Obama

A virtual museum of his presidency

Through a collection of deeply reported stories, videos, photographs, documents and graphics, experience Barack Obama’s historic time in office: as the first black president, as commander in chief, as a domestic and foreign policymaker, and as a husband and father.

Continue to the gallery of stories or keep reading: ‘The Obamas came from a place we all came from’.

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Obama’s Legacy The First Family

‘The Obamas came from a place we all came from’

How the first family reshaped perceptions of the black family in America.
SLUG: NA-OBAMA DATE: 11/04/2008 CREDIT: NIKKI KAHN/THE WASHINGTON POST LOCATION: CHICAGO, IL  CAPTION: Supporters celebrate Sen. Barack Obama the 44th President of the United States of America in Hutchinson Field in Grant Park in Chicago, Illinois, on Tuesday, November 29, 2008.   StaffPhoto imported to Merlin on  Wed Nov  5 00:45:03 2008
President-elect Barack Obama and his family celebrate his election at Chicago’s Grant Park in 2008. (Nikki Kahn/The Washington Post)

Families can be mysterious, intense and, more often than not, indecipherable to the outside world. Most families seem to endure similar gyrations and upheavals. There are moments of failure and success. There is admirable endurance. To study any individual family is to crisscross tricky terrain, and to invite an endless and almost timeless inquiry.

As Barack, Michelle, Sasha and Malia Obama — the first family, along with grandma Marian Robinson — depart the White House, it is worth looking back at their visage. What did it mean to have a black family, for eight years, astride the political and cultural colossus of American society? How much did the “African” in “African American” resonate?

There perhaps is no other family unit in America that has been analyzed, poked and studied as much as the black family. Its habits, customs, rituals and odyssey have been tabulated, collated and stored for generations. The hyper-curiosity is rooted in slavery and the gouging, sweeping damage it wreaked upon a race of people.

After Emancipation, chroniclers with notebooks traveled far and wide to interview former slaves. They also began showing up after Reconstruction, that halcyon period after the Civil War when blacks were given access to the ballot box and saw the election of black politicians.

In 1936, under the aegis of President Franklin D. Roosevelt’s New Deal program, a group of unemployed writers from the Federal Writers Project set out to interview former slaves. For two years, roaming mostly around the southern states, the writers collected more than 2,000 first-person narratives of those who had been held in bondage. The writers would often find themselves emotionally spent after the encounters. Conservative politicians railed against the program, eventually dooming it. But the narratives, now housed at the Library of Congress, endure as testament to what befell black families inside the borders of their own country.

Literature and cinema have also weighed in on the complexities of black family life. On college campuses today, the oral histories from the 1960s — when so much thundering above ground took place — remain quite popular.

The black family has always been fascinating and ripe for study.

But what of a black family that seemingly comes out of nowhere and glides into the White House, against all odds, to preside over a nation? Black families used to have to fight to get a seat at the Woolworth’s lunch counter.

Then come Barack and Michelle Obama, president and first lady. What would the presence of this particular family mean to the nation? Given the history of America, what tropes and stereotypes might they upend about the black family?

WASHINGTON - JANUARY 20:  U.S President Barack Obama (L) hugs the first lady Michelle Obama (2nd L) as daughters Malia (3rd L) and Sasha(2nd R) and U.S. Supreme Court Chief Justice John Roberts look on after taking the oath of office in the Blue Room of the White House January 20, 2013 in Washington, DC. Obama and U.S. Vice President Joe Biden were officially sworn in a day before the ceremonial inaugural swearing-in.  (Photo by Doug Mills-Pool/Getty Images)
President Obama after taking the oath of office in the Blue Room of the White House on Jan. 20, 2013. Daughters Malia and Sasha and U.S. Supreme Court Chief Justice John Roberts were also present. (Pool photo by Doug Mills/Getty Images)

“The images of this family have been so fortifying for African Americans,” says Emily Bernard, a University of Vermont professor and co-author of “Michelle Obama: The First Lady in Photographs.” “We’ve been battling misrepresentation since our arrival into this country: the jezebels, the buffoon. We’ve been battling all that on a cultural front.” She goes on: “In 1951, W.E.B. Du Bois said we need to see positive images of ourselves, and to make a visual narrative for white America to demonstrate our integrity.”

