Ingmar Bergman’s “Private Confessions” at the Kennedy Center, directed by Liv Ullmann. (Erik Berg)

The weekly feature of what’s happening on Washington stages.

The touring of Broadway’s “An American in Paris” starts this week; solid dramas include the Rachel Bonds play “Curve of Departure” and the brief engagement of Ingmar Bergman’s “Private Confessions”; Megan Hilty joins the NSO for concerts this weekend.

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PREVIEWING

“An American in Paris.” The Broadway adaptation of the Vincente Minnelli movie, as directed and choreographed by Christopher Wheeldon. Dec. 12-Jan. 7 in the Kennedy Center’s Opera House. Tickets $59-$175. Call 202-467-4600 or visit kennedy-center.org.

“An Irish Carol.” Keegan Theatre’s original holiday show, by Matthew J. Keenan. “On Christmas Eve, a handful of locals toddle into a struggling bar run by an old sourpuss named David, and Keenan’s writing gets its energy from the friendly foul-mouthed ribbing that passes among the regulars. Of course, the cause of David’s crankiness gets dragged into the light, and lo, his spirit doth elevate in time for the great day.” (Nelson Pressley) Read the review Dec. 14-31 at Keegan Theatre, 1742 Church St. NW. Tickets $45. Call 202-265-3767 or visit keegantheatre.com.

“Soldier Poet.” Theatre Prometheus produces Darcy Parker Bruce’s drama of U.S. soldiers and a pregnant Syrian woman in a bombed Aleppo. Through Dec. 21 at the Anacostia Arts Center, 1231 Good Hope Rd. SE. Tickets $20. Call 202-631-6291 or visit theatreprometheus.org.

Washington’s best of 2017

2017 favorites from Peter Marks

CONTINUING

“Amazing Grace.” “The mortal sin is that it’s a musical without musicians — computer software somehow ‘plays’ the score — but that’s not all. The largely true but plodding melodrama of John Newton, the British slave trader who ultimately repented and wrote the

“The Pajama Game” at Arena Stage. (Margot Schulman)

famous hymn, is so slow-moving and cliched that you’d swap it for a windy sermon.” Read the review. Through Jan. 7 at the Museum of the Bible, 409 3rd St SW. Tickets $85-$100. Call 202-848-1600 or visit museumofthebible.org.

“Annie.” “The rapport between Kevin McAllister’s commanding Daddy Warbucks and Noelle Robinson’s plucky Annie is by far the best thing in Olney Theatre Center’s dutiful revival. Annie’s ballad ‘Maybe’ and her anthem ‘Tomorrow’ are American musical cornerstones that every kid should hear, but that doesn’t quite vindicate Olney taking a second run at the show in seven years.” (Nelson Pressley) Read the review. Through Dec. 31 at the Olney Theatre Center, 2001 Olney-Sandy Spring Rd., Olney, Tickets $47-$84. Call 301-924-3400 or visit olneytheatre.org.

“The Book of Will.” Lauren Gunderson’s popular comedy about the actors who cobbled together Shakespeare’s First Folio aims to share an executive suite with “Shakespeare in Love” — also now a popular stage play. But despite a big Elizabethan set and winning lead turns from Todd Scofield and Maboud Ebrahimzadeh, the play is more fawning than frisky with the Bard. (Nelson Pressley) Through Dec. 24 at Round House Theatre, 4545 East-West Hwy., Bethesda. Tickets $36-$65. Call 240-644-1100 or visit roundhousetheatre.org.

“A Child’s Christmas in Wales and Other Stories.” “Poetry and prose by A.A. Milne, Louisa May Alcott, Charles Dickens and Dylan Thomas, with a few tunes and Christmas-themed historical anecdotes tossed in for good measure.” (Celia Wren) Read the review. Through Dec. 17 at The Undercroft Theatre, 900 Massachusetts Avenue NW. Tickets $50-$60. Call 240-582-0050 or visit stageguild.org.

“A Christmas Carol.” “Craig Wallace’s grand scowl anchors the holiday staple at Ford’s. The show’s accents don’t consistently send you to Dickens’s London, but the bustling ghost story is still writ large (a cast of roughly two dozen, with several big spooky effects) in Michael Baron’s extravagant production.” (Nelson Pressley) Through Dec. 31 at Ford’s Theatre, 511 10th St. NW. Tickets $$24-$107. Call 888-616-0270 or visit fords.org.

“A Christmas Carol: A Ghost Story of Christmas.” “A friendly one-man show that faithfully sticks to the Dickens novella over its swift two hours. Paul Morella stands alone on a shadowy stage, looking you in the eye as cranky old Ebenezer Scrooge begins his jittery night.” (Nelson Pressley) Read the review. Through Dec. 31 at the Olney Theatre Center, 2001 Olney-Sandy Spring Rd., Olney. Tickets $40. Call 301-924-3400 or visit olneytheatre.org.

