Shall we dance? McGee Maddox and Allison Walsh in “An American in Paris,” now at the Kennedy Center. (Matthew Murphy)

The weekly feature of what’s happening on Washington stages.

“An American in Paris” is here at the Kennedy Center and “Les Miserables” marches back into the National Theatre starting Wednesday. If you want to know why playwright Lauren Gunderson is the current darling of theaters across the country, check out “The Revolutionists” at Baltimore’s Everyman Theatre.

Last chance for “Twelfth Night” at the Shakespeare Theatre Company, where the sweeping framework is an airport and the live music is notably good.

READ MORE: Washington’s Best of 2017, and 2017 Favorites from Peter Marks

Want DC Theater Friday delivered to your email inbox Thursday evening? Subscribe here.

PREVIEWING

“Les Miserables.” One day more with Jean Valjean, Javert and the gang. Dec. 20-Jan. 7 at the National Theatre, 1321 Pennsylvania Ave. NW. Tickets $63-$118. Call 800-514-3849 or visit thenationaldc.org.

CONTINUING

“Amazing Grace.” “The mortal sin is that it’s a musical without musicians — computer software somehow ‘plays’ the score — but that’s not all. The largely true but plodding melodrama of John Newton, the British slave trader who ultimately repented and wrote the famous hymn, is so slow-moving and cliched that you’d swap it for a windy sermon.” Read the review Through Jan. 7 at the Museum of the Bible, 409 3rd St SW. Tickets $85-$100. Call 202-848-1600 or visit museumofthebible.org.

“An American in Paris.” “A mostly commendable new stage version that embellishes the 1951 movie musical. The touring version, directed and choreographed as on Broadway by Christopher Wheeldon, boasts two strongly athletic dancers, Allison Walsh and McGee Maddox. But it tends to broadcast too plainly some of the blander conceits. There’s a fine line, it seems, between timelessness and cliche.” (Peter Marks) Read the review Through Jan. 7 in the Kennedy Center’s Opera House. Tickets $59-$175. Call 202-467-4600 or visit kennedy-center.org.

“Annie.” “The rapport between Kevin McAllister’s commanding Daddy Warbucks and Noelle Robinson’s plucky Annie is by far the best thing in Olney Theatre Center’s dutiful revival. Annie’s ballad ‘Maybe’ and her anthem ‘Tomorrow’ are American musical cornerstones that every kid should hear, but that doesn’t quite vindicate Olney taking a second run at the show in seven years.” (Nelson Pressley) Read the review Through Jan.7 at the Olney Theatre Center, 2001 Olney-Sandy Spring Rd., Olney, Tickets $47-$84. Call 301-924-3400 or visit olneytheatre.org.

“The Book of Will.” Lauren Gunderson’s popular comedy about the actors who cobbled together Shakespeare’s First Folio aims to share an executive suite with “Shakespeare in Love” — also now a popular stage play. But despite a big Elizabethan set and winning lead turns from Todd Scofield and Maboud Ebrahimzadeh, the play is more fawning than frisky with the Bard. (Nelson Pressley) Read the review Through Dec. 24 at Round House Theatre, 4545 East-West Hwy., Bethesda. Tickets $36-$65. Call 240-644-1100 or visit roundhousetheatre.org.


Two Scrooges, two “Christmas Carol”s: Paul Morella (left) continues in his solo show at the Olney Theatre Center, while Craig Wallace (right) drives the annual Ford’s Theatre production. (Marvin Joseph)

Scrooge Summit: Craig Wallace and Paul Morella talk Dickens

“A Christmas Carol.” “Craig Wallace’s grand scowl anchors the holiday staple at Ford’s. The show’s accents don’t consistently send you to Dickens’s London, but the bustling ghost story is still writ large (a cast of roughly two dozen, with several big spooky effects) in Michael Baron’s extravagant production.” (Nelson Pressley) Through Dec. 31 at Ford’s Theatre, 511 10th St. NW. Tickets $$24-$107. Call 888-616-0270 or visit fords.org.

“A Christmas Carol: A Ghost Story of Christmas.” “A friendly one-man show that faithfully sticks to the Dickens novella over its swift two hours. Paul Morella stands alone on a shadowy stage, looking you in the eye as cranky old Ebenezer Scrooge begins his jittery night.” (Nelson Pressley) Read the review Through Dec. 31 at the Olney Theatre Center, 2001 Olney-Sandy Spring Rd., Olney. Tickets $40. Call 301-924-3400 or visit olneytheatre.org.