Bernard believes the Obamas, as a black family, have accomplished something notable in the annals of White House living.

“You can’t fake how much joy they take in each other as a family,” she says. “Malia and Sasha have the burden to represent the race. And they’re exceptional and normal at the same time. The family is not scandalous. Those girls are delightfully ordinary.”

Like many, Bernard has been growing wistful about the Obama family departing the White House. “My grandmother said no way a black man could be president. She couldn’t see the potential,” Bernard recalls. “It’s truly amazing. A lot of people sacrificed so I could teach at the University of Vermont. For us with brown skin, we are descendants from that generation. The Obamas came from a place we all came from.”

Bernard has also noted the cultural flourishes the Obamas have brought to the White House, leaving her feeling that they did not forget their roots. “President Obama has maintained a soulfulness I don’t think we’ve seen in a modern presidency,” she says.

In the public eye

The America that bothered to notice got its first sustained visual glimpse of the black family — sitting together, in calm repose — by looking upon daguerreotypes published after the Civil War. They were photos of reunited black families, brought together before the camera lens to celebrate life and freedom in the era of Jubilee. The figures in the photos couldn’t help but look exhausted in their often ill-fitting clothes.

In the looming years, the struggle remained monumental. Segregation sat the black family on the wrong side of the railroad tracks, from community to community, for decades. Black newspapers, battling to stay alive, often bent their focus toward black dysfunction. Crime sold plenty of copies of the Chicago Defender, the Baltimore Afro-American, the New York Amsterdam News. The black family, beyond its own black-oriented publications — which rarely wound up in white households — seemed almost other-worldly.

It can seem daunting to set the Obama family outside the White House, to envision them being compared to mortals.

“I think the narrative of the Obama family may be,” says Gerald Early, a professor at Washington University in St. Louis and director of its Center for Humanities, “that some people will look at them and say, ‘They’re the exception. They’re not the typical black family.’ The response to that by many black people will be, ‘Here is the black family to aspire to. Here is a black father contributing to his loving family.’ And still other blacks will say, ‘We know a lot of other black families like the Obamas. It’s just that people haven’t noticed them because they’ve been focusing on the dysfunctional part of black family life.”

That has been an issue for many decades — and one that black artists have worked to address. One of the more memorable looks at black family life in modern times took place on a Broadway stage in 1959. The play was “A Raisin in the Sun,” written by Lorraine Hansberry. Hansberry was born in Chicago, where Michelle Obama was born and where Barack Obama began his political career.

WASHINGTON, DC - July, 16: After the house cameras have turned back to the game, President Barack Obama gives his wife Michelle Obama a kiss after NOT kissing her during "Kiss Cam" during an exhibition game against Brazil at the Verizon Center, July 16, 2012.  (Photo by Toni L. Sandys/The Washington Post)
President Obama and the first lady kiss at Verizon Center during a Team USA exhibition game against Brazil in July 2012. (Toni L. Sandys/The Washington Post)

The Hansberry drama was about a poor black Chicago family and how a $10,000 life insurance check would test the moral courage and steadfastness of various family members. Just before the play opened on Broadway in the spring of 1959, Hansberry wrote a letter to her mother. “Mama, it is a play that tells the truth about people, Negroes and life and I think it will help a lot of people to understand how we are just as complicated as they are — and just as mixed up — but above all, that we have among our miserable and downtrodden ranks — people who are the very essence of human dignity.”

The president and first lady had a much-publicized “date night” in 2014, when they ventured to Broadway to see the revival of “A Raisin in the Sun,” which starred, among others, Denzel Washington, Sophie Okonedo and Anika Noni Rose.

