Amid covid and staff turmoil, another chapter ends in Roth’s controversial theater career.
We Happy Few adapts tale of detective Loveday Brooke for home listening, with extras sent by mail.
Masks, coronavirus tests and dancer ‘pods’: How the Washington Ballet tackled its new digital season
The company has partnered with Marquee TV to stream four new works.
A month-long festival shines a spotlight on the writer of intense and often surreal dramas.
- Perspective
In president-elect’s opening message, you’re reminded of the decency of the Harper Lee character in “To Kill a Mockingbird.”
The troupe will premiere new works online and feature Q&As with the legendary choreographer.
- Review
Sarah Burgess’s play registers as a tad blunt and obvious, qualities that might not have manifested in a live production.
The Columbia Heights theater will stage reduced-capacity shows as part of a pilot program.
- Review
GALA theater’s “The Dog in a Manger” is a comedy classic that flashes its teeth.
- Review
E. Faye Butler is magnetic as the titular voting rights activist in a production at the Wharf in Southwest.
- Perspective
Step right up to your laptop, and let theater entertain you with magic and mind reading.
- Review
The online festival, dreamed up by singer Mary McBride and supported by Arena Stage and others, offers up 40 playlets in both languages.
Playwright-performer Psalmayene 24 explores his relationship with his late father in his work in progress ‘Dear Mapel.’
Georgetown and Sojourn Theatre revive a 2008 live format online for the 2020 election and the covid-19 era.
- Perspective
Aaron Tveit running unopposed for best actor? All the best scores are for plays? Hmm.
The Tony-winning musical’s original cast is staging a benefit for the Democrats.
Covid-19 continues to thwart the staging of plays, and some insiders doubt a broad rebound will happen before 2022.
- Review
Round House Theatre hosts the opening stop of the “American Dreams” digital tour, through Oct. 11.
- Perspective
A new HBO documentary, “Siempre, Luis,” celebrates the playwright’s father. And, yes, “Hamilton,” too.
A collaboration with the Telephonic Literary Union, “Human Resources” is funny, biting — and yes, even poetic.