“Christmas at the Old Bull and Bush.” “Carol singalongs, sketches, World War I songs, music-hall tunes and cheerfully creaky jokes (‘You’ve heard of King Lear? I played his brother: Chandelier’). ‘Me Little Yo-Yo,’ about a marital crisis triggered by the loss of a toy, is one example of the show’s abundant, not-very-naughty double entendres.” (Celia Wren) Read the review Through Dec. 24 at MetroStage, 1201 N. Royal St., Alexandria. Tickets: $55-$60. Call 703-548-9044 or visit metrostage.org.

“Crazy For You.” “The razzmatazzy 1992 remake of George and Ira Gershwin’s ‘Girl Crazy.’ Signature’s production offers up some heady demonstrations of tap, and there’s even one heavenly number in which the ensemble wittily takes up washboards, saws, hooch jugs and emery boards to keep the beat. But you’re given too much opportunity on this occasion to examine plastic emotions under a microscope.” (Peter Marks) Read the review. Through Jan. 14 at Signature Theatre, 4200 Campbell Ave., Shirlington. Tickets $40-$108, subject to change. Call 703-820-9771 or visit sigtheatre.org.

“Curve of Departure.” “The occasion is the funeral of an old man named Rudy’s universally loathed son Cyrus. Rudy shares the hotel room with his daughter-in-law, Linda, who was abandoned by Cyrus but affectionately tends to Rudy as dementia bedevils him. Linda’s grown son Felix will also be sharing the room. So will Felix’s boyfriend, Jackson. Rachel Bonds meticulously crafts her 85-minute slice of life in one long, unbroken scene (with a coda) that is impeccably designed and played.” (Nelson Pressley) Read the review Through Jan. 7 at Studio Theatre, 1501 14th St. NW. Tickets $52-$90. Call 202-332-3300 or visit studiotheatre.org.

Mashuq Mushtaq Deen in “Draw the Circle.” (Stan Barouh)

“Draw the Circle.” “An autobiographical solo show about gender transition in which Mashuq Mushtaq Deen plays his parents, his classmates, his doctors and his girlfriend — everyone but himself. The story’s framework is simple yet striking, and more than a novelty: it’s an apt, big-hearted way to puzzle together many pieces of Deen’s journey.” (Nelson Pressley) Read the review Through Dec. 24 at the Atlas Performing Arts Center, 1333 H Street, NE. Tickets $35-$65. Call 202-399-7993 or visit mosaictheater.org.

“An Irish Carol.” Keegan Theatre’s original holiday show, by Matthew J. Keenan. “On Christmas Eve, a handful of locals toddle into a struggling bar run by an old sourpuss named David, and Keenan’s writing gets its energy from the friendly foul-mouthed ribbing that passes among the regulars. Of course, the cause of David’s crankiness gets dragged into the light, and lo, his spirit doth elevate in time for the great day.” (Nelson Pressley) Read the review Dec. 14-31 at Keegan Theatre, 1742 Church St. NW. Tickets $45. Call 202-265-3767 or visit keegantheatre.com.

“The Last Night of Ballyhoo.” “Alfred Uhry’s comedy about an elite Jewish family in 1939 Atlanta. Director Amber Paige McGinnis’s staging boasts a terrific cast. In general, it’s both fun and absorbing to hang out with these quirky and sharply etched characters, whose conflicts and power plays nod at serious themes.” (Celia Wren) Read the review Through Dec. 31 at Theater J in the DCJCC, 1539 16th St. NW. Tickets $30-$65. Call 202-777-3210 or visit theaterj.org.

Amber McGinnis builds a directing career

“My Name Is Asher Lev.” Aaron Posner’s adaptation of the Chaim Potok novel, directed by Nick Olcott. “Illuminates the stubborn bravery of the title character, a young Hasidic Jewish artist who must flouts the values of his devout community to realize his vision. Asher’s courage is cheering, yet you reel at the emotional and spiritual cost of his choice.” (Celia Wren) Read the review Through Dec. 23 at 1st Stage, 1524 Spring Hill Rd., McLean. Tickets $15-$33. Call 703-854-1856 or visit 1ststagetysons.org.

“Nina Simone: Four Women.” “The blasted wreckage of Birmingham’s 16th Street Baptist Church in 1963 is the setting for this gripping play with music, and it’s the perfect frame for the simmering, imperious fury of Harriett D. Foy as singer-activist Nina Simone. Christina Ham’s script can be diagrammatic, but the Civil Rights-era how shall we resist arguments still slice into the audience, as do the intermittent musical performances.” (Nelson Pressley) Read the review Through Dec. 24 at Arena Stage, 1101 Sixth St. SW. Tickets $40-$111, subject to change. Call 202-488-3300 or visit arenastage.org.