America is still struggling to embrace the “human dignity” of African Americans reflected in Hansberry’s play. Early says he believes that as the years roll forward, President Obama will be central to that. He believes Obama will assume the mantle — whether he wishes it for himself or not — of the premiere black father figure, replacing the scandal-tarred, fictional father played by Bill Cosby on his long-running TV show. “Obama will have that role even more now,” he says.

President Obama’s post-presidency plans are bountiful. A gifted writer, he will turn attention to his memoirs. There is the presidential library to attend to. But his prayed-for attention to black America will be robust, and a plea he is apt to answer quickly. His unprecedented 2015 visit to a federal penitentiary in Oklahoma struck a chord among black families, all too many of whom have been touched, in some way, by the criminal justice system.

Obama’s effort to explain to white America the heartbreak of black families when Trayvon Martin, black and unarmed, was shot and killed in Florida by a neighborhood watch volunteer who was acquitted of all charges was palpable and searing. In a nation that has never had a candid conversation about race — unlike South Africa after apartheid, with its Truth and Reconciliation Commission — he will find himself expected to play the role of shaman, poet, conciliator and statesman.

Many expect Michelle Obama to also play an active role in the discourse that relates to the nation’s well-being. She has been an advocate for women’s rights, healthy eating and civility.

‘Positive reverberations’

In 2006, then-Sen. Barack Obama rolled into Columbus, Ohio, to gauge his presidential prospects. He met Donna James, a business executive, and her husband, Larry James, a partner at a law firm that bears his name. They hosted a gathering for Obama. “He was just a normal, thoughtful human being,” recalls Donna James, whom Obama would later appoint chairman of the National Women’s Business Council. James watched Obama and his family lay their impress upon the White House. She says she was struck by the couple’s decision to bring Marian Robinson, Michelle’s mother, to the White House with them.

“It was out of this sense of family,” James says. “It’s out of black culture. Latino people do the same thing. It was a loving family thing to do, and also very smart.”

There is little doubt that the Obamas represented a boon to the spread of blackness out into mainstream American society. Some wonder whether this hid a sea of white resentment, giving way to the racially charged campaign and election of Donald Trump.

Hollywood has not been known as an inclusive laboratory for black-oriented films. But with the Obamas in the White House, there was a noticeable uptick in cinematic diversity. Films such as “The Butler,” “Fruitvale Station,” “Selma” and, most recently, “Southside With You,” about Barack Obama’s courtship of Michelle Robinson, all elicited a conversational line pointing back to the White House and its occupants.

President Barack Obama, center, walks as he holds hands with Amelia Boynton, who was beaten during "Bloody Sunday," as they and the first family and others including Rep. John Lewis, D-Ga,, left of Obama, walk across the Edmund Pettus Bridge in Selma, Ala. for the 50th anniversary of “Bloody Sunday," a landmark event of the civil rights movement, Saturday, March 7, 2015. From front left are Marian Robinson, Sasha Obama and first lady Michelle Obama. (AP Photo/Jacquelyn Martin)
President Obama crosses the Edmund Pettus Bridge with some prominent figures to mark the 50th anniversary of the “Bloody Sunday” march in Selma, Ala. (Jacquelyn Martin/Associated Press)

“One level of the positive reverberations and interest in black history is because of Michelle and her kids,” says Peniel Joseph, a historian and professor of public affairs at the University of Texas at Austin. “For elites — artists — Obama was the best thing that ever happened. You found a lot more people interested in black life.”

Joseph says the complexity of President Obama’s family background — white American mother, black Kenyan father — was something that was easily digestible to many blacks. “Blacks know people with Africans in their family,” he offers. “And black folks just loved the way Michelle looked. In their mind, someone like Obama [a Harvard Law School grad] often married white women.”

Obama not only married a black woman, but married one proud of her black heritage; Joseph feels that invigorated discussions about black family life. Although the Obamas hosted a variety of musical events at the White House — country, blues, rock — it did not go unnoticed by blacks that the pride seemed to swell with a kind of warm cultural magic when the likes of Al Green, Smokey Robinson and Esperanza Spalding were in the White House. After all, there was a time when black minstrel acts were the only black entertainment seen inside the White House.

