Vanessa Kirby and Shia LaBeouf deliver powerful performances in a melodramatic marital drama.

Let us keep making reservations, for one thing.

The filmmaker was 39 when she made “Hester Street,” her critically acclaimed debut about Jewish immigrants in Manhattan.

It would involve plenty of good food, from start to finish.

Virtual film festivals, streaming concerts and socially distanced events offer escapes during the coronavirus pandemic.

Portrayed by Morgan Freeman, he gained national celebrity in the 1980s with his efforts to impose order on his inner-city high school — and became a lightning rod in an enduring debate over education in America.

A cross-section of Washingtonians, including artists, authors and chefs, tell us how their experiences have shaped what they’re anticipating as life, hopefully, begins to improve in the months ahead.

  • Going Out Guide staff
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Don’t forget the orchestras, ensembles and artists making beautiful music in our own backyard.

The DMV continues to solidify itself as one of the nation’s most compelling regions for music.

  • Lawrence Burney
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It was a terrible year for restaurants and the people who love them.These places made it a little better.

The top-rated films of the year for kids, tweens and teens.

  • Betsy Bozdech
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The D.C. native appears in the new Studio Theatre-produced audio play “I Hate It Here.”

Roberto Benigni plays Gepetto in a live-action adaptation of the Italian children’s book.

These 42 narrative features — all available to stream — earned our highest praise.

‘One Night in Miami’ centers on a 1964 conversation between Cassius Clay, Malcolm X, Sam Cooke and Jim Brown.

Carey Mulligan plays a woman on a mission in Emerald Fennel’s bruising #MeToo movie.

‘The Dissident’ focuses on spycraft and surveillance — but also Khashoggi the man.

You can enjoy performances of "A Christmas Carol" and "The Nutcracker" streaming on your tablet.

Two broken people, a lonely man and an orphan girl, seek healing in the post-Civil War West.

Sequel to the hit 2017 film pivots from light and playful to drearily overblown.

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