The story behind “Nina Simone: Four Women”

“Nothing to Lose (But Our Chains).” “A memoir by performer Felonious Munk, and it’s funny. It’s Munk’s a tell-all about dealing drugs, shooting a man and serving six years in prison, and his conscience keeps popping up to contradict some of the evidence — so it’s serious, too. That double-barreled approach makes ‘Nothing to Lose’ arguably the finest work the busy Second City has done in D.C.” (Nelson Pressley) Read the review Through Dec. 31. at Woolly Mammoth, 641 D St. NW. Tickets $49-$69, subject to change. Call 202-393-3939 or visit woollymammoth.org.

The real Felonious Munk

“The Pajama Game.” “Doesn’t make the mistake of trying to change the musical comedy’s vintage stripes. The mere appearance of ‘A Chorus Line’ Tony winner Donna McKechnie as office secretary Mabel gives the audience a lift, and choreographer Parker Esse has playground fun in the picnic dance bonanza. But the exacting machinery isn’t quite there.” (Nelson Pressley) Read the review Through Dec. 24 at Arena Stage, 1101 Sixth St. SW. Tickets $40-$120, subject to change. Call 202-488-3300 or visit arenastage.org.

“I want to dance”: Donna McKechnie joins Arena Stage’s “Pajama Game”

“Peekaboo! A Nativity Play.” “This humor-filled, family-aimed show offers us a Mary, Joseph and Gabriel who are modern, moody, slangy and racked by doubt. The play’s approach is by no means irreverent; the angel and his teenage protégés ultimately embrace the challenge of the divine gift.” (Celia Wren) Read the review Through Dec. 24 at Hub Theater, 9431 Silver King Court, Fairfax. Tickets $32. Visit thehubtheatre.org.


Beth Hylton as Marie Antoinette in Everyman Theatre's “The Revolutionists.” (ClintonBPhotography)

“The Revolutionists.” “Real-life playwright Olympe de Gouges (Megan Anderson) is besieged by Marie Antoinette (Beth Hylton), Jean-Paul Marat’s assassin Charlotte Corday (Emily Kester) and Caribbean revolutionary Marianne Angelle (Dawn Ursula) as the Paris guillotine lops heads during the Reign of Terror. Director Casey Stangl generates a screwball pace (wonderfully nailed by her acting quartet) that leaves room for the second act’s slashes of drama. The feminist echoes ring out: You cheer along as these modern-sounding women erupt in profane defiance.” (Nelson Pressley) Read the review Through Jan. 7 at Everyman Theatre, 315 W. Fayette St., Baltimore. Tickets $43-$65. Call 410-752-2208 or visit everymantheatre.org.

“Soldier Poet.” Theatre Prometheus produces Darcy Parker Bruce’s drama of U.S. soldiers and a pregnant Syrian woman in a bombed Aleppo. Through Dec. 21 at the Anacostia Arts Center, 1231 Good Hope Rd. SE. Tickets $20. Call 202-631-6291 or visit theatreprometheus.org.

CLOSING

“A Child’s Christmas in Wales and Other Stories.” “Poetry and prose by A.A. Milne, Louisa May Alcott, Charles Dickens and Dylan Thomas, with a few tunes and Christmas-themed historical anecdotes tossed in for good measure.” (Celia Wren) Read the review Through Dec. 17 at The Undercroft Theatre, 900 Massachusetts Avenue NW. Tickets $50-$60. Call 240-582-0050 or visit stageguild.org.

“A Coffin in Egypt” and “St. Nicholas.” Horton Foote’s “Coffin,” about a 90 year old widow, plays on alternate nights with Connor McPherson’s “St. Nicholas,” about a drama critic’s adventures. Through Dec. 17 at The Writer’s Center, 4508 Walsh Street, Bethesda. Tickets $30. Call 301-816-1023 or visit quotidiantheatre.org.

“The Real Americans.” “A heartland mosaic channeled through solo writer-performer Dan Hoyle’s inquisitive (and liberal) perspective; the wiry Hoyle plays people he met on the road over the past several years of political tumult. When it clicks, it’s just what you want to hear: all-over-the-map voices making sense of what seems to be the country’s spinning compass.” (Nelson Pressley) Read the review Through Dec. 17 at the Atlas Performing Arts Center, 1333 H St. NE. Tickets $45-$65. Call 202-399-7993 or visit mosaictheater.org.

