My father, who was a professional photographer, instructed me early on to carry my camera everywhere I go. From the moment I was called to be a corrections officer, I had my camera. At the academy, I had my camera. At the range, I had my camera. I wanted a visual diary of my journey.
Shabazz was born and reared in Brooklyn, and he used his camera to document his surroundings.
“It’s important to note that a number of corrections officers often come from the same communities as those that are incarcerated. Seeing people I knew personally was always very troubling, especially during the crack epidemic,” he told In Sight.
He noted that the photography work he did in Rikers Island would not be possible today, as officers would not be allowed to carry cameras unless they are assigned by the department. But in Aperture he explained how he built trust and gained access during his time there.
I would often share my photographs with the young men, and it started conversations. It strengthened the relationship between me and them. I recognized that photography could serve as a form of visual medicine, and it could also help to heal them. I eventually became known as “the photographer.” I think it’s very important to show this work to help people see the human side of those incarcerated. We hear about prisons. But what is the face of the inmate? What does the inmate look like?
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In Sight is The Washington Post’s photography blog for visual narrative. This platform showcases compelling and diverse imagery from staff and freelance photographers, news agencies and archives. If you are interested in submitting a story to In Sight, please complete this form.