Actress Margot Kidder, best known for her portrayal of Lois Lane in the “Superman” movies, died on May 13. (Erin Patrick O'Connor/The Washington Post)

Margot Kidder, a raspy-voiced actress who played ace reporter Lois Lane in the “Superman” movie phenomenon but whose career was eclipsed by her struggle with bipolar disorder, died May 13 at her home in Livingston, Mont. She was 69.

A spokeswoman for the Franzen-Davis funeral home in Livingston confirmed the death and said no other information was available.

For much of her early career, Ms. Kidder was a self-described “scream queen.” Her suggestion of cunning and sensuality elevated Brian De Palma’s thriller “Sisters” (1972) and the sorority-house slasher film “Black Christmas” (1974). Reviewing “Sisters,” New York film critic Pauline Kael highlighted Ms. Kidder’s ability to “turn on sexiness with a witch’s precision.”

To the wider public, she was still largely unknown when director Richard Donner cast her and an obscure stage actor, Christopher Reeve, in his 1978 big-budget reboot of “Superman.” The comic strip had been adapted to radio and TV decades earlier, but in the years after the Vietnam War and the Watergate scandal, the notion of reviving the all-American Man of Steel bore the musty odor of a Saturday morning serial from the 1950s.

“I thought it was going to be a big turkey,” Ms. Kidder said later.

Clark Kent, aka Superman portrayed by Christopher Reeve, and Lois Lane, portrayed by Margot Kidder. (AP)

The film’s great advantage was the chemistry provided by the two appealing leads. Ms. Kidder played Lane as sassy and temperamental, and Reeve gave a delightfully deadpan performance as the nerdy, fumbling newsroom colleague, Clark Kent, who transforms into the swoon-worthy Superman. In one memorable scene, she falls from a helicopter, and he races skyward to rescue her,

“You’ve got me,” she says in disbelief. “Who’s got you?”

The director also recruited an expert supporting cast that included Gene Hackman as villain Lex Luthor and Marlon Brando as Superman’s father, Jor-El. “Superman,” which also was distinguished by composer John Williams’s brassy earworm of a score, proved a blockbuster with audiences and disarmed most critics.

Ms. Kidder recalled the trials and errors of making a superhero movie with fairly crude special effects involving flight.

“The first scene I do with him when we fly off the balcony, we had to do something like 84 takes,” she told the Advertiser, an Australian publication, in 2014. “Now part of that was because the guy who ran the wheel with the thing that lifted us up in the air was a little drunk all the time, and he would wheel me into Chris and we’d crash in midair and he’d drop me into bushes.

“Physically it got very uncomfortable to say the least,” she added. “We’d have a week where we’d turn left, around the Statue of Liberty, and then you’d turn right around the Leaning Tower of Pisa, so it was a bit hard.”

She said Reeve, making one of his first screen appearances, became irritated whenever she would read during breaks. “He’d say, ‘You don’t stay in character?’ I’d say, ‘For Christ’s sake, Chris, I’ve been Lois Lane for a year, all you do is look left, I can handle it.’ And I’d pull out my book and he’d get very cross.”

Ms. Kidder reprised Lane in three Superman sequels over the next decade. She also returned to her fright-film roots with “The Amityville Horror” (1979), a major box office success. But she was unable to sustain consistent quality in her subsequent work. She earned solid reviews as a brassy free spirit in the drama “Heartaches” (1981), but that was followed by a precipitous drop to “Little Treasure” (1985), playing a stripper.

She increasingly devoted her time to liberal activism, including appearances at rallies for Jesse Jackson’s 1988 presidential campaign. She also spoke out in favor of abortion rights and a nuclear freeze and against the Persian Gulf War. She burned through three marriages, and her heavy drinking and erratic behavior left her with few supporters in a film colony where friendships are often transactional.

In 1990, while in Vancouver filming a cable series, she suffered serious back injuries in a car accident that left her unable to work for two years and reliant on pain killers. Her surgical bill of $600,000, for which she could not find coverage, left her reeling financially.

In manic episodes during her paycheck heyday, she recalled spending “millions of dollars buying things for friends, taking people to Paris.” She was now forced to declare bankruptcy and leave her home for a one-bedroom apartment near Hollywood.

Then, in 1996, she endured what she later jokingly called the “biggest nervous breakdown in history, bar possibly Vivien Leigh’s,” a reference to the troubled “Gone With the Wind” star. “If you’re gonna fall apart,” she advised, “do it in your own bedroom.”

Her collapse, she said, was triggered by a virus on her laptop that erased years of work on a memoir. The loss sent her spiraling. She became convinced that her first husband, author Thomas McGuane, was trying to kill her with the help of the CIA. She slashed her hair and removed several teeth in a bid to go unrecognized.

Over the course of three days, she wandered the streets and narrowly escaped being raped. She was found disheveled, penniless and disoriented in the back yard of a home in Glendale, Calif., and was taken to a private psychiatric clinic for evaluation. Her worrisome conduct drew an avalanche of media coverage.

Ms. Kidder gradually tried to revive her career in small-budget films, TV cameos (including the Superman prequel “Smallville”) and stage appearances in “The Vagina Monologues.” She told the Guardian that she wanted to write a one-woman-show “about insanity and war.”

Margaret Ruth Kidder was born in Yellowknife, the capital of Canada’s Northwest Territories, on Oct. 17, 1948. As the family moved for her father’s career as a mining engineer, she attended 11 schools over a dozen years.

“I was a hot babe with teased hair and white lipstick,” she once told People. “My mom sent me to boarding school so I wouldn’t get raped by a miner.” She was already prone to violent mood swings in her youth, and she made her first suicide attempt at 14, swallowing codeine pills after being dumped by a boyfriend.

“I thought in acting I could let my real self out and no one would know it was me,” she recalled to People. At 21, Ms. Kidder played an inexperienced prostitute in “Gaily, Gaily” (1969), a picaresque comedy based on screenwriter Ben Hecht’s days as a Chicago newspaperman. The next year, she starred opposite Gene Wilder in the comedy “Quackser Fortune Has a Cousin in the Bronx.” Her other credits included “The Great Waldo Pepper” (1975), starring Robert Redford as a barnstorming pilot, and filmmaker Rob Zombie’s thriller “Halloween II” (2009).

Her first marriage, to McGuane, lasted less than a year. Her later marriages to actor John Heard and French filmmaker Philippe de Broca also were short-lived. For years, she was also in a relationship with Canadian Prime Minister Pierre Trudeau. She had a daughter with McGuane, but a complete list of survivors was not immediately available. (Her co-star Reeve was paralyzed in a horse-riding accident and died in 2004 at age 52.)

“Acting’s fun, but life’s more important,” Ms. Kidder told the Guardian of her professional trajectory. “I guess I came to terms with my demons. . . . Horrifying as it was to crack up in the public eye, it made me look at myself and fix it. People were exploitative; that’s human nature.”

“My grandson sees me as Lois on TV every Christmas,” she added, “and that scores me points.”