Antoinette Robinson and Bhavesh Patel in Shakespeare Theatre Company's “Twelfth Night.” (Scott Suchman)

“Twelfth Night.” “Ethan McSweeny’s production turns the Shakespeare Theatre Company’s Harman Hall into an airport departure lounge, and the transportation calamity that dumps into Illyria the resourceful Viola (here, played vibrantly by Antoinette Robinson) is one movingly redolent of contemporary dread. A marvelous, comprehensive atlas of the comic world Shakespeare offers up.” (Peter Marks) Read the review Through Dec. 20 at the Shakespeare Theatre Company’s Sidney Harman Hall, 610 F St. NW. Tickets $25-$118, subject to change. Call 202-547-1122 or visit shakespearetheatre.org.

Q&A with Antoinette Robinson

“The Ugly One.” Nu Sass Productions takes on the satire about what happens when a man gets plastic surgery, by German writer Marius von Mayenburg. Through Dec. 17 at Caos on F, 923 F St. NW. Tickets $30. Visit nusass.com.

TYA: Theater for Young Audiences

“Charlotte’s Web.” The E.B. White classic about Wilbur the pig, with live music and aerial silks. Through Jan. 7 at Imagination Stage, 4908 Auburn Ave., Bethesda. Tickets $14-$32. Call 301-280-1660 or visit imaginationstage.org.

“Frosty the Snowman.” An adaptation for all ages, directed by Flying V’s Jason Schlafstein. Through Dec. 31 at Adventure Theatre, 7300 MacArthur Blvd., Glen Echo. Tickets $19.50. Call 301-634-2270 or visit adventuretheatre-mtc.org.

READ MORE: A guide to current youth-friendly shows

ETC.

The Capitol Steps. The longtime political satirists, tearing laughs from the headlines. Fridays and Saturdays in the Ronald Reagan Building and International Trade Center Amphitheater, 1300 Pennsylvania Ave. NW. Tickets $40.50. Call 202-397-7328 or visit www.capsteps.com.

“The Christmas Revels.” The traditional French Canadian song-dance-drama from Washington Revels. Through Dec. 17 at Lisner Auditorium, 730 21st St. NW. Tickets $9-$60. Visit revelsdc.org.

“Citizens’ Watch.” A more dramatic than usual, “Broadchurch”-inspired murder mystery from the comics at Washington Improv Theater. Through Dec. 29 at Source Theatre, 1835 14th St. NW. Tickets $15 in advance, $20 at the door. Call 202-204-7770 or visit witdc.org.

“Holiday Follies.” Signature Theatre’s musical cabaret package, this year with Ines Nassara, David Rowen and Katie Mariko Murray. Through Dec. 16 at Signature Theatre, 4200 Campbell Ave., Shirlington. Tickets $35. Call 703-820-9771 or visit sigtheatre.org.

“The Piano Guys.” The classically-trained YouTube pop phenoms. Through Dec. 16 at the National Theatre, 1321 Pennsylvania Ave. NW. Tickets $60-$104. Call 202-628-6161 or visit nationaldc.org.

“The Santaland Diaries.” David Sedaris’s sarcastic memoir of working as a department-store elf is acted by the almost too competent Cameron Folmar, who carries the 80 minute show on a scantly decorated comedy club stage. Folmar is droll, more Dick Cavett than Nathan Lane in a show that can afford to be loudly (and ideally hilariously) out of step in skewering seasonal excess. (Nelson Pressley) Read the review Through Dec. 23 at Drafthouse Comedy Theater, 1100 13th St. NW. Tickets $20. Call 202-750-6411 or visit drafthousecomedy.com.

“Twist Your Dickens.” The return of last year’s holiday attraction from the comic troupe Second City. “Journeys not only through Scrooge’s past and future, but also to the cutting-room floor where (we learn) an uncharacteristically pugnacious segment of ‘A Charlie Brown Christmas’ met its off-the-record end.” Read the review (Celia Wren) Through Dec. 31 at the Kennedy Center’s Theater Lab. Tickets $49-$59. Call 202-467-4600 or visit kennedy-center.org.

READ MORE:

Justin Weaks, photographed at The Washington Post as an actor to watch; he’s now in “Curve of Departure” at Studio Theatre. (Marvin Joseph)

‘Not In Our House’ fights abuse in theaters

A dozen actors to watch

Donna McKechnie on Michael Bennett & Bob Fosse

A complete guide to DC’s 2017-18 theater season, with notes from Post critics

PROFILES OF KENNEDY CENTER’S HONOREES:

Gloria Estefan

Norman Lear

LL Cool J

Carmen de Lavallade

Lionel Richie

NEW YORK NOTES:

The $20 million “SpongeBob” musical

Steve Martin’s “Meteor Shower,” with Amy Schumer

Off-Broadway roundup

“The Band’s Visit” is Broadway’s best new musical

Ayad Akhtar’s new 1980s money drama “Junk”

Springsteen on Broadway

Want DC Theater Friday delivered to your email inbox Thursday evening? Subscribe here.