Deirdre Evans-Pritchard, director of the DC Independent Film Festival, knows you can go elsewhere for your movies.
More important than that tech, Evans-Pritchard says, are the filmmakers. Part of DCIFF’s mission has always been to connect filmmakers — both with one another for professional development, and with their audiences. “All our screenings have a Q&A afterwards,” she says.
“All the feature directors are coming; all the directors of the feature documentaries are coming. That’s where we put our time, energy and cash.”
Expect quite a variety, says Evans-Pritchard, who is in her fourth year as the fest’s director.
“They are coming from a wider range of professions and life circumstances,” she says.
For example, some of the directors have to finish their homework before being allowed to work on their movie. “We have a high school film competition that’s now in its second year, and we received 150 applications for that,” she says. (The 14 films accepted will screen on Saturday.)
A large part of DCIFF’s continued success, Evans-Pritchard says, comes from having a bit more freedom than some other festivals.
“We only select from films that are submitted to us, [and] all films must be D.C. premieres,” she says. “[Then] we look at what we’ve picked, and then look at how to present it. Our audience knows our festival and trusts us to put on good films, fun events, discussion, music — anything interesting or weird that allows us to tap in and connect with audiences in ways that are, by definition, fresh.”
Independent Film Festival; through Sun., various locations, times and prices; see dciff-indie.org for details.
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