Gaming, like many subcultures, is prone to cults of personality. But the online intensity of the gaming community can magnify the personal relationship individuals feel with the creators of the content they care about — sometimes to the detriment of the personal and professional lives of those creators, and in turn the industry at large.
In a moment that foreshadowed the Mojang sale, Notch vented on Twitter in June after being the subject of fan vitriol over an end license user agreement (or EULA) issue on Twitter:
Notch writes in his farewell post that he was burnt out from being the subject of such intense scrutiny, referencing the EULA as a sort of turning point that made him realize his role at Mojang had morphed into one he didn't enjoy.
I’ve become a symbol. I don’t want to be a symbol, responsible for something huge that I don’t understand, that I don’t want to work on, that keeps coming back to me. I’m not an entrepreneur. I’m not a CEO. I'm a nerdy computer programmer who likes to have opinions on Twitter.
And Notch isn't alone. In fact, Notch linked to this video explaining how fandom backlash and the gaming press had helped drive Phil Fish, developer of indie darling Fez, out of the industry. (Warning: Long and featuring explicit language.)
Others, too, have felt the need to escape when their work faces sudden scrutiny. Dong Nguyen, creator of viral mobile hit Flappy Bird, went so far as to remove his game from digital marketplaces after the flood of feedback became too much to bear.
Sometimes the gaming community's attention can extend far beyond concerns with the creative output of game developers. Zoe Quinn, creator of an online text adventure game which explores living with mental illness, recently became the focus of misogyny-tainted whirlwind known as "gamergate" over allegations involving her personal life.
But even when vast majority of feedback is positive, it can still be uncomfortable. Gabe Newell, or Gaben, as the founder of popular gaming company Valve is popularly known, is beloved by many gamers. There are subreddits devoted to him filled with fan art and even mods that enshrine his image in popular games. But he admits that the outpouring of devotion can sometimes be unsettling — telling The Post last year about how uncomfortable he was the first time fans wanted to hug him in public.
Gamers sometimes seem to feel that they have a level of ownership over the people who create the things they love, and in the process hold them to high, sometimes impossible, standards. By staking that claim, fans turn creators into a sort of conceptual symbol, taking away their agency to be self-defined individuals.
Some people online are unhappy that Notch has "sold out" with the acquisition of Mojang by Microsoft, arguing that it seems incongruent with his previous disdain for mainstream tech company buyouts of indie gaming start-ups — after all, he did say he was cancelling talks to port Minecraft to Oculus Rift after it was bought by Facebook. And as the majority shareholder, he assuredly has made a tidy sum from the sale.
But considering the gaming community's tendency to turn on the people whose talents they claim to prize, his assertion that the sale is about preserving his sanity certainly rings true.