Movies

Nicole Kidman, Kirsten Dunst and Elle Fanning serve up a delicious slab of Southern Gothic horror.

Ansel Elgort stars as a getaway driver in Edgar Wright’s crime spree recast as a jukebox musical.

The latest installment of the action-heavy franchise is, unsurpisingly, big on explosions.

‘The Last Knight’ feels more like a checklist of action-movie cliches than a coherent story.

Sally Hawkins shines as the folk artist Maud Lewis, a crank’s wife and, eventually, the accidental breadwinner.

This post-apocalyptic fable envisions a world of cannibals and cultists on the fringes of an us-vs.-them society.

Documentarian Steve James looks at the only bank to be indicted for fraud in the wake of the 2008 subprime mortgage scandal.

COMMON SENSE MEDIA | The three-quel is more uplifting than the last installment.

When a massage therapist is invited to an upscale dinner party, comedy and clarity of privilege ensue.

The vigilante thriller/family dramedy bends genres to the breaking point.

Third installment in Pixar’s talking-car franchise does not have the pep of the first two films.

The 72-year-old actor delivers a low-key tutorial in the art of screen acting and cinematic seduction.

The shadow of the Holocaust lends poignancy to the contrived story, based on a memoir.

The film follows an Afghan rock band hoping to meet and play with Metallica.

Documentary looks at the former New York City Ballet dancer as she prepares to take her final bow.