We may be virtually snowed in, but that doesn’t mean you can’t virtually go out. December’s online musical offerings are enough to fill in just about every gap left by your canceled plans. Plus you can have nog. (Also we may be stuck this way for a while, so consider pinging Santa for some new headphones.) Here’s what I’ll be streaming this month.
This month, the Library of Congress concludes its valiant virtual effort to salvage Ludwig Van’s ruined 250th birthday with “(Re)hearing Beethoven,” a streaming festival-slash-“constellation of online content built around the cynosure of Beethoven’s music” with a tilt toward “ear-opening encounters” with all nine symphonies. On Dec. 4, the United States Marine Band offers Johann Nepomuk Hummel’s arrangement of Beethoven’s “Eroica” (a.k.a. No. 3) for flute and piano trio, along with Wenzel Sedlak’s version of the 7th for wind nonet. On Dec. 5, violist Nicholas Cords joins Borromeo String Quartet for selections from the 7th, a full run of the 8th, his Quartet in B-flat Major (op. 130) and his “contemporary forever” (per Stravinsky) Grosse Fuge (op. 133), as well as a lecture from violinist Nicholas Kitchen.
On Dec 10, the piano duo Zofo (short for “20-fingered orchestra) performs four-handed transcriptions of Symphonies 4 and 6 (which can be viewed through a specially developed augmented reality platform called Immersphere). Pianist Adam Golka joins Verona String Quartet to present dual visions of the “Hammerklavier” sonata on Dec. 11; piano duo Ran Dank and Soyeon Kate Lee take on No. 9 on Dec. 12; and to close the festivities, Christopher Taylor plays Liszt’s transcriptions of Symphonies 1, 2 and 5 on Dec. 17.
Performances begin at 8 p.m. loc.gov/concerts/beethoven.html. Advance registration recommended. Free.
Elsewhere in hearing familiar things completely anew, on Dec. 16, the relentlessly adventurous pianist Adam Tendler will premiere his own commission of a new work by composer Christian Wolff: “Fantail” is an unofficial response to Robert Schumann’s 1835 scene piece, “Carnaval.” As Wolff composed his 22 short pieces in dialogue with Schumann’s 20, so will Tendler dovetail his performance of both works into a mash-up that smudges the centuries in between them. (Recommended if you enjoy Ebows.)
7 p.m. on Dec. 16. kaufmanmusiccenter.org. $15.
Speaking of “Carnaval,” pianist Efi Hackmey and cellist Carrie Bean Stute drew namesake inspiration from one of Schumann’s movements (as well as his pet name for Clara) when launching the Chiarina Chamber Players back in 2015. And although the ensemble hasn’t been able to resume their popular chamber series at St. Mark’s on Capitol Hill, it has reemerged online with a compelling monthly series of free online concerts.
On Dec. 13, National Symphony Orchestra concertmaster Nurit-Bar Josef joins Hackmey for a program of Prokofiev (Five Melodies, Op. 35), Fauré (Sonata No. 1 for Violin and Piano in A major, Op. 13), and Indian American composer Reena Esmail’s “Jhula Jhule.”
7:30 p.m. on Dec. 13. chiarina.org/concerts/distant-songs. Advance registration recommended. Free.
Since 2020 took a turn for the worse, Paola Prestini has been an unstoppable force in keeping creators creating and music streaming in her role as co-founder and artistic director of National Sawdust. But Prestini also has been deeply engaged with the isolation of the pandemic as a composer. Most recently she’s teamed with the acclaimed Mexican vocalist Magos Herrera for “Con Alma,” a genre-crossing blend of Mexican folk staples, American jazz standards and original musical meditations on isolation that arrives in album form on Dec. 4, and as a live digital experience from Mexico City and New York City on Dec. 13.
Created and recorded in quarantine, “Con Alma” features over 30 musicians from three continents, including the Young People’s Chorus of NYC, the Mexican Orquesta Sinfónica de Minería, Silk Road Ensemble clarinetist Kinan Azmeh, and arrangers Gonzalo Grau and Diego Schissi (who provides one of the most stunning arrangements of Tomás Méndez’s “Cucurrucucú paloma” I’ve ever laid ears on).
7 p.m. on Dec. 13. conalmaproject.com. Free.
"Joy of Christmas"
The Cathedral Choral Society — which, by the way, just scored not one but two Grammy nominations for its world premiere recording of Alexander Kastalsky’s “Requiem for Fallen Brothers” — will keep its holiday tradition alive for the thousands of listeners who would normally stuff the pews of Washington National Cathedral.
This year, the “Joy of Christmas” program will arrive as a cinematically enhanced holiday spectacular featuring organist George Fergus, carillonneur Edward Nassor, pianist Joy Schreier, soprano Nola Richards, mezzo-soprano Hannah Baslee, tenor Oliver Mercer, baritone Scott Dispensa and 2019 American Prize in Chamber Music winners, Seraph Brass.
Available for streaming starting 3 p.m. Dec. 20. cathedralchoralsociety.org. Free.
"A Candlelight Christmas"
Elsewhere in hallowed holiday traditions rebooted into spiffy multicamera productions, the Washington Chorus will present “A Candlelight Christmas” online from Dec. 18-20. Filmed at the Music Center at Strathmore, and featuring additional virtual performances from TWC singers from around the world as well as Duke Ellington School for the Arts chorus (led by Monique Holmes-Spells).
In the meantime, you can hit the Chorus up for some custom holly-jollies in the form of its Carols on Demand program, where personalized ditties range from $29 to “mega-custom carols” for $249, and take about seven days to wrap. (Apologies in advance if your name is Rudolph, Holly or Noel.)
7:30 p.m. on Dec. 18-19; 3 p.m. on Dec. 20. thewashingtonchorus.org. $15.
Montgomery County pandemic restrictions nixed the possibility of the NatPhil offering its annual presentation of Handel’s “Messiah,” but they’re still going full stream ahead into December. Pianist and teacher Brian Ganz performs an all-Chopin recital on Dec. 6, including the Heroic and Military Polonaises, the Revolutionary Etude and the beguiling Ballade No. 1 in G minor (Op. 23); and on Dec. 20, freshly appointed concertmaster Laura Colgate performs the entirety of Vivaldi’s “Four Seasons” — in case you’re already craving spring.
Performances begin at 2 p.m. nationalphilharmonic.org. Free.