“Is that art?” is the eternal question usually posed in gallery spaces and art museums. But for spring, the same could be asked about some of the original and complex fashion shown on the runways of New York, Paris and Milan.
Marc Jacobs’s striped suits and evening dresses swirled around models’ bodies in geometric precision, recalling the 1960s op art of Victor Vasarely. Lazaro Hernandez and Jack McCollough of Proenza Schouler patched together pieces of satin fabric, multi-hued reptile skins and silver grommets with photos from the Internet, in a self-described homage to Gerhard Richter’s painterly collages.
Which brings us back to a twist on the age-old query: Can a piece of clothing be art, and can a designer be an artist? Maybe, says Harold Koda, curator in chargeof the Costume Institute at New York’s Metropolitan Museum of Art.
“Most designers are reluctant to say they’re artists, even though every creative person goes through the same process to express an idea,” Koda said in a recent interview. The problem, he contends, is an economic one. Because our culture continues to believe in the romantic notion of artists working for art’s sake, Koda says, designers, whose careers are often dedicated to the dollar, can be dismissed as unworthy of the artist mantle.
But every now and then comes a designer or a piece within a collection that goes beyond the notion of what will sell. “They will do something that crystallizes the zeitgeist, something that’s technically innovative and aesthetically provocative,” Koda said.
Nancy Pearlstein, owner of D.C. boutique Relish, will stock Jacobs’s latest collection. “I don’t know yet how it will be received, but it’s a new dimension in suits and dresses. I can’t say whether it’s art or not, but if art is something that you relate to and are instinctively drawn to, then he’s touched on something right.”
Here, spring shopping suggestions for those who believe that art can be found on city streets as well as in the National Gallery.
FROM THE OP ART SCHOOL
Victor Vasarely painted “Bora III,” an oil on canvas, in 1964. He was a leader in developing the geometric abstract, also known as optical art.
Op artists zoomed in on color and line. A chevron-pattern cotton sweater from New Zealand-based designer Karen Walker goes for a similar artistic effect, seducing us with its precise navy stripes. Pair this fresh take on nautical style with your go-to white jeans or cropped ones worn with ankle-tied espadrilles. Seafellow sweater, $88 at www.anthropologie.com.
This front-pocket tote’s soothing geometric design in minimalist black and white will give you the illusion — if not the reality — of imposing order on your overscheduled days. Shopper, $129 at www.zara.com.
Among the designers who, like Jacobs, embraced the bold geometric patterns of the 1960s is Derek Lam, who teamed with Kohl’s for a new collection called DesigNation, set to launch online and in area stores April 5. Colors inspired by life in Rio de Janeiro give the wearer of this fitted dress a new angle on wearing stripes.$70 at area Kohl’s stores and www.kohls.com.
FROM THE COLLAGE SCHOOL
Gerhard Richter painted “Stuhl” (chair) in 1985. His primary focus in the late ’70s and early ’80s was abstract art.
Old-school G.H. Bass & Co. (founded in the 1870s) delivers a new-school spin on saddle shoes with a jaunty collage of an on-trend floral fabric and leather. Available in yellow with black soles or black with yellow soles. Thea saddle shoes, $98 at Anthropologie, 3222 M St. NW, 202-337-1363, www.anthropologie.com and bassshoes.harborghb.com.
If collage is all about layering and texture and creating cohesion out of visual differences, then this set of sparkly, stone-encrusted, candy-colored bracelets qualifies as a new art form. Set, $29 at www.accessorize.com.
Graphic stripes and a photo print of a crowded beach scene make this crepe de chine mini dress an art-driven choice for a summer party on the patio. It’s from Clover Canyon, known for blending bold patterns and hues. $207 at www.netaporter.com.
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