• Review

The Welders’ new play by depicts exile, loss, grief.

  • Celia Wren
  • ·
  • 1 day ago
  • ·

Correction: Lin-Manuel Miranda story

  • Associated Press
  • ·
  • 1 day ago
  • ·
  • Review

Oscar Wilde’s “A Woman of No Importance” benefits from an all-female cast.

“Hamilton” playwright Lin-Manuel Miranda and prize-winning visual artist Carrie Mae Weems are set for a public chat next month

  • Associated Press
  • ·
  • 2 days ago
  • ·
  • Review

Signature Theatre revives a Tony-winning musical version of the hit 2000 movie.

The fraud trial of arguably Russia’s best-known contemporary theater and film director has opened in Moscow

  • Associated Press
  • ·
  • Nov 7
  • ·
  • Review

Quirky dialogue, narrative never evolve.

  • Celia Wren
  • ·
  • Nov 6
  • ·
  • Review

The show, in a pre-Broadway engagement, officially opens at the National Theatre.

  • Perspective

As our critic notes, not everyone wants to get in on the act.

  • Review

Yarn expands from animated film to song and dance.

See Shakespeare’s “King John”; Anna Ziegler’s “Actually”; and the South African “The Fall.”

  • Nov 1
  • ·

A weekend performance at Kennedy Center reflects the Indian version of the board game.

  • Celia Wren
  • ·
  • Nov 1
  • ·

Susan B. Anthony and Frederick Douglass are the focus of Mat Smart’s plodding drama.

  • Review

The winner, “Sing to Me Now,” features a muse with the blues.

  • Review

Aaron Posner directs the rarely performed but more-relevant-than-ever “King John.”

  • Review

Brave Spirits Theatre takes on “The Duchess of Malfi” and “The Changeling.”

  • Review

Politics invades a living room in ‘Blight,’ and Dario Fo’s ‘Can’t Pay, Won’t Pay!’ is revived.

  • Review

Starring Megan Hilty and Josh Radnor, the show kicks off Season 2 of the center’s musical concert series.

Two pups will take the stage as Cheeky in a production of Cole Porter’s classic musical “Anything Goes.”

D.C. honors the founder of the DC Black Repertory Company on troupe’s 47th anniversary.

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