The setup has given Rees new insight into how music functions in this show in contrast with others.
“Usually we’re in the [orchestra] pit, and you’re in your black [clothing] and you listen for your warning cue and you put your headphones on and you play a song and then you check your email,” Rees says. “You’re not fully engaged in what’s happening. Part of why this is so special for me is I really feel like I’m one of the storytellers. I’m there in the space, engaged with the other people telling the story, and we’re all tuned in to each other.”
That goes beyond not being able to check Facebook when the actors onstage don’t need him.
“I really feel like I’m with them and I’m one of them, as opposed to sort of helping them,” he says. “One of the main muscles that I had to beef up was allowing what I do to come organically out of what’s going on in the drama and not just hearing my cue and going, ‘Now I’m playing.’ It’s very different, but it’s a gift, because then you really find all these colors and emotions and things that you would have expected to find in your playing.”
Kennedy Center, 2700 F St. NW; through Jan. 8, $49-$175.
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