As part of a $37 million renovation, the museum has carved a 100-foot-wide window out of what used to be solid concrete and stone.
The sculpture Hirsch mentions is a 35-ton modernist masterpiece by Alexander Calder. Named “Gwenfritz,” after arts patron Gwendolyn Cafritz, it was one of the first publicly funded D.C. sculptures to buck the guy-on-a-horse motif when installed in 1969.
In 1983, museum officials moved the sculpture to make room for a bandstand. Now, “Gwenfritz” is back where Calder wanted it, though you’ll have to peek through construction fences to see it, or wait until July 4, when the first floor of the museum’s west wing reopens.