“Because of Michelle’s family,” adds Joseph, “you see how family structure is quintessential to understanding the black family: There is slavery, freedom, the Great Migration, and out of all that, you somehow carve a space in America to have kids and are able to make a way for those kids to make it to Princeton.”

Michelle Obama is a Princeton graduate.

Joseph also says the mere presence of the Obama family on the national stage keeps manifesting itself in a nation’s dialogue. “Bill O’Reilly said that slaves were well fed, as if he had dined out with slaves,” says Joseph, referring to the TV commentator. Joseph feels such raw commentary — seen as offensive to many across the racial landscape — was loosed because of the presence of Obama. “Many people made a secret covenant that with Obama elected, institutional racism was over. Instead, by electing the first black president, we all got deeper into the narrative of racism and slavery. In a lot of ways, certain white people feel betrayed by Obama because they felt once he was elected, Obama wouldn’t have to talk about race. But we’re seeing more examples of late, like Georgetown University coming to grips with slavery.”

The university recently announced it would find ways to aid the descendants of the 272 slaves it once sold to keep the school afloat. The school also announced other measures, such as a slavery exhibit and a memorial to those slaves linked to the school.

If, at times, the everyday presence of a black American family in the nation’s mind-set has seemed to unleash forces both good and not so good, there are some things that will resonate and be spoken of for generations to come: A black father as president walked his girls hand-in-hand across the lawn of the most powerful address in the world. A black mother gazed at that tableau and took herself back to the stories of beaten-down slaves who once tilled the White House lawns where her husband and daughters loped — and she then became fearless in letting the world know the gritty dreamlike magic of such a scene. And a black grandmother — Lorraine Hansberry’s “Mama” all through these eight long history- defying years — looked out from her own White House window upon it all. A woman who stayed silent to the world, her presence an echo back over the years of America and the black family.

Haygood is a journalist, professor and author known for his 2008 Washington Post article “A Butler Well Served by This Election,” about Eugene Allen. The movie “The Butler” was based on his story.

This story is part of a virtual museum of President Barack Obama’s presidency. In five parts — The First Black President, Commander in Chief, Obama’s America, Obama and the World and The First Family — we explore the triumphs and travails of his historic tenure.

Room One
The First Black President
Illustrations by James Steinberg
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A hopeful moment on race
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Obama’s effort to heal racial divisions and uplift black America
Barack Obama's presidency signaled a "post-racial" America at first, but the racial conflict followed disproved that.

Barack Obama’s watershed 2008 election and the presidency that followed profoundly altered the aesthetics of American democracy, transforming the Founding Fathers’ narrow vision of politics and citizenship into something more expansive and more elegant. The American presidency suddenly looked very different, and for a moment America felt different, too.

The Obama victory helped fulfill one of the great ambitions of the civil rights struggle by showcasing the ability of extraordinarily talented black Americans to lead and excel in all facets of American life. First lady Michelle Obama, and daughters Sasha and Malia, extended this reimagining of black American life by providing a conspicuous vision of a healthy, loving and thriving African American family that defies still-prevalent racist stereotypes.

But some interpreted Obama’s triumph as much more.

SLUG: NA/OBAMA DATE: 10/31/08 CREDIT: Linda Davidson / staff/ The Washington Post LOCATION: Wicker Memorial Park, Gary, IN SUMMARY: Democratic Presidential candidate Barack Obama holds a rally in Gary, IN. PICTURED: Members of the crowd respond to Obama as he makes his way down the ropeline. Some seek to shake his hand, others want to touch his head, some just want a hug. StaffPhoto imported to Merlin on Fri Oct 31 23:06:03 2008
Members of the crowd in Gary, Ind., seek to shake the candidate's hand or touch his head as he thanks them for their support in October 2008. (Linda Davidson/The Washington Post)

The victory was heralded as the arrival of a “post-racial” America, one in which the nation’s original sin of racial slavery and post-Reconstruction Jim Crow discrimination had finally been absolved by the election of a black man as commander in chief. For a while, the nation basked in a racially harmonious afterglow.

