The latest installment of the action-heavy franchise is, unsurpisingly, big on explosions.
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‘The Last Knight’ feels more like a checklist of action-movie cliches than a coherent story.
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Sally Hawkins shines as the folk artist Maud Lewis, a crank’s wife and, eventually, the accidental breadwinner.
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This post-apocalyptic fable envisions a world of cannibals and cultists on the fringes of an us-vs.-them society.
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Documentarian Steve James looks at the only bank to be indicted for fraud in the wake of the 2008 subprime mortgage scandal.
COMMON SENSE MEDIA | The three-quel is more uplifting than the last installment.
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When a massage therapist is invited to an upscale dinner party, comedy and clarity of privilege ensue.
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The vigilante thriller/family dramedy bends genres to the breaking point.
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Third installment in Pixar’s talking-car franchise does not have the pep of the first two films.
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The 72-year-old actor delivers a low-key tutorial in the art of screen acting and cinematic seduction.
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The shadow of the Holocaust lends poignancy to the contrived story, based on a memoir.
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The film follows an Afghan rock band hoping to meet and play with Metallica.
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Documentary looks at the former New York City Ballet dancer as she prepares to take her final bow.
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In this Jerusalem-set movie, architectural failure is a metaphor for social breakdown, in religious and secular systems.
The season's lineup includes something for everyone, from the live-action version of “Beauty and the Beast” to Shakespeare-inspired films.
They are, however, overjoyed that Tom Cruise's new version is getting terrible reviews.
COMMON SENSE MEDIA | Parent-oriented reviews of what’s on the big screen right now.
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The literary docudrama is, like its subject, remote to a fault.
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Daphne du Maurier’s novel gets a respectable adaptation with Rachel Weisz in the title role.
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Fact-based drama tells the story of one of the first female Marine dog handlers in Iraq.
