi plantation community.
“The Children’s Blizzard: A Novel,” by Melanie Benjamin (Jan. 12)
During a spell of mild winter weather in the 19th-century Dakota Territory, children had returned to school. Then an unexpected blizzard struck, leaving students and their teachers stranded and uncertain of what to do next. Based on the real-life 1888 “Schoolhouse Blizzard,” Benjamin’s eighth novel delves into the dark realities of immigrant life in the American West.
“Saving Justice: Truth, Transparency, and Trust,” by James Comey (Jan. 5)
Even when a political figure has detractors — as former FBI director Comey certainly does — their insights might be useful. Comey’s follow-up to his 2018 “A Higher Loyalty” is a call for transparency in law enforcement, backed by anecdotes from a long career that began in the U.S. attorney’s office for the Southern District of New York.
“Concrete Rose,” by Angie Thomas (Jan. 12)
In “The Hate U Give,” Thomas introduced us to Starr Carter, a teenage girl torn between her poor neighborhood and upscale prep school. In “Concrete Rose,” Thomas tells the story of Starr’s father, Maverick, whose own father was a King Lords gang leader.
“The Doctors Blackwell: How Two Pioneering Sisters Brought Medicine to Women and Women to Medicine,” by Janice P. Nimura (Jan. 19)
Even if you know who Elizabeth Blackwell is — the first woman to receive an MD in the United States — you may not know her sister Emily’s name. Nimura (“Daughters of the Samurai”) examines Emily Blackwell’s brilliance, and how the sisters’ achievements and (at times contentious) partnership changed the landscape of American medicine for good.
“Land: How the Hunger for Ownership Shaped the Modern World,” by Simon Winchester (Jan. 19)
We live on it, we tend to it, we fight over it. The world’s acreage supports and sustains us, but we rarely think about what it really means to “own” that land. Winchester, celebrated for his history of the Oxford English Dictionary, “The Professor and the Madman,” considers the ground beneath our feet and why we want so desperately to claim it.
“Let Me Tell You What I Mean,” by Joan Didion (Jan. 26)
These 12 pieces make an excellent introduction to Didion’s gimlet eye on American life. With a foreword by critic Hilton Als, “Let Me Tell You What I Mean” includes the essay “Why I Write,” profiles of such disparate figures as Robert Mapplethorpe and Nancy Reagan, and a consideration of Hearst Castle.
“Burnt Sugar: A Novel,” by Avni Doshi (Jan. 26)
In her Booker Prize-shortlisted debut, the American-born Doshi turns to her parents’ Indian roots for a tale about mothers, daughters and how their recollections of their shared history differ. When a woman’s memory fails, her neglected daughter, now a married artist, must decide whether she can forgive old sins.
“Chatter: The Voice in Our Head, Why It Matters, and How to Harness It,” by Ethan Kross (Jan. 26)
Psychologist Kross directs the University of Michigan’s Emotion & Self Control Laboratory, where he conducted the research for this book about something that everyone has: an inner voice. Whether you use it as a critic or a coach, Kross writes, is up to you.
Bethanne Patrick is the editor, most recently, of “The Books That Changed My Life: Reflections by 100 Authors, Actors, Musicians and Other Remarkable People.”