‘Sabotage’ Puccini’s ‘Tosca’? Hardly.
In more than 50 years of my career as a singer and nearly 40 as a conductor, I have accepted critics’ reviews, positive or negative, for what they are: personal opinions and points of view. But for the first time in my life, I am sending a letter to the editor of a newspaper, because your music critic Anne Midgette has crossed the line between reasonably objective criticism and what appears to be open animosity.
I believe that during my 15 years with Washington National Opera, my colleagues have been able to observe my integrity as an artist and my love of and consideration toward all of them.
Midgette’s statement that my conducting actually “sabotaged” WNO’s recent performances of Puccini’s “Tosca” is offensive and defamatory [“A serviceable ‘Tosca’ signals business as usual,” Style, Sept. 12]. An act of sabotage is a destructive act done on purpose. Her remark suggests not only that I “spoiled” the performances but that I did so intentionally. This is unconscionable.
Placido Domingo, New York