Her roles numbered in the hundreds. She was Granny from a treasure-trove of Looney Tunes’ Tweety and Sylvester cartoons and “Space Jam.” She was Grandmother Fa in Disney’s “Mulan.” And she was Cindy Lou Who in the ’60s Dr. Seuss classic “How the Grinch Stole Christmas!”
Outside the recording booth, Foray was a force as well, helping to found the animation industry’s Annie Awards and to push for the creation of the Oscars’ animated feature category. She also was an original member of the animation organization ASIFA-Hollywood.
And fittingly, the Annie Awards created a June Foray Award to honor deserving contributions to animation; rightfully, she was its first recipient.
Foray was born in 1917 in Springfield, Mass., and began doing radio voice work during the Depression, at age 12, before going into vocal acting for the screen during World War II. Her work would remain uncredited for much of the next two decades, including on Disney’s “Peter Pan,” because she mainly did bit parts, though she did receive credit for voicing Lucifer the cat in the studio’s “Cinderella” in 1950 — her first major role.
The ’60s kicked off a boom time for her, including TV’s “The Dudley Do-Right Show,” “The Bugs Bunny Show” and “The Flintstones” (even though she was aced out of the Betty Rubble role after the pilot).
From Pogo to Garfield to Smurfs projects, Foray was in constant demand for the next three decades. In the early ’80s alone, she could be heard on TV’s animated “The Incredible Hulk,” “Spider-Man and His Amazing Friends,” “Heathcliff” and “Alvin & the Chipmunks.” And by the end of the decade, she was doing “DuckTales” and had voiced Wheezy and Lena Hyena in Robert Zemeckis’s 1988 hit “Who Framed Roger Rabbit.”
All courtesy of a rich, resonant voice that emanated from a woman who stood just under 5 feet.
Foray received Emmys recognition in 2013, when she was honored with a Governors Award.
“I love everything I do with all of the parts that I do,” Foray once said, “because there’s a little bit of me in all of them.”