• Perspective

The American departure will test the resiliency of two decades of cultural investment.

  • Review

The official painter of the Venetian republic in the 14th century, Paolo is the subject of a jewel-like exhibition at the Getty in Los Angeles through Oct. 3.

The Smithsonian museum, which had been closed for more than a year, responded to visitor criticism over a quote that praised the federal service.

  • Review

Clever transitions draw on composition, color, shape or texture, and illumination or shadow.

  • Mark Jenkins
  • ·

“Welcome Home: A Portrait of East Baltimore, 1975-1980” features work by Elinor Cahn, Joan Clark Netherwood and Linda Rich.

  • Review

National Gallery of Art exhibition surveys 33 works by the sculptor and painter, from 1966 to 2003.

The color and detail in this painting of a prize stallion being presented at a royal court in Rajasthan will blow you away.

“Our Shared Future: Reckoning with Our Racial Past” will launch Thursday, with the goal of “making the county better.”

Six masterpieces that Titian painted for Philip II of Spain have been reunited for the first time since the 16th century.

“A Superb Baroque: Art in Genoa, 1600-1750,” with loans from 56 museums, private collectors and churches around the world, had already been postponed at the start of the pandemic.

  • Perspective

The artist, who died this week at 81, suffered from face blindness, which informed his outsize, photorealistic portraits.

The 25-member advisory panel will help the Smithsonian chose a location and raise donations.

  • Review

Powerful, intricate and beautiful tomes evoke a fellowship of “pay it forward.”

  • Mark Jenkins
  • ·

His bold colors and striking juxtapositions enlivened the pages of Harper’s Bazaar and other magazines in the 1960s and beyond.

His career was shadowed in recent years by accusations of sexual harassment.

  • Fred A. Bernstein
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Georges de La Tour’s masterpiece at the Kimbell Art Museum makes us co-conspirators in a sumptuously painted swindle

She dripped linseed oil over her canvases, creating the impression of tears. Her death came weeks before the opening of a major retrospective at the National Portrait Gallery.

  • Review

Latin artists remind us of the importance of art as a political tool to raise consciousness.

  • Mark Jenkins
  • ·

Giovanni di Paolo painted an abstract rendering of the cosmos with Adam and Eve’s expulsion from paradise

“Inside Outside, Upside Down” offers area artists a rare showcase in a major museum.

  • Mark Jenkins
  • ·
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