A black president would influence generations of young children to embrace a new vision of American citizenship. The “Obama Coalition” of African American, white, Latino, Asian American and Native American voters had helped usher in an era in which institutional racism and pervasive inequality would fade as Americans embraced the nation’s multicultural promise.

Seven years later, such profound optimism seems misplaced. Almost immediately, the Obama presidency unleashed racial furies that have only multiplied over time. From the tea party’s racially tinged attacks on the president’s policy agenda to the “birther” movement’s more overtly racist fantasies asserting that Obama was not even an American citizen, the national racial climate grew more, and not less, fraught.

CHICAGO, ILLINOIS: NOVEMBER 6 -- President Barack Obama is re-elected to office in Chicago, Illinois, on Tuesday, November 6, 2012. (Photo by Nikki Kahn/The Washington Post)
President Obama is feted in Chicago on Nov. 6, 2012, the night he is elected to his second term as commander in chief. (Nikki Kahn/The Washington Post)

If racial conflict, in the form of birthers, tea partyers and gnawing resentments, implicitly shadowed Obama’s first term, it erupted into open warfare during much of his second. The Supreme Court’s 2013 decision in the Shelby v. Holder case gutted Voting Rights Act enforcement, throwing into question the signal achievement of the civil rights movement’s heroic period.

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Beginning with the 2012 shooting death of black teenager Trayvon Martin in Florida, the nation reopened an intense debate on the continued horror of institutional racism evidenced by a string of high-profile deaths of black men, women, boys and girls at the hands of law enforcement.

The organized demonstrations, protests and outrage of a new generation of civil rights activists turned the hashtag #BlackLivesMatter into the clarion call for a new social justice movement. Black Lives Matter activists have forcefully argued that the U.S. criminal justice system represents a gateway to racial oppression, one marked by a drug war that disproportionately targets, punishes and warehouses young men and women of color. In her bestselling book “The New Jim Crow,” legal scholar Michelle Alexander argued that mass incarceration represents a racial caste system that echoes the pervasive, structural inequality of a system of racial apartheid that persists.

DENVER, COLORADO: OCTOBER 24 -- A fan hugs President Barack Obama as he works the rope line following a rally at City Park in Denver, Colorado, on Wednesday, October 24, 2012. (Photo by Nikki Kahn/The Washington Post)
A supporter hugs President Obama as he works the rope line following a rally in Denver in October 2012. (Nikki Kahn/The Washington Post)

Obama’s first-term caution on race matters was punctured by his controversial remarks that police “acted stupidly” in the mistaken identity arrest of Henry Louis Gates Jr., Harvard University’s prominent African American studies professor, in 2009. Four years later he entered the breach once more by proclaiming that if he had a son, “he’d look like Trayvon.”

In the aftermath of racial unrest in Ferguson, Mo., and Baltimore, and a racially motivated massacre in Charleston, S.C., Obama went further. In 2015, Obama found his voice in a series of stirring speeches in Selma, Ala., and Charleston, where he acknowledged America’s long and continuous history of racial injustice.

Policy-wise Obama has launched a private philanthropic effort, My Brother’s Keeper, designed to assist low-income black boys, and became the first president to visit a federal prison in a call for prison reform that foreshadowed the administration’s efforts to release federal inmates facing long sentences on relatively minor drug charges.

Despite these efforts, many of Obama’s African American supporters have expressed profound disappointment over the president’s refusal to forcefully pursue racial and economic justice policies for his most loyal political constituency.

From this perspective, the Obama presidency has played out as a cruel joke on members of the African American community who, despite providing indispensable votes, critical support and unstinting loyalty, find themselves largely shut out from the nation’s post-Great Recession economic recovery. Blacks have, critics suggested, traded away substantive policy demands for the largely symbolic psychological and emotional victory of having a black president and first family in the White House for eight years.

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Others find that assessment harsh, noting that Obama’s most impressive policy achievements have received scant promotion from the White House or acknowledgment in the mainstream media.

History will decide the full measure of the importance, success, failures and shortcomings of the Obama presidency. With regard to race, Obama’s historical significance is ensured; only his impact and legacy are up for debate. In retrospect, the burden of transforming America’s tortured racial history in two four-year presidential terms proved impossible, even as its promise helped to catapult Obama to the nation’s highest office.

DES MOINES, IOWA: NOVEMBER 5 -- President Barack Obama wraps up his campaign with a final stop in downtown Des Moines, Iowa, on Monday, November 5, 2012. (Photo by Nikki Kahn/The Washington Post)
President Obama wraps up his campaign with a final stop in downtown Des Moines on Nov. 5, 2012. (Nikki Kahn/The Washington Post)

Obama’s presidency elides important aspects of the civil rights struggle, especially the teachings of the Rev. Martin Luther King Jr. King, for a time, served as the racial justice consciousness for two presidents — John F. Kennedy and Lyndon B. Johnson. Many who hoped Obama might be able to serve both roles — as president and racial justice advocate — have been disappointed. Yet there is a revelatory clarity in that disappointment, proving that Obama is not King or Frederick Douglass, but Abraham Lincoln, Kennedy and Johnson. Even a black president, perhaps especially a black president, could not untangle racism’s Gordian knot on the body politic. Yet in acknowledging the limitations of Obama’s presidency on healing racial divisions and the shortcomings of his policies in uplifting black America, we may reach a newfound political maturity that recognizes that no one person — no matter how powerful — can single-handedly rectify structures of inequality constructed over centuries.

Peniel Joseph is professor of history and director of the Center for the Study of Race and Democracy and the LBJ School of Public Affairs at the University of Texas.

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Room Two
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Room Three
Obama’s America
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Room Four
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Obama’s Legacy
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Credits
Credits
Editing
  • Terence Samuel, project editor
  • Allison Michaels, project manager, digital editor
  • Shannon Croom, multiplatform editor
  • Courtney Rukan, multiplatform editor
  • Emily Chow, graphics assignment editor
Design and development
  • Seth Blanchard
  • Emily Yount
Illustrations
  • Suzette Moyer, art director
  • James Steinberg, illustrator (The First Black President)
  • Brian Stauffer, illustrator (Commander in Chief)
  • Thandiwe Tshabalala, illustrator (Obama’s America)
  • Jasu Hu, illustrator (Obama and the World)
  • Erin K. Robinson, illustrator (The First Family)
Video
  • Dalton Bennett
  • Gillian Brockell
  • Bastein Inzaurralde
  • Claritza Jimenez
  • Ashleigh Joplin
  • Whitney Leaming
  • Osman Malik
  • Zoeann Murphy
  • Erin O’Conner
  • Sarah Parnass
  • Mahnaz Rezaie
  • Jorge Ribas
  • Whitney Shefte
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Photo editing
  • Stephen Cook
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Writing and reporting
  • Derek Chollet
  • Elliot Cohen
  • Christian Davenport
  • Ivo H. Daalder
  • Mike DeBonis
  • Karen DeYoung
  • Juliet Eilperin
  • Michael Fletcher
  • Thomas Gibbons-Neff
  • Robin Givhan
  • Will Haygood
  • Sari Horwitz
  • Greg Jaffe
  • Peniel Joseph
  • Paul Kane
  • Wesley Lowery
  • David Maraniss
  • Greg Miller
  • Steven Mufson
  • David Nakamura
  • John Pomfret
  • Missy Ryan
  • Peter Slevin
  • Kevin Sullivan
  • Krissah Thompson
  • Neely Tucker
  • William Wan
  • Vanessa Williams
Research and graphics
  • Darla Cameron
  • Scott Clement
  • Emily Guskin
  • Tim Meko
  • Stephanie Stamm
  • Aaron Steckelberg
  • Elise Viebeck