This week King is traveling in California on her book tour and plans to meet with the director and producer. She says, “I feel really lucky to be working with the immensely talented Michael Apted and Paige Simpson.” She describes them both as “very committed and passionate already.”
King will not be writing the script but says, “I hope to be able to put in my two cents. . . . I hope it will make viewers feel the way I felt while watching ‘The English Patient,’ ‘Brokeback Mountain’ and ‘Out of Africa,’ films in which place is a lush and fascinating main character, yet the human characters are so vivid and particular they do not get outperformed by it.”
“Euphoria,” her fourth novel and her first historical novel, has received very positive reviews. The story reimagines a collaboration in New Guinea in the early 1930s involving Mead; her husband, Reo Fortune; and her future husband, Gregory Bateson.
If the movie plans proceed as hoped, “Euphoria” will be the first of King’s novels to make it to the screen. She optioned “The English Teacher” (2005), but the film version was never produced.
On Sunday, she wrote about a very different kind of disappointment in the New York Times. Her “Modern Love” column describes getting her heart broken by a poet at an artists’ colony in New England. King says that it “feels really strange to have written nonfiction about something so personal. Took me 19 years to write about that moment. It was exceptionally painful.”
She doesn’t name the heartbreaker, but poetry readers shouldn’t have much trouble identifying him.