Scrooge Summit: Craig Wallace and Paul Morella talk Dickens

“Christmas at the Old Bull and Bush.” “Carol singalongs, sketches, World War I songs, music-hall tunes and cheerfully creaky jokes (‘You’ve heard of King Lear? I played his brother: Chandelier’). ‘Me Little Yo-Yo,’ about a marital crisis triggered by the loss of a toy, is one example of the show’s abundant, not-very-naughty double entendres.” (Celia Wren) Read the review. Through Dec. 24 at MetroStage, 1201 N. Royal St., Alexandria. Tickets: $55-$60. Call 703-548-9044 or visit metrostage.org.

“A Coffin in Egypt” and “St. Nicholas.” Horton Foote’s “Coffin,” about a 90 year old widow, plays on alternate nights with Connor McPherson’s “St. Nicholas,” about a drama critic’s adventures. Through Dec. 17 at The Writer’s Center, 4508 Walsh Street, Bethesda. Tickets $30. Call 301-816-1023 or visit quotidiantheatre.org.

“Crazy For You.” “The razzmatazzy 1992 remake of George and Ira Gershwin’s ‘Girl Crazy.’ Signature’s production offers up some heady demonstrations of tap, and there’s even one heavenly number in which the ensemble wittily takes up washboards, saws, hooch jugs and emery boards to keep the beat. But you’re given too much opportunity on this occasion to examine plastic emotions under a microscope.” (Peter Marks) Read the review. Through Jan. 14 at Signature Theatre, 4200 Campbell Ave., Shirlington. Tickets $40-$108, subject to change. Call 703-820-9771 or visit sigtheatre.org.


Family matters: the Rachel Bonds play “Curve of Departure,” with Justin Weaks and Peter Van Wagner. (Teresa Wood)

“Curve of Departure.” “The occasion is the funeral of an old man named Rudy’s universally loathed son Cyrus. Rudy shares the hotel room with his daughter-in-law, Linda, who was abandoned by Cyrus but affectionately tends to Rudy as dementia bedevils him. Linda’s grown son Felix will also be sharing the room. So will Felix’s boyfriend, Jackson. Rachel Bonds meticulously crafts her 85-minute slice of life in one long, unbroken scene (with a coda) that is impeccably designed and played.” (Nelson Pressley) Read the review. Through Jan. 7 at Studio Theatre, 1501 14th St. NW. Tickets $52-$90. Call 202-332-3300 or visit studiotheatre.org.

“Draw the Circle.” “An autobiographical solo show about gender transition in which Mashuq Mushtaq Deen plays his parents, his classmates, his doctors and his girlfriend — everyone but himself. The story’s framework is simple yet striking, and more than a novelty: it’s an apt, big-hearted way to puzzle together many pieces of Deen’s journey.” (Nelson Pressley) Read the review. Through Dec. 24 at the Atlas Performing Arts Center, 1333 H Street, NE. Tickets $35-$65. Call 202-399-7993 or visit mosaictheater.org.

“The Last Night of Ballyhoo.” “Alfred Uhry’s comedy about an elite Jewish family in 1939 Atlanta. Director Amber Paige McGinnis’s staging boasts a terrific cast. In general, it’s both fun and absorbing to hang out with these quirky and sharply etched characters, whose conflicts and power plays nod at serious themes.” (Celia Wren) Read the review. Through Dec. 31 at Theater J in the DCJCC, 1539 16th St. NW. Tickets $30-$65. Call 202-777-3210 or visit theaterj.org.

Amber McGinnis builds a directing career

“My Name Is Asher Lev.” Aaron Posner’s adaptation of the Chaim Potok novel, directed by Nick Olcott. “Illuminates the stubborn bravery of the title character, a young Hasidic Jewish artist who must flouts the values of his devout community to realize his vision. Asher’s courage is cheering, yet you reel at the emotional and spiritual cost of his choice.” (Celia Wren) Read the review. Through Dec. 23 at 1st Stage, 1524 Spring Hill Rd., McLean. Tickets $15-$33. Call 703-854-1856 or visit 1ststagetysons.org.

“Nina Simone: Four Women.” “The blasted wreckage of Birmingham’s 16th Street Baptist Church in 1963 is the setting for this gripping play with music, and it’s the perfect frame for the simmering, imperious fury of Harriett D. Foy as singer-activist Nina Simone.

(From left): McKenzie Chinn, Angela Alise, Felonious Munk, Odinaka Ezeokoli, Calvin Evans in The Second City's “Nothing to Lose (But Our Chains).” (Scott Suchman)

Christina Ham’s script can be diagrammatic, but the Civil Rights-era how shall we resist arguments still slice into the audience, as do the intermittent musical performances.” (Nelson Pressley) Read the review. Through Dec. 24 at Arena Stage, 1101 Sixth St. SW. Tickets $40-$111, subject to change. Call 202-488-3300 or visit arenastage.org.

The story behind “Nina Simone: Four Women”

“Nothing to Lose (But Our Chains).” “A memoir by performer Felonius Munk, and it’s funny. It’s Munk’s a tell-all about dealing drugs, shooting a man and serving six years in prison, and his conscience keeps popping up to contradict some of the evidence — so it’s serious, too. That double-barreled approach makes ‘Nothing to Lose’ arguably the finest work the busy Second City has done in D.C.” (Nelson Pressley) Read the review. Through Dec. 31. at Woolly Mammoth, 641 D St. NW. Tickets $49-$69, subject to change. Call 202-393-3939 or visit woollymammoth.org.

The real Felonius Munk

“The Pajama Game.” “Doesn’t make the mistake of trying to change the musical comedy’s vintage stripes. The mere appearance of ‘A Chorus Line’ Tony winner Donna McKechnie as office secretary Mabel gives the audience a lift, and choreographer Parker Esse has playground fun in the picnic dance bonanza. But the exacting machinery isn’t quite there.” (Nelson Pressley) Read the review. Through Dec. 24 at Arena Stage, 1101 Sixth St. SW. Tickets $40-$120, subject to change. Call 202-488-3300 or visit arenastage.org.

“I want to dance”: Donna McKechnie joins Arena Stage’s “Pajama Game”

“Peekaboo! A Nativity Play.” “This humor-filled, family-aimed show offers us a Mary, Joseph and Gabriel who are modern, moody, slangy and racked by doubt. The play’s approach is by no means irreverent; the angel and his teenage protégés ultimately embrace the challenge of the divine gift.” (Celia Wren) Read the review. Hub Theater, 9431 Silver King Court, Fairfax. Tickets $32. Visit thehubtheatre.org.

“The Real Americans.” “A heartland mosaic channeled through solo writer-performer Dan Hoyle’s inquisitive (and liberal) perspective; the wiry Hoyle plays people he met on the road over the past several years of political tumult. When it clicks, it’s just what you want to hear: all-over-the-map voices making sense of what seems to be the country’s spinning compass.” (Nelson Pressley) Read the review. Through Dec. 17 at the Atlas Performing Arts Center, 1333 H St. NE. Tickets $45-$65. Call 202-399-7993 or visit mosaictheater.org.

“Twelfth Night.” “Ethan McSweeny’s production turns the Shakespeare Theatre Company’s Harman Hall into an airport departure lounge, and the transportation calamity

Heath Saunders as Feste and Koral Kent as Fabian in the Shakespeare Theatre Company production of “Twelfth Night.” (SCOTT SUCHMAN)

that dumps into Illyria the resourceful Viola (here, played vibrantly by Antoinette Robinson) is one movingly redolent of contemporary dread. A marvelous, comprehensive atlas of the comic world Shakespeare offers up.” (Peter Marks) Read the review. Through Dec. 20 at the Shakespeare Theatre Company’s Sidney Harman Hall, 610 F St. NW. Tickets $25-$118, subject to change. Call 202-547-1122 or visit shakespearetheatre.org.

Q&A with Antoinette Robinson

“The Ugly One.” Nu Sass Productions takes on the satire about what happens when a man gets plastic surgery, by German writer Marius von Mayenburg. Through Dec. 17 at Caos on F, 923 F St. NW. Tickets $30. Visit nusass.com.

CLOSING

“The Book of Merman.” A satire performed by Landless Theater Company. Through Dec. 8 at DC Arts Center, 2438 18th St. NW. Tickets $25. Visit landlesstheatre.com.

“Misterman.” “The rawness of this loft is right for Enda Walsh’s twisted story of personality disorder fueled by isolation and anguish. Thomas Keegan easily conjures a sense of Magill’s innocence, yet this vigorous actor is not able to surround himself as convincingly with demons.” (Peter Marks) Read the review. Through Dec. 9 at Dance Loft on 14, 4618 14th Street NW. Tickets $35-$45. Visit solasnua.org.

“Private Confessions.” “Liv Ullmann directed the film of Ingmar Bergman autobiographical script in 1996 (about his mother’s infidelity), and she’s scaled it up for the National Theater of Norway stage version. That’s not to say she’s pumped it up: the small cast is mic’d, so the one-on-one confessionals and confrontations, in Norwegian with projected English titles, are still acted as if the camera’s in tight. Bergmanphiles will revel.” Read the review. Through Dec. 9 at the Kennedy Center’s Eisenhower Theater. Tickets $19-$49. Call 202-467-4600 or visit kennedy-center.org.

Liv Ullmann talks Bergman and “Confessions”

TYA: Theater for Young Audiences

“Charlotte’s Web.” The E.B. White classic about Wilbur the pig, with live music and aerial silks. Through Jan. 7 at Imagination Stage, 4908 Auburn Ave., Bethesda. Tickets $14-$32. Call 301-280-1660 or visit imaginationstage.org.

“Frosty the Snowman.” An adaptation for all ages, directed by Flying V’s Jason Schlafstein. Through Dec. 31 at Adventure Theatre, 7300 MacArthur Blvd., Glen Echo. Tickets $19.50. Call 301-634-2270 or visit adventuretheatre-mtc.org.

“Me . . . Jane: The Dreams and Adventures of Young Jane Goodall.” A premiere about the renowned animal rights activist, with a top-flight cast (including Sam Ludwig, Erin Weaver and Tracy Lynn Olivera), songs by Andy Mitton and choreography by Christopher d’Amboise. Through Dec. 10 at the Kennedy Center’s Family Theater. Tickets $20-$25. Call 202-467-4600 or visit kennedy-center.org.

READ MORE: A guide to current youth-friendly shows

ETC.

The Capitol Steps. The longtime political satirists, tearing laughs from the headlines. Fridays and Saturdays in the Ronald Reagan Building and International Trade Center Amphitheater, 1300 Pennsylvania Ave. NW. Tickets $40.50. Call 202-397-7328 or visit www.capsteps.com.

“Citizens’ Watch.” A more dramatic than usual, “Broadchurch”-inspired murder mystery from the comics at Washington Improv Theater. Through Dec. 29 at Source Theatre, 1835 14th St. NW. Tickets $15 in advance, $20 at the door. Call 202-204-7770 or visit witdc.org.

“Holiday Follies.” Signature Theatre’s musical cabaret package, this year with Ines Nassara, David Rowen and Katie Mariko Murray. Through Dec. 16 at Signature Theatre, 4200 Campbell Ave., Shirlington. Tickets $35. Call 703-820-9771 or visit sigtheatre.org.

NSO Pops: A Holiday Pops, featuring Megan Hilty. A concert with the Broadway and “Smash” star. Dec. 8-9 in the Kennedy Center’s Concert Hall. Tickets $24-$119. Call 202-467-4600 or visit kennedy-center.org.

“The Piano Guys.” The classically-trained YouTube pop phenoms. Dec. 13-16 at the National Theatre, 1321 Pennsylvania Ave. NW. Tickets $60-$104. Call 202-628-6161 or visit nationaldc.org.

“The Santaland Diaries.” David Sedaris’s sarcastic memoir of working as a department store elf is acted by the almost too competent Cameron Folmar, who carries the 80 minute show on a scantly decorated comedy club stage. Folmar is droll, more Dick Cavett than Nathan Lane in a show that can afford to be loudly (and ideally hilariously) out of step in skewering seasonal excess. (Nelson Pressley) Through Dec. 23 at Drafthouse Comedy Theater, 1100 13th St. NW. Tickets $20. Call 202-750-6411 or visit drafthousecomedy.com.

“Twist Your Dickens.” The return of last year’s holiday attraction from the comic

Kevin McAllister, one of a dozen actors to watch; he’s currently starring as Daddy Warbucks in Olney Theatre Center’s “Annie.” (Marvin Joseph)

troupe Second City. “Journeys not only through Scrooge’s past and future, but also to the cutting-room floor where (we learn) an uncharacteristically pugnacious segment of ‘A Charlie Brown Christmas’ met its off-the-record end.” Read the review (Celia Wren) Through Dec. 31 at the Kennedy Center’s Theater Lab. Tickets $49-$59. Call 202-467-4600 or visit kennedy-center.org.

READ MORE:

A dozen actors to watch

Donna McKechnie on Michael Bennett & Bob Fosse

Spring “Chess” concert at KenCen: A-list cast, and a new book by Danny Strong

“Get in, loser, we’re going to the theater”: What “Mean Girls” means (still)

Tina Fey and the “Mean Girls” team

Andrew Lloyd Webber’s “Phantom” sequel “Love Never Dies” sneaks through Baltimore

A complete guide to DC’s 2017-18 theater season, with notes from Post critics

PROFILES OF KENNEDY CENTER’S HONOREES:

Gloria Estefan

Norman Lear

LL Cool J

Carmen de Lavallade

Lionel Richie

NEW YORK NOTES:

The $20 million “SpongeBob” musical

Steve Martin’s “Meteor Shower,” with Amy Schumer

Off-Broadway roundup

“The Band’s Visit” is Broadway’s best new musical

Oddly, “1984” will be ineligible for Tonys

Ayad Akhtar’s new 1980s money drama “Junk”

Springsteen on Broadway

“The Boys in the Band” plans a starry revival next spring

Jackie Gleason’s “The Honeymooners” is a musical

“The ‘B’ Side” from Manhattan’s Wooster